Rho Cloud › Shakespeare's Tragedies

Shakespeare's Tragedies — Chronicle

Ordered by chapter. No event in this book could be dated from the text, so it is not dated — no anchor, no chronology; a date is never inferred. Time expressions are copied from the text as written. Every event links back to one sentence of the original.

⭐ Constellation map → · 📖 Read the original → · 🗂 Character index → · 📍 Places →

520 events · no event could be dated from the text

Undated

Troilus and Cressida · Act I, Scene I
Troilus reveals to Pandarus that he is passionately in love with Cressid.

Troilus and Cressida · Act I, Scene I · 📍 [[Troy]]

Troilus Cressida Pandarus

I tell thee I am mad In Cressid’s love.

Troilus and Cressida · Act I, Scene I
Paris returns home wounded after Menelaus injures him in battle.

Troilus and Cressida · Act I, Scene I · today

Paris Menelaus

That Paris is returned home, and hurt.

Troilus and Cressida · Act I, Scene II
Ajax struck Hector down in battle, leaving Hector fasting and awake from anger and shame.

Troilus and Cressida · Act I, Scene II · yesterday

Ajax Hector

They say he yesterday cop’d Hector in the battle and struck him down, the disdain and shame whereof hath ever since kept Hector fasting and waking.

Troilus and Cressida · Act I, Scene III
Aeneas announces Hector’s challenge to any Greek lover willing to fight him.

Troilus and Cressida · Act I, Scene III · 📍 [[Troy]] · tomorrow

Hector Aeneas

Hector, in view of Trojans and of Greeks, Shall make it good or do his best to do it: He hath a lady wiser, fairer, truer, Than ever Greek did couple in his arms; And will tomorrow with his trumpet call Mid-way between your tents and walls of Troy To rouse a Grecian that is true in love.

Troilus and Cressida · Act I, Scene III
Agamemnon declares he will meet Hector if no other Greek accepts the challenge.

Troilus and Cressida · Act I, Scene III · 📍 [[Troy]] · tomorrow

Agamemnon Hector

If then one is, or hath, or means to be, That one meets Hector; if none else, I am he.

Troilus and Cressida · Act I, Scene III
Nestor vows to answer Hector’s challenge on behalf of Greek honor if necessary.

Troilus and Cressida · Act I, Scene III · 📍 [[Troy]] · tomorrow

Nestor Hector

But if there be not In our Grecian host A noble man that hath one spark of fire To answer for his love, tell him from me I’ll hide my silver beard in a gold beaver, And in my vambrace put this wither’d brawns, And meeting him, will tell him that my lady Was fairer than his grandam, and as chaste As may be in the world.

Troilus and Cressida · Act I, Scene III
Ulysses proposes sending Ajax against Hector instead of Achilles, and Nestor approves the strategy.

Troilus and Cressida · Act I, Scene III

Ulysses Nestor Ajax Hector Achilles

No, make a lott’ry; And, by device, let blockish Ajax draw The sort to fight with Hector. Among ourselves Give him allowance for the better man; For that will physic the great Myrmidon, Who broils in loud applause, and make him fall His crest, that prouder than blue Iris bends. If the dull brainless Ajax come safe off, We’ll dress him up in voices; if he fail, Yet go we under our opinion still That we have better men.

Troilus and Cressida · Act II, Scene I
Ajax strikes Thersites during their quarrel.

Troilus and Cressida · Act II, Scene I

Ajax Thersites

AJAX. You cur! [Strikes him.]

Troilus and Cressida · Act II, Scene I
Thersites exits, declaring he will leave the faction of fools.

Troilus and Cressida · Act II, Scene I

Thersites

I will see you hang’d like clotpoles ere I come any more to your tents. I will keep where there is wit stirring, and leave the faction of fools. [Exit.]

Troilus and Cressida · Act II, Scene I
Hector is proclaimed to challenge a Greek knight between the tents and Troy.

Troilus and Cressida · Act II, Scene I · 📍 [[Troy]] · Tomorrow morning

Hector Achilles

That Hector, by the fifth hour of the sun, Will with a trumpet ’twixt our tents and Troy, Tomorrow morning, call some knight to arms

Troilus and Cressida · Act II, Scene II
Troilus declares that he takes a wife today and cannot withdraw from his choice.

Troilus and Cressida · Act II, Scene II · today

Troilus

I take today a wife, and my election Is led on in the conduct of my will;

Troilus and Cressida · Act II, Scene II
Paris brings Helen, a Grecian queen, to Troy after the Greeks retain his aunt captive.

Troilus and Cressida · Act II, Scene II

Paris Helen

And for an old aunt whom the Greeks held captive He brought a Grecian queen, whose youth and freshness Wrinkles Apollo’s, and makes stale the morning.

Troilus and Cressida · Act II, Scene II
Cassandra prophesies that Troy will burn unless Helen is surrendered.

Troilus and Cressida · Act II, Scene II · 📍 [[Troy]]

Cassandra Paris Helen

Troy must not be, nor goodly Ilion stand; Our firebrand brother, Paris, burns us all. Cry, Trojans, cry, A Helen and a woe! Cry, cry. Troy burns, or else let Helen go.

Troilus and Cressida · Act II, Scene II
Hector resolves to support retaining Helen despite acknowledging that justice demands her return.

Troilus and Cressida · Act II, Scene II

Hector Troilus Paris

Yet, ne’ertheless, My spritely brethren, I propend to you In resolution to keep Helen still;

Troilus and Cressida · Act II, Scene II
Hector sends a challenge among the Greek nobles to awaken their sleeping general.

Troilus and Cressida · Act II, Scene II

Hector

I have a roisting challenge sent amongst The dull and factious nobles of the Greeks Will strike amazement to their drowsy spirits.

Troilus and Cressida · Act II, Scene III
Achilles refuses to enter the field and fight with the Greek forces.

Troilus and Cressida · Act II, Scene III · tomorrow

Achilles

Achilles will not to the field tomorrow.

Troilus and Cressida · Act II, Scene III
The Greek commanders prepare to fight without Achilles.

Troilus and Cressida · Act II, Scene III · tomorrow

Agamemnon Achilles

You must prepare to fight without Achilles.

Troilus and Cressida · Act II, Scene III
The Greek commanders resolve to assemble their forces and stand fast at Troy.

Troilus and Cressida · Act II, Scene III · 📍 [[Troy]] · Tomorrow

Agamemnon Ulysses Nestor Diomedes Ajax

Tomorrow We must with all our main of power stand fast

Troilus and Cressida · Act III, Scene I
Pandarus reveals that Cressida is desperately in love with something Helen possesses.

Troilus and Cressida · Act III, Scene I

Cressida Pandarus Helen

My niece is horribly in love with a thing you have, sweet queen.

Troilus and Cressida · Act III, Scene I
Paris declares his love for Helen.

Troilus and Cressida · Act III, Scene I

Paris Helen

Sweet, above thought I love thee.

Troilus and Cressida · Act III, Scene II
Pandarus brings Cressida to Troilus, enabling their long-awaited encounter.

Troilus and Cressida · Act III, Scene II · 📍 [[orchard]]

Pandarus Troilus Cressida

Re-enter Pandarus with Cressida.

Troilus and Cressida · Act III, Scene II
Cressida reveals that she has loved Troilus for months and was won at first sight.

Troilus and Cressida · Act III, Scene II · 📍 [[orchard]]

Cressida Troilus

Prince Troilus, I have lov’d you night and day For many weary months.

Troilus and Cressida · Act III, Scene II
Troilus vows unwavering truth and faithfulness to Cressida.

Troilus and Cressida · Act III, Scene II · 📍 [[orchard]]

Troilus Cressida

Troilus shall be such to Cressid as what envy can say worst shall be a mock for his truth; and what truth can speak truest not truer than Troilus.

Troilus and Cressida · Act III, Scene II
Pandarus seals their bargain by joining their hands and sends them to a chamber and bed.

Troilus and Cressida · Act III, Scene II

Pandarus Troilus Cressida

Go to, a bargain made; seal it, seal it; I’ll be the witness. Here I hold your hand; here my cousin’s.

Troilus and Cressida · Act III, Scene III
Calchas secures an agreement to exchange Antenor for Cressid.

Troilus and Cressida · Act III, Scene III

Calchas Cressida

You have a Trojan prisoner call’d Antenor, Yesterday took; Troy holds him very dear. Oft have you—often have you thanks therefore— Desir’d my Cressid in right great exchange, Whom Troy hath still denied; but this Antenor, I know, is such a wrest in their affairs That their negotiations all must slack Wanting his manage; and they will almost Give us a prince of blood, a son of Priam, In change of him. Let him be sent, great Princes, And he shall buy my daughter; and her presence Shall quite strike off all service I have done In most accepted pain. AGAMEMNON. Let Diomedes bear him, And bring us Cressid hither. Calchas shall have What he requests of us.

Troilus and Cressida · Act III, Scene III
Achilles declares that he will no longer fight against Troy.

Troilus and Cressida · Act III, Scene III

Achilles

What comes the general to speak with me? You know my mind. I’ll fight no more ’gainst Troy.

Troilus and Cressida · Act III, Scene III
Ulysses reveals that Achilles loves Polyxena.

Troilus and Cressida · Act III, Scene III

Achilles Polyxena

’Tis known, Achilles, that you are in love With one of Priam’s daughters. ACHILLES. Ha! known! ULYSSES. Is that a wonder? The providence that’s in a watchful state Knows almost every grain of Plutus’ gold; Finds bottom in th’uncomprehensive deeps; Keeps place with thought, and almost, like the gods, Do thoughts unveil in their dumb cradles. There is a mystery—with whom relation Durst never meddle—in the soul of state, Which hath an operation more divine Than breath or pen can give expressure to. All the commerce that you have had with Troy As perfectly is ours as yours, my lord; And better would it fit Achilles much To throw down Hector than Polyxena.

Troilus and Cressida · Act III, Scene III
Achilles sends Thersites to arrange Hector’s unarmed visit to his tent.

Troilus and Cressida · Act III, Scene III

Achilles Thersites Hector

Thou must be my ambassador to him, Thersites. THERSITES. Who, I? Why, he’ll answer nobody; he professes not answering. Speaking is for beggars: he wears his tongue in’s arms. I will put on his presence. Let Patroclus make his demands to me, you shall see the pageant of Ajax. ACHILLES. To him, Patroclus. Tell him I humbly desire the valiant Ajax to invite the most valorous Hector to come unarm’d to my tent; and to procure safe conduct for his person of the magnanimous and most illustrious six-or-seven-times-honour’d Captain General of the Grecian army, Agamemnon. Do this.

Troilus and Cressida · Act IV, Scene I
Diomedes is designated for exchange to secure Antenor’s release, with Cressid transferred from Troy.

Troilus and Cressida · Act IV, Scene I · 📍 [[Calchas’ house]]

Diomedes Cressida

His purpose meets you: ’twas to bring this Greek To Calchas’ house, and there to render him, For the enfreed Antenor, the fair Cressid.

Troilus and Cressida · Act IV, Scene II
Aeneas announces that Cressida must be delivered to Diomedes in exchange for Antenor.

Troilus and Cressida · Act IV, Scene II · within this hour

Aeneas Troilus Cressida

The Grecian Diomed, and our Antenor Deliver’d to us; and for him forthwith, Ere the first sacrifice, within this hour, We must give up to Diomedes’ hand The Lady Cressida.

Troilus and Cressida · Act IV, Scene II
Cressida refuses to leave Troy and rejects the order sending her away from Troilus.

Troilus and Cressida · Act IV, Scene II · 📍 [[Troy]]

Cressida Troilus

Thou must to thy father, and be gone from Troilus. ’Twill be his death; ’twill be his bane; he cannot bear it. CRESSIDA. O you immortal gods! I will not go.

Troilus and Cressida · Act IV, Scene III
Troilus prepares to deliver the lady to the Grecian.

Troilus and Cressida · Act IV, Scene III · great morning

Troilus

I’ll bring her to the Grecian presently;

Troilus and Cressida · Act IV, Scene IV
Cressida is compelled to leave Troy and enter the Grecian camp.

Troilus and Cressida · Act IV, Scene IV · 📍 [[Troy]]

Cressida Troilus

And is it true that I must go from Troy?

Troilus and Cressida · Act IV, Scene IV
Cressida promises Troilus she will remain faithful after their separation.

Troilus and Cressida · Act IV, Scene IV · 📍 [[Troy]]

Cressida Troilus

But I’ll be true.

Troilus and Cressida · Act IV, Scene IV
Troilus and Cressida exchange personal tokens before parting.

Troilus and Cressida · Act IV, Scene IV

Cressida Troilus

Wear this sleeve. CRESSIDA. And you this glove.

Troilus and Cressida · Act IV, Scene IV
Troilus promises to bribe Grecian sentinels so he can visit Cressida at night.

Troilus and Cressida · Act IV, Scene IV

Troilus Cressida

I will corrupt the Grecian sentinels To give thee nightly visitation.

Troilus and Cressida · Act IV, Scene IV
Cressida is delivered to Diomed in exchange for Antenor.

Troilus and Cressida · Act IV, Scene IV · 📍 [[the port]]

Cressida Troilus

Here is the lady Which for Antenor we deliver you; At the port, lord, I’ll give her to thy hand

Troilus and Cressida · Act IV, Scene IV
Troilus and Cressida part after their final farewell.

Troilus and Cressida · Act IV, Scene IV

Troilus Cressida

Come, kiss; and let us part.

Troilus and Cressida · Act IV, Scene V
Achilles and Hector agree to fight tomorrow while remaining friends tonight.

Troilus and Cressida · Act IV, Scene V · 📍 [[field]] · Tomorrow

Achilles Hector

Tomorrow do I meet thee, fell as death; Tonight all friends.

Troilus and Cressida · Act IV, Scene V
Troilus learns Cressida is at Menelaus’ tent while Diomedes gazes amorously at her.

Troilus and Cressida · Act IV, Scene V · 📍 [[Menelaus’ tent]] · tonight

Troilus Cressida Diomedes

At Menelaus’ tent, most princely Troilus. There Diomed doth feast with him tonight, Who neither looks upon the heaven nor earth, But gives all gaze and bent of amorous view On the fair Cressid.

Troilus and Cressida · Act V, Scene I
Achilles abandons his planned participation in battle to honor a sworn oath.

Troilus and Cressida · Act V, Scene I · tomorrow’s battle

Achilles

I am thwarted quite From my great purpose in tomorrow’s battle. Here is a letter from Queen Hecuba, A token from her daughter, my fair love, Both taxing me and gaging me to keep An oath that I have sworn. I will not break it.

Troilus and Cressida · Act V, Scene II
Cressida gives Diomedes a sleeve as a pledge.

Troilus and Cressida · Act V, Scene II

Cressida Diomedes

Here, Diomed, keep this sleeve.

Troilus and Cressida · Act V, Scene II
Diomedes plans to wear the sleeve on his helm and provoke its former owner.

Troilus and Cressida · Act V, Scene II · Tomorrow

Diomedes Troilus

Tomorrow will I wear it on my helm, And grieve his spirit that dares not challenge it.

Troilus and Cressida · Act V, Scene II
Troilus recognizes that Cressida’s vows and love have shifted to Diomedes.

Troilus and Cressida · Act V, Scene II

Troilus Cressida Diomedes

Cressid is mine, tied with the bonds of heaven. Instance, O instance! strong as heaven itself: The bonds of heaven are slipp’d, dissolv’d, and loos’d; And with another knot, five-finger-tied, The fractions of her faith, orts of her love, The fragments, scraps, the bits, and greasy relics Of her o’er-eaten faith, are given to Diomed.

Troilus and Cressida · Act V, Scene II
Troilus declares intense hatred toward Diomedes and threatens to attack him.

Troilus and Cressida · Act V, Scene II

Troilus Diomedes

As much as I do Cressid love, So much by weight hate I her Diomed. That sleeve is mine that he’ll bear on his helm; Were it a casque compos’d by Vulcan’s skill My sword should bite it.

Troilus and Cressida · Act V, Scene III
Hector defies Priam’s prohibition and departs to fight the Greeks.

Troilus and Cressida · Act V, Scene III · this morning

Hector Priam

Go in, and cheer the town; we’ll forth, and fight, Do deeds worth praise and tell you them at night.

Troilus and Cressida · Act V, Scene III
Troilus tears the letter, concluding that his beloved’s actions contradict her professed love.

Troilus and Cressida · Act V, Scene III

Troilus

My love with words and errors still she feeds, But edifies another with her deeds.

Troilus and Cressida · Act V, Scene IV
Ajax refuses to arm, disrupting the Grecians’ military policy.

Troilus and Cressida · Act V, Scene IV · today

Ajax

They set me up, in policy, that mongrel cur, Ajax, against that dog of as bad a kind, Achilles; and now is the cur, Ajax prouder than the cur Achilles, and will not arm today

Troilus and Cressida · Act V, Scene IV
Troilus and Diomedes engage in combat.

Troilus and Cressida · Act V, Scene IV

Troilus Diomedes

[Exeunt Troilus and Diomedes fighting].

Troilus and Cressida · Act V, Scene V
Margarelon captures Doreus during the battle.

Troilus and Cressida · Act V, Scene V

Margarelon Doreus

Hath Doreus prisoner,

Troilus and Cressida · Act V, Scene V
Epistrophus is slain in battle.

Troilus and Cressida · Act V, Scene V

Epistrophus

Upon the pashed corses of the kings Epistrophus and Cedius.

Troilus and Cressida · Act V, Scene V
Cedius is slain in battle.

Troilus and Cressida · Act V, Scene V

Cedius

Upon the pashed corses of the kings Epistrophus and Cedius.

Troilus and Cressida · Act V, Scene V
Patroclus is reported captured or slain.

Troilus and Cressida · Act V, Scene V

Patroclus

Patroclus ta’en, or slain;

Troilus and Cressida · Act V, Scene V
Achilles arms and vows vengeance after Patroclus’s wounds rouse him.

Troilus and Cressida · Act V, Scene V

Achilles Patroclus

Great Achilles Is arming, weeping, cursing, vowing vengeance. Patroclus’ wounds have rous’d his drowsy blood,

Troilus and Cressida · Act V, Scene V
Ajax arms and attacks while calling for Troilus.

Troilus and Cressida · Act V, Scene V

Ajax Troilus

Ajax hath lost a friend And foams at mouth, and he is arm’d and at it, Roaring for Troilus;

Troilus and Cressida · Act V, Scene V
Troilus carries out fierce execution in battle.

Troilus and Cressida · Act V, Scene V

Troilus

who hath done today Mad and fantastic execution,

Troilus and Cressida · Act V, Scene V
Achilles seeks Hector and challenges him to fight.

Troilus and Cressida · Act V, Scene V

Achilles Hector

Where is this Hector? Come, come, thou boy-queller, show thy face; Know what it is to meet Achilles angry.

Troilus and Cressida · Act V, Scene VI
Ajax captures Aeneas.

Troilus and Cressida · Act V, Scene VI

Ajax Aeneas

Ajax hath ta’en Aeneas.

Troilus and Cressida · Act V, Scene VII
Achilles decrees Hector must die and orders the Myrmidons to execute him.

Troilus and Cressida · Act V, Scene VII

Achilles Hector

It is decreed Hector the great must die.

Troilus and Cressida · Act V, Scene VII
Margarelon reveals that he is Priam’s bastard son.

Troilus and Cressida · Act V, Scene VII

Margarelon Priam

A bastard son of Priam’s.

Troilus and Cressida · Act V, Scene VIII
Achilles kills Hector after Hector is disarmed.

Troilus and Cressida · Act V, Scene VIII · the sun begins to set

Achilles Hector

Strike, fellows, strike; this is the man I seek. [Hector falls.]

Troilus and Cressida · Act V, Scene VIII
Achilles orders Hector’s body tied to his horse and dragged across the field.

Troilus and Cressida · Act V, Scene VIII

Achilles Hector

Come, tie his body to my horse’s tail; Along the field I will the Trojan trail.

Troilus and Cressida · Act V, Scene IX
Achilles kills Hector, ending the sharp wars.

Troilus and Cressida · Act V, Scene IX · 📍 [[Troy]]

Hector Achilles

The bruit is, Hector’s slain, and by Achilles.

Troilus and Cressida · Act V, Scene X
Troilus announces that Hector has been slain and dishonorably dragged through the field.

Troilus and Cressida · Act V, Scene X

Hector Troilus

Hector is slain. ALL. Hector! The gods forbid! TROILUS. He’s dead, and at the murderer’s horse’s tail, In beastly sort, dragg’d through the shameful field.

Titus Andronicus · Act I, Scene I
The Romans elect Saturninus emperor on Titus Andronicus’s advice.

Titus Andronicus · Act I, Scene I · 📍 [[Rome]] · today

Saturninus Titus Andronicus Marcus

With voices and applause of every sort, Patricians and plebeians, we create Lord Saturninus Rome’s great emperor, And say “Long live our Emperor Saturnine!”

Titus Andronicus · Act I, Scene I
Titus gives Alarbus to Lucius, who sacrifices and dismembers him for the dead Romans.

Titus Andronicus · Act I, Scene I

Titus Andronicus Lucius Alarbus

Alarbus’ limbs are lopped, And entrails feed the sacrificing fire, Whose smoke like incense doth perfume the sky.

Titus Andronicus · Act I, Scene I
Saturninus proposes Lavinia as empress, and Titus accepts the match.

Titus Andronicus · Act I, Scene I · 📍 [[Pantheon]]

Saturninus Lavinia Titus Andronicus

And for an onset, Titus, to advance Thy name and honourable family, Lavinia will I make my empress, Rome’s royal mistress, mistress of my heart, And in the sacred Pantheon her espouse.

Titus Andronicus · Act I, Scene I
Titus kills his son Mutius after Mutius bars his way to recover Lavinia.

Titus Andronicus · Act I, Scene I · 📍 [[Rome]]

Titus Andronicus Mutius

What, villain boy, Barr’st me my way in Rome? [Stabbing Mutius.] MUTIUS. Help, Lucius, help! [Dies.]

Titus Andronicus · Act I, Scene I
Bassianus takes Lavinia away and declares her his lawful wife.

Titus Andronicus · Act I, Scene I

Bassianus Lavinia

Rape call you it, my lord, to seize my own, My true betrothed love, and now my wife? But let the laws of Rome determine all; Meanwhile am I possessed of that is mine.

Titus Andronicus · Act I, Scene I
Saturninus chooses Tamora as his bride and proclaims her Empress of Rome.

Titus Andronicus · Act I, Scene I · 📍 [[Pantheon]]

Saturninus Tamora

Behold, I choose thee, Tamora, for my bride, And will create thee Empress of Rome. Speak, Queen of Goths, dost thou applaud my choice?

Titus Andronicus · Act I, Scene I
Mutius is buried in the family tomb after Titus finally relents.

Titus Andronicus · Act I, Scene I

Marcus Lucius Quintus Martius Mutius

Rise, Marcus, rise. The dismall’st day is this that e’er I saw, To be dishonoured by my sons in Rome! Well, bury him, and bury me the next. [They put Mutius in the tomb.]

Titus Andronicus · Act I, Scene I
Tamora secretly vows to massacre Titus and his sons while publicly securing their pardon.

Titus Andronicus · Act I, Scene I · 📍 [[Rome]] · This day

Tamora Saturninus Titus Andronicus

I’ll find a day to massacre them all, And raze their faction and their family, The cruel father and his traitorous sons, To whom I sued for my dear son’s life;

Titus Andronicus · Act II, Scene I
Chiron and Demetrius draw swords over Lavinia before Aaron intervenes.

Titus Andronicus · Act II, Scene I

Chiron Demetrius Lavinia Aaron

[They draw.]

Titus Andronicus · Act II, Scene I
Aaron devises a scheme for Chiron and Demetrius to assault Lavinia during the hunt.

Titus Andronicus · Act II, Scene I

Aaron Chiron Demetrius Lavinia Tamora

Single you thither, then, this dainty doe, And strike her home by force, if not by words.

Titus Andronicus · Act II, Scene II
Saturninus and Tamora are identified as newly married.

Titus Andronicus · Act II, Scene II

Saturninus Tamora

Somewhat too early for new-married ladies.

Titus Andronicus · Act II, Scene III
Chiron and Demetrius stab Bassianus, killing him.

Titus Andronicus · Act II, Scene III · today

Chiron Demetrius Bassianus

DEMETRIUS. This is a witness that I am thy son. [Stabs Bassianus.] CHIRON. And this for me, struck home to show my strength. [Also stabs Bassianus, who dies.]

Titus Andronicus · Act II, Scene III
Tamora permits her sons to violate Lavinia.

Titus Andronicus · Act II, Scene III

Tamora Chiron Demetrius Lavinia

Therefore away with her, and use her as you will; The worse to her, the better loved of me. LAVINIA. O Tamora, be called a gentle queen, And with thine own hands kill me in this place! For ’tis not life that I have begged so long; Poor I was slain when Bassianus died. TAMORA. What begg’st thou, then? Fond woman, let me go. LAVINIA. ’Tis present death I beg; and one thing more That womanhood denies my tongue to tell. O, keep me from their worse than killing lust, And tumble me into some loathsome pit, Where never man’s eye may behold my body. Do this, and be a charitable murderer. TAMORA. So should I rob my sweet sons of their fee. No, let them satisfy their lust on thee.

Titus Andronicus · Act II, Scene III
Chiron and Demetrius hide Bassianus’s body in a pit.

Titus Andronicus · Act II, Scene III

Chiron Demetrius Bassianus

[They put Bassianus’s body in the pit and exit, carrying off Lavinia.]

Titus Andronicus · Act II, Scene III
Quintus and Martius discover Bassianus’s murdered body in the pit.

Titus Andronicus · Act II, Scene III

Quintus Martius Bassianus

MARTIUS. Lord Bassianus lies berayed in blood, All on a heap, like to a slaughtered lamb, In this detested, dark, blood-drinking pit.

Titus Andronicus · Act II, Scene III
Tamora presents a letter purporting to expose the plot against Bassianus.

Titus Andronicus · Act II, Scene III

Tamora Saturninus Bassianus

TAMORA. Then all too late I bring this fatal writ, The complot of this timeless tragedy; And wonder greatly that man’s face can fold In pleasing smiles such murderous tyranny. [She giveth Saturnine a letter.]

Titus Andronicus · Act II, Scene III
Saturninus orders Quintus and Martius imprisoned for Bassianus’s murder.

Titus Andronicus · Act II, Scene III · 📍 [[prison]]

Saturninus Quintus Martius Bassianus

SATURNINUS. [To Titus.] Two of thy whelps, fell curs of bloody kind, Have here bereft my brother of his life. Sirs, drag them from the pit unto the prison. There let them bide until we have devised Some never-heard-of torturing pain for them.

Titus Andronicus · Act II, Scene III
Saturninus refuses Titus’s bail and declares death would be executed upon the accused sons.

Titus Andronicus · Act II, Scene III

Saturninus Titus Andronicus Quintus Martius

SATURNINUS. Thou shalt not bail them. See thou follow me. Some bring the murdered body, some the murderers. Let them not speak a word; the guilt is plain; For, by my soul, were there worse end than death, That end upon them should be executed.

Titus Andronicus · Act II, Scene IV
Lavinia is left mutilated, tongueless, and ravished.

Titus Andronicus · Act II, Scene IV

Chiron Demetrius Lavinia

Enter the empress’ sons, Demetrius and Chiron with Lavinia, her hands cut off, and her tongue cut out, and ravished.

Titus Andronicus · Act II, Scene IV
Marcus realizes Lavinia was raped and silenced to conceal the crime.

Titus Andronicus · Act II, Scene IV

Marcus Lavinia

But sure some Tereus hath deflowered thee, And, lest thou shouldst detect him, cut thy tongue.

Titus Andronicus · Act III, Scene I
Lucius is sentenced to everlasting banishment for attempting to rescue his brothers.

Titus Andronicus · Act III, Scene I · 📍 [[Rome]]

Lucius

To rescue my two brothers from their death; For which attempt the judges have pronounced My everlasting doom of banishment.

Titus Andronicus · Act III, Scene I
Lavinia is discovered mutilated, without hands and unable to identify her attackers.

Titus Andronicus · Act III, Scene I · 📍 [[Rome]]

Lavinia

Speak, Lavinia, what accursed hand Hath made thee handless in thy father’s sight?

Titus Andronicus · Act III, Scene I
Titus offers his hand as ransom for his condemned sons.

Titus Andronicus · Act III, Scene I

Titus Andronicus

With all my heart I’ll send the emperor my hand. Good Aaron, wilt thou help to chop it off?

Titus Andronicus · Act III, Scene I
Titus’s hand is cut off and sent as ransom for his sons.

Titus Andronicus · Act III, Scene I

Titus Andronicus

He cuts off Titus’s hand.

Titus Andronicus · Act III, Scene I
Quintus and Martius are beheaded, and their heads are returned with Titus’s severed hand.

Titus Andronicus · Act III, Scene I · by and by

Quintus Martius

Here are the heads of thy two noble sons, And here’s thy hand, in scorn to thee sent back.

Titus Andronicus · Act III, Scene I
Titus vows revenge against those responsible for his family’s suffering.

Titus Andronicus · Act III, Scene I

Titus Andronicus

The vow is made.

Titus Andronicus · Act III, Scene I
Lucius departs for the Goths to raise an army against Rome and Saturnine.

Titus Andronicus · Act III, Scene I · 📍 [[the Goths]] · Now

Lucius

Now will I to the Goths, and raise a power To be revenged on Rome and Saturnine.

Titus Andronicus · Act III, Scene II
Marcus kills a fly with a knife.

Titus Andronicus · Act III, Scene II

Marcus

At that that I have killed, my lord, a fly.

Titus Andronicus · Act III, Scene II
Titus forgives Marcus after learning the fly resembled the Moor.

Titus Andronicus · Act III, Scene II

Titus Andronicus Marcus

Pardon me, sir; ’twas a black ill-favoured fly, Like to the empress’ Moor; therefore I killed him. TITUS. O, O, O! Then pardon me for reprehending thee, For thou hast done a charitable deed.

Titus Andronicus · Act IV, Scene I
Lavinia reveals that Chiron and Demetrius committed the rape and bloody deed against her.

Titus Andronicus · Act IV, Scene I

Lavinia Chiron Demetrius Tamora

TITUS. “Stuprum. Chiron. Demetrius.” MARCUS. What, what! The lustful sons of Tamora Performers of this heinous bloody deed?

Titus Andronicus · Act IV, Scene I
Titus, Marcus, Lavinia, and Young Lucius swear to pursue mortal revenge against the traitors.

Titus Andronicus · Act IV, Scene I

Titus Andronicus Marcus Lavinia Young Lucius

My lord, kneel down with me; Lavinia, kneel; And kneel, sweet boy, the Roman Hector’s hope; And swear with me, as, with the woeful fere And father of that chaste dishonoured dame, Lord Junius Brutus sware for Lucrece’ rape, That we will prosecute, by good advice Mortal revenge upon these traitorous Goths, And see their blood, or die with this reproach.

Titus Andronicus · Act IV, Scene I
Titus rejects Lucius’s immediate dagger attack and announces a different course against the perpetrators.

Titus Andronicus · Act IV, Scene I

Titus Andronicus Young Lucius

YOUNG LUCIUS. Ay, with my dagger in their bosoms, grandsire. TITUS. No, boy, not so. I’ll teach thee another course.

Titus Andronicus · Act IV, Scene II
Tamora gives birth to a black child, which the Nurse identifies as the empress’s shame.

Titus Andronicus · Act IV, Scene II

Tamora

O, that which I would hide from heaven’s eye, Our empress’ shame and stately Rome’s disgrace. She is delivered, lords, she is delivered.

Titus Andronicus · Act IV, Scene II
Aaron claims and protects the newborn as his first-born son and heir.

Titus Andronicus · Act IV, Scene II

Aaron Chiron Demetrius

Stay, murderous villains, will you kill your brother? Now, by the burning tapers of the sky That shone so brightly when this boy was got, He dies upon my scimitar’s sharp point That touches this my first-born son and heir.

Titus Andronicus · Act IV, Scene II
Aaron kills the Nurse to prevent her revealing the child’s parentage.

Titus Andronicus · Act IV, Scene II

Aaron Nurse

Go to the empress; tell her this I said. [He kills her.]

Titus Andronicus · Act IV, Scene II
Aaron orders Muliteus’s newborn substituted for his child and presented as the emperor’s heir.

Titus Andronicus · Act IV, Scene II

Aaron Muliteus Tamora

His child is like to her, fair as you are. Go pack with him, and give the mother gold, And tell them both the circumstance of all, And how by this their child shall be advanced, And be received for the emperor’s heir, And substituted in the place of mine,

Titus Andronicus · Act IV, Scene II
Aaron departs carrying the black child to conceal it among the Goths.

Titus Andronicus · Act IV, Scene II

Aaron

Now to the Goths, as swift as swallow flies, There to dispose this treasure in mine arms, And secretly to greet the empress’ friends. Come on, you thick-lipped slave, I’ll bear you hence;

Titus Andronicus · Act IV, Scene II
Titus Andronicus sends weaponry whose inscriptions reveal that Chiron and Demetrius’ guilt has been discovered.

Titus Andronicus · Act IV, Scene II

Titus Andronicus Aaron Chiron Demetrius

The old man hath found their guilt, And sends them weapons wrapped about with lines, That wound, beyond their feeling, to the quick.

Titus Andronicus · Act IV, Scene III
Titus and his kinsmen shoot petition-bearing arrows into Saturnine’s court to afflict the emperor.

Titus Andronicus · Act IV, Scene III

Titus Andronicus Marcus Publius Saturnine

Kinsmen, shoot all your shafts into the court. We will afflict the emperor in his pride.

Titus Andronicus · Act IV, Scene III
Titus sends a supplication and concealed knife to Saturnine through the Clown.

Titus Andronicus · Act IV, Scene III

Titus Andronicus Saturnine

Then here is a supplication for you. And when you come to him, at the first approach you must kneel; then kiss his foot; then deliver up your pigeons; and then look for your reward. I’ll be at hand, sir; see you do it bravely. CLOWN. I warrant you, sir; let me alone. TITUS. Sirrah, hast thou a knife? Come let me see it. Here, Marcus, fold it in the oration; For thou hast made it like a humble suppliant. And when thou hast given it to the emperor, Knock at my door, and tell me what he says.

Titus Andronicus · Act IV, Scene IV
Lucius leads a powerful Goth army toward Rome to avenge his banishment.

Titus Andronicus · Act IV, Scene IV · 📍 [[Rome]]

Lucius Aemilius

The Goths have gathered head, and with a power Of high-resolved men, bent to the spoil, They hither march amain, under conduct Of Lucius, son to old Andronicus;

Titus Andronicus · Act IV, Scene IV
Saturninus learns that Rome’s citizens favor Lucius and may revolt to support him.

Titus Andronicus · Act IV, Scene IV · 📍 [[Rome]]

Saturninus Lucius

Ay, but the citizens favour Lucius, And will revolt from me to succour him.

Titus Andronicus · Act IV, Scene IV
Saturninus sends Aemilius to request a parley with Lucius on his behalf.

Titus Andronicus · Act IV, Scene IV

Aemilius Saturninus Lucius

Go thou before, be our ambassador. Say that the emperor requests a parley Of warlike Lucius

Titus Andronicus · Act IV, Scene IV
Aemilius accepts Saturninus’s command to deliver the parley message.

Titus Andronicus · Act IV, Scene IV

Aemilius Lucius

Your bidding shall I do effectually.

Titus Andronicus · Act IV, Scene IV
Tamora undertakes to persuade Titus Andronicus to withdraw Lucius from the Gothic war.

Titus Andronicus · Act IV, Scene IV

Tamora Titus Andronicus Lucius

Now will I to that old Andronicus, And temper him with all the art I have, To pluck proud Lucius from the warlike Goths.

Titus Andronicus · Act V, Scene I
Lucius leads an army of Goths against Rome to avenge its wrongs.

Titus Andronicus · Act V, Scene I

Lucius

Enter Lucius with an army of Goths, with drums and soldiers.

Titus Andronicus · Act V, Scene I
A Goth captures Aaron while he carries his child and brings him before Lucius.

Titus Andronicus · Act V, Scene I

Aaron Lucius

Enter a Goth, leading of Aaron with his Child in his arms.

Titus Andronicus · Act V, Scene I
Lucius swears to spare and raise Aaron’s child in exchange for Aaron’s revelations.

Titus Andronicus · Act V, Scene I

Lucius Aaron

Even by my god I swear to thee I will.

Titus Andronicus · Act V, Scene I
Aaron reveals that he fathered a child with Tamora.

Titus Andronicus · Act V, Scene I

Aaron Tamora

First know thou, I begot him on the empress.

Titus Andronicus · Act V, Scene I
Aaron confesses conspiring against Titus Andronicus and orchestrating the loss of his hand.

Titus Andronicus · Act V, Scene I

Aaron Titus Andronicus

I played the cheater for thy father’s hand, and, when I had it, drew myself apart

Titus Andronicus · Act V, Scene I
Aaron reveals that Tamora’s sons murdered Bassianus and mutilated and raped Titus’s daughter.

Titus Andronicus · Act V, Scene I

Aaron Tamora

’Twas her two sons that murdered Bassianus; They cut thy sister’s tongue, and ravished her, And cut her hands, and trimmed her as thou sawest.

Titus Andronicus · Act V, Scene I
Lucius agrees to meet the emperor after receiving pledges to Titus Andronicus and Marcus.

Titus Andronicus · Act V, Scene I

Lucius Titus Andronicus Marcus

Aemilius, let the emperor give his pledges Unto my father and my uncle Marcus, And we will come.

Titus Andronicus · Act V, Scene II
Tamora disguises herself as Revenge to manipulate Titus into revealing and pursuing his enemies.

Titus Andronicus · Act V, Scene II

Tamora Titus Andronicus Chiron Demetrius

I am Revenge, sent from th’ infernal kingdom

Titus Andronicus · Act V, Scene II
Titus recognizes Tamora and her sons but pretends madness to outwit them.

Titus Andronicus · Act V, Scene II

Titus Andronicus Tamora Chiron Demetrius

I knew them all, though they suppose me mad, And will o’erreach them in their own devices

Titus Andronicus · Act V, Scene II
Tamora proposes summoning Lucius to a feast where Titus’s enemies will be delivered to him.

Titus Andronicus · Act V, Scene II · 📍 [[Rome]]

Tamora Titus Andronicus Lucius

When he is here, even at thy solemn feast, I will bring in the empress and her sons, the emperor himself, and all thy foes

Titus Andronicus · Act V, Scene II
Titus sends Marcus to summon Lucius and leading Goth princes to his house.

Titus Andronicus · Act V, Scene II

Titus Andronicus Marcus Lucius

Go, gentle Marcus, to thy nephew Lucius; Thou shalt inquire him out among the Goths.

Titus Andronicus · Act V, Scene II
Titus orders Publius, Caius, and Valentine to bind Chiron and Demetrius.

Titus Andronicus · Act V, Scene II

Titus Andronicus Chiron Demetrius

The one is Murder, and Rape is the other’s name; And therefore bind them, gentle Publius.

Titus Andronicus · Act V, Scene II
Titus cuts Chiron’s and Demetrius’s throats and prepares their bodies for the revenge banquet.

Titus Andronicus · Act V, Scene II

Titus Andronicus Lavinia Chiron Demetrius

This one hand yet is left to cut your throats, Whiles that Lavinia ’tween her stumps doth hold The basin that receives your guilty blood.

Titus Andronicus · Act V, Scene III
Lucius orders Aaron fettered and deprived of food until he testifies against Tamora.

Titus Andronicus · Act V, Scene III

Lucius Aaron

Let him receive no sust’nance, fetter him, Till he be brought unto the empress’ face For testimony of her foul proceedings.

Titus Andronicus · Act V, Scene III
Titus kills Lavinia to end her shame and his sorrow.

Titus Andronicus · Act V, Scene III

Titus Andronicus Lavinia

Die, die, Lavinia, and thy shame with thee; And with thy shame thy father’s sorrow die! [He kills Lavinia.]

Titus Andronicus · Act V, Scene III
Titus reveals that Chiron and Demetrius were baked into the pie Tamora ate.

Titus Andronicus · Act V, Scene III

Titus Andronicus Chiron Demetrius Tamora

Why, there they are, both baked in that pie, Whereof their mother daintily hath fed, Eating the flesh that she herself hath bred. ’Tis true, ’tis true; witness my knife’s sharp point.

Titus Andronicus · Act V, Scene III
Titus stabs Tamora after revealing her sons’ fate.

Titus Andronicus · Act V, Scene III

Titus Andronicus Tamora

’Tis true, ’tis true; witness my knife’s sharp point. [He stabs the Empress.]

Titus Andronicus · Act V, Scene III
Saturninus kills Titus in retaliation for Tamora’s stabbing.

Titus Andronicus · Act V, Scene III

Saturninus Titus Andronicus

Die, frantic wretch, for this accursed deed. [He kills Titus.]

Titus Andronicus · Act V, Scene III
Lucius kills Saturninus in revenge for Titus’s death.

Titus Andronicus · Act V, Scene III

Lucius Saturninus

Can the son’s eye behold his father bleed? [He kills Saturninus.] There’s meed for meed, death for a deadly deed.

Titus Andronicus · Act V, Scene III
Lucius is acclaimed Rome’s new emperor.

Titus Andronicus · Act V, Scene III · 📍 [[Rome]]

Lucius

Come, come, thou reverend man of Rome, And bring our emperor gently in thy hand, Lucius our emperor; for well I know The common voice do cry it shall be so. ROMANS. Lucius, all hail, Rome’s royal emperor!

Titus Andronicus · Act V, Scene III
Lucius sentences Aaron to be buried breast-deep and starved to death.

Titus Andronicus · Act V, Scene III

Lucius Aaron

Set him breast-deep in earth and famish him; There let him stand and rave and cry for food. If anyone relieves or pities him, For the offence he dies. This is our doom.

Romeo and Juliet · Act I, Scene I
A street brawl erupts between the Capulet and Montague factions.

Romeo and Juliet · Act I, Scene I · 📍 [[Verona]]

Benvolio Tybalt Capulet Montague

What noise is this? Give me my long sword, ho!

Romeo and Juliet · Act I, Scene I
Prince Escalus ends the brawl and threatens death for any further street disturbance.

Romeo and Juliet · Act I, Scene I · 📍 [[Verona]]

Prince Escalus Capulet Montague

If ever you disturb our streets again, Your lives shall pay the forfeit of the peace.

Romeo and Juliet · Act I, Scene I
Prince Escalus summons Capulet and Montague to hear his further judgment.

Romeo and Juliet · Act I, Scene I · 📍 [[old Free-town]] · this afternoon

Prince Escalus Capulet Montague

You, Capulet, shall go along with me, And Montague, come you this afternoon, To know our farther pleasure in this case, To old Free-town, our common judgement-place.

Romeo and Juliet · Act I, Scene I
Romeo reveals that he loves a woman who has sworn to remain chaste.

Romeo and Juliet · Act I, Scene I

Romeo

In sadness, cousin, I do love a woman. BENVOLIO. I aim’d so near when I suppos’d you lov’d. ROMEO. A right good markman, and she’s fair I love. BENVOLIO. A right fair mark, fair coz, is soonest hit. ROMEO. Well, in that hit you miss: she’ll not be hit With Cupid’s arrow, she hath Dian’s wit; And in strong proof of chastity well arm’d, From love’s weak childish bow she lives uncharm’d.

Romeo and Juliet · Act I, Scene II
Capulet postpones considering his daughter’s marriage until two more summers have passed.

Romeo and Juliet · Act I, Scene II

Capulet County Paris

Let two more summers wither in their pride Ere we may think her ripe to be a bride.

Romeo and Juliet · Act I, Scene II
Capulet permits Paris to court his daughter, conditional on winning her consent.

Romeo and Juliet · Act I, Scene II

Capulet County Paris

But woo her, gentle Paris, get her heart, My will to her consent is but a part;

Romeo and Juliet · Act I, Scene II
Capulet invites numerous guests, including Mercutio, Valentine, Rosaline, Valentio, and Tybalt, to his feast.

Romeo and Juliet · Act I, Scene II · This night

Capulet Mercutio Valentine Rosaline Valentio Tybalt

This night I hold an old accustom’d feast, Whereto I have invited many a guest,

Romeo and Juliet · Act I, Scene II
Romeo learns Rosaline will attend Capulet’s feast and decides to go.

Romeo and Juliet · Act I, Scene II · At this same ancient feast

Romeo Rosaline

At this same ancient feast of Capulet’s Sups the fair Rosaline whom thou so lov’st;

Romeo and Juliet · Act I, Scene II
Romeo agrees to attend the feast to rejoice in Rosaline’s beauty.

Romeo and Juliet · Act I, Scene II

Romeo

I’ll go along, no such sight to be shown, But to rejoice in splendour of my own.

Romeo and Juliet · Act I, Scene III
Susan has died.

Romeo and Juliet · Act I, Scene III

Susan

Susan is with God;

Romeo and Juliet · Act I, Scene III
Juliet agrees to consider Paris only with Lady Capulet’s consent.

Romeo and Juliet · Act I, Scene III · 📍 [[Verona]] · This night

Juliet County Paris Lady Capulet

I’ll look to like, if looking liking move: But no more deep will I endart mine eye Than your consent gives strength to make it fly.

Romeo and Juliet · Act I, Scene V
Capulet forbids Tybalt from attacking Romeo, and Tybalt withdraws in anger.

Romeo and Juliet · Act I, Scene V · this night

Capulet Tybalt Romeo

Content thee, gentle coz, let him alone, A bears him like a portly gentleman; And, to say truth, Verona brags of him To be a virtuous and well-govern’d youth. I would not for the wealth of all the town Here in my house do him disparagement. Therefore be patient, take no note of him, It is my will; the which if thou respect, Show a fair presence and put off these frowns, An ill-beseeming semblance for a feast. TYBALT. It fits when such a villain is a guest: I’ll not endure him. CAPULET. He shall be endur’d.

Romeo and Juliet · Act I, Scene V
Romeo kisses Juliet during their first meeting at the feast.

Romeo and Juliet · Act I, Scene V · this night

Romeo Juliet

Then move not while my prayer’s effect I take. Thus from my lips, by thine my sin is purg’d. [Kissing her.]

Romeo and Juliet · Act I, Scene V
Romeo learns Juliet is a Capulet, revealing their attraction crosses an enemy feud.

Romeo and Juliet · Act I, Scene V

Romeo Juliet

Is she a Capulet? O dear account! My life is my foe’s debt.

Romeo and Juliet · Act I, Scene V
Juliet learns Romeo is a Montague and discovers she loves her family’s enemy.

Romeo and Juliet · Act I, Scene V

Juliet Romeo

His name is Romeo, and a Montague, The only son of your great enemy. JULIET. My only love sprung from my only hate! Too early seen unknown, and known too late! Prodigious birth of love it is to me, That I must love a loathed enemy.

Romeo and Juliet · Act II, Scene I
Romeo hides among the orchard trees to avoid being found.

Romeo and Juliet · Act II, Scene I · 📍 [[orchard]]

Romeo

Come, he hath hid himself among these trees

Romeo and Juliet · Act II, Scene II
Romeo vows to abandon his name for Juliet.

Romeo and Juliet · Act II, Scene II · 📍 [[orchard]] · Henceforth

Romeo Juliet

I take thee at thy word. Call me but love, and I’ll be new baptis’d; Henceforth I never will be Romeo.

Romeo and Juliet · Act II, Scene II
Juliet confirms her boundless love for Romeo.

Romeo and Juliet · Act II, Scene II · 📍 [[orchard]] · tonight

Juliet Romeo

My bounty is as boundless as the sea, My love as deep; the more I give to thee, The more I have, for both are infinite.

Romeo and Juliet · Act II, Scene II
Juliet proposes marriage and promises to arrange the wedding.

Romeo and Juliet · Act II, Scene II · 📍 [[orchard]] · tomorrow

Juliet Romeo

If that thy bent of love be honourable, Thy purpose marriage, send me word tomorrow, By one that I’ll procure to come to thee, Where and what time thou wilt perform the rite, And all my fortunes at thy foot I’ll lay And follow thee my lord throughout the world.

Romeo and Juliet · Act II, Scene III
Romeo declares that he has forgotten Rosaline and her love.

Romeo and Juliet · Act II, Scene III

Romeo Rosaline

I have forgot that name, and that name’s woe.

Romeo and Juliet · Act II, Scene III
Romeo reveals that he loves Capulet’s daughter.

Romeo and Juliet · Act II, Scene III

Romeo Capulet

Then plainly know my heart’s dear love is set On the fair daughter of rich Capulet.

Romeo and Juliet · Act II, Scene III
Romeo declares their mutual love and asks that it be sealed through holy marriage.

Romeo and Juliet · Act II, Scene III

Romeo Capulet

As mine on hers, so hers is set on mine; And all combin’d, save what thou must combine By holy marriage.

Romeo and Juliet · Act II, Scene III
Romeo asks Friar Lawrence to marry him and Capulet’s daughter.

Romeo and Juliet · Act II, Scene III · today

Romeo Friar Lawrence Capulet

That thou consent to marry us today.

Romeo and Juliet · Act II, Scene III
Friar Lawrence agrees to assist the marriage alliance.

Romeo and Juliet · Act II, Scene III

Friar Lawrence Romeo Capulet

In one respect I’ll thy assistant be; For this alliance may so happy prove, To turn your households’ rancour to pure love.

Romeo and Juliet · Act II, Scene IV
Tybalt sends a challenge, and Romeo declares he will answer it.

Romeo and Juliet · Act II, Scene IV

Tybalt Romeo

BENVOLIO. Tybalt, the kinsman to old Capulet, hath sent a letter to his father’s house. MERCUTIO. A challenge, on my life. BENVOLIO. Romeo will answer it.

Romeo and Juliet · Act II, Scene IV
Romeo arranges a secret marriage at Friar Lawrence’ cell.

Romeo and Juliet · Act II, Scene IV · 📍 [[Friar Lawrence’ cell]] · this afternoon

Romeo

Bid her devise Some means to come to shrift this afternoon, And there she shall at Friar Lawrence’ cell Be shriv’d and married. Here is for thy pains.

Romeo and Juliet · Act II, Scene IV
Romeo arranges cords for a secret nighttime ascent.

Romeo and Juliet · Act II, Scene IV · 📍 [[behind the abbey wall]] · Within this hour

Romeo

And stay, good Nurse, behind the abbey wall. Within this hour my man shall be with thee, And bring thee cords made like a tackled stair, Which to the high topgallant of my joy Must be my convoy in the secret night.

Romeo and Juliet · Act II, Scene V
Juliet is directed to Friar Lawrence’ cell to marry Romeo.

Romeo and Juliet · Act II, Scene V · 📍 [[Friar Lawrence’ cell]] · today

Juliet Romeo

Then hie you hence to Friar Lawrence’ cell; There stays a husband to make you a wife.

Romeo and Juliet · Act II, Scene V
Romeo plans to climb to Juliet’s balcony using a ladder.

Romeo and Juliet · Act II, Scene V · when it is dark

Juliet Romeo

To fetch a ladder by the which your love Must climb a bird’s nest soon when it is dark.

Romeo and Juliet · Act II, Scene VI
Friar Lawrence leads Romeo and Juliet to be joined in marriage by the church.

Romeo and Juliet · Act II, Scene VI

Friar Lawrence Romeo Juliet

Come, come with me, and we will make short work, For, by your leaves, you shall not stay alone Till holy church incorporate two in one.

Romeo and Juliet · Act III, Scene I
Mercutio dies from wounds sustained in the fight.

Romeo and Juliet · Act III, Scene I · 📍 [[Verona]]

Mercutio

O Romeo, Romeo, brave Mercutio’s dead,

Romeo and Juliet · Act III, Scene I
Romeo kills Tybalt in a duel after Mercutio’s death.

Romeo and Juliet · Act III, Scene I · 📍 [[Verona]]

Romeo Tybalt

They fight; Tybalt falls.

Romeo and Juliet · Act III, Scene I
The Prince exiles Romeo for killing Tybalt.

Romeo and Juliet · Act III, Scene I · Immediately

Prince Escalus Romeo

Immediately we do exile him hence.

Romeo and Juliet · Act III, Scene II
Romeo kills Tybalt.

Romeo and Juliet · Act III, Scene II

Romeo Tybalt

Tybalt is gone, and Romeo banished, Romeo that kill’d him, he is banished.

Romeo and Juliet · Act III, Scene II
Romeo is banished for killing Tybalt.

Romeo and Juliet · Act III, Scene II

Romeo

Tybalt is gone, and Romeo banished, Romeo that kill’d him, he is banished.

Romeo and Juliet · Act III, Scene II
Juliet learns Romeo is banished and grieves that loss.

Romeo and Juliet · Act III, Scene II

Juliet Romeo

Tybalt is dead, and Romeo banished. That ‘banished,’ that one word ‘banished,’ Hath slain ten thousand Tybalts.

Romeo and Juliet · Act III, Scene II
Romeo remains hidden at Lawrence’ cell and is expected that night.

Romeo and Juliet · Act III, Scene II · 📍 [[Lawrence’ cell]] · at night

Romeo

Hark ye, your Romeo will be here at night. I’ll to him, he is hid at Lawrence’ cell.

Romeo and Juliet · Act III, Scene III
Romeo is banished from Verona by the Prince’s judgment.

Romeo and Juliet · Act III, Scene III · 📍 [[Verona]]

Romeo

Hence from Verona art thou banished.

Romeo and Juliet · Act III, Scene III
Romeo has slain Tybalt after Tybalt attacked him.

Romeo and Juliet · Act III, Scene III

Romeo Tybalt

Tybalt would kill thee, But thou slew’st Tybalt; there art thou happy.

Romeo and Juliet · Act III, Scene III
Romeo and Juliet’s marriage is established as having already occurred.

Romeo and Juliet · Act III, Scene III

Romeo Juliet

Wert thou as young as I, Juliet thy love, An hour but married

Romeo and Juliet · Act III, Scene III
Friar Lawrence reveals that Juliet is alive, easing Romeo’s despair.

Romeo and Juliet · Act III, Scene III

Romeo Juliet

Thy Juliet is alive, For whose dear sake thou wast but lately dead.

Romeo and Juliet · Act III, Scene III
Romeo is directed to flee and live in Mantua during his exile.

Romeo and Juliet · Act III, Scene III · 📍 [[Mantua]]

Romeo

Sojourn in Mantua.

Romeo and Juliet · Act III, Scene III
Juliet’s ring is delivered to Romeo, renewing his comfort.

Romeo and Juliet · Act III, Scene III

Romeo Juliet

Here sir, a ring she bid me give you, sir.

Romeo and Juliet · Act III, Scene IV
Capulet schedules Juliet’s marriage to Paris for Thursday.

Romeo and Juliet · Act III, Scene IV · Thursday

Capulet Juliet County Paris

A Thursday let it be; a Thursday, tell her, She shall be married to this noble earl.

Romeo and Juliet · Act III, Scene IV
Tybalt has been slain.

Romeo and Juliet · Act III, Scene IV · so late

Tybalt

For, hark you, Tybalt being slain so late,

Romeo and Juliet · Act III, Scene V
Romeo departs Juliet at dawn, leaving their marriage separated by banishment.

Romeo and Juliet · Act III, Scene V · the day

Romeo Juliet

Farewell, farewell, one kiss, and I’ll descend.

Romeo and Juliet · Act III, Scene V
Lady Capulet announces that Paris will marry Juliet at Saint Peter’s Church.

Romeo and Juliet · Act III, Scene V · 📍 [[Saint Peter’s Church]] · early next Thursday morn

Lady Capulet Juliet County Paris

early next Thursday morn The gallant, young, and noble gentleman, The County Paris, at Saint Peter’s Church, Shall happily make thee there a joyful bride.

Romeo and Juliet · Act III, Scene V
Juliet refuses to marry Paris and declares she would marry Romeo instead.

Romeo and Juliet · Act III, Scene V · 📍 [[Saint Peter’s Church]] · next Thursday

Juliet County Paris

He shall not make me there a joyful bride.

Romeo and Juliet · Act III, Scene V
Capulet orders Juliet to marry Paris or lose his support and acknowledgment.

Romeo and Juliet · Act III, Scene V · Thursday

Capulet Juliet

And you be not, hang, beg, starve, die in the streets, For by my soul, I’ll ne’er acknowledge thee, Nor what is mine shall never do thee good.

Romeo and Juliet · Act III, Scene V
Lady Capulet refuses Juliet’s plea to delay the marriage and withdraws support.

Romeo and Juliet · Act III, Scene V

Juliet Lady Capulet

Do as thou wilt, for I have done with thee.

Romeo and Juliet · Act III, Scene V
Juliet ends her confidence in Nurse after Nurse endorses her marriage to Paris.

Romeo and Juliet · Act III, Scene V

Juliet Nurse

Go, counsellor. Thou and my bosom henceforth shall be twain.

Romeo and Juliet · Act IV, Scene I
Capulet hastens Juliet and Paris’s marriage to Thursday.

Romeo and Juliet · Act IV, Scene I · On Thursday

Capulet Juliet County Paris

And in his wisdom, hastes our marriage,

Romeo and Juliet · Act IV, Scene I
Juliet refuses to marry Paris and threatens suicide rather than betray Romeo.

Romeo and Juliet · Act IV, Scene I · On Thursday next

Juliet County Paris Romeo

And ere this hand, by thee to Romeo’s seal’d, Shall be the label to another deed, Or my true heart with treacherous revolt Turn to another, this shall slay them both.

Romeo and Juliet · Act IV, Scene I
Friar Lawrence gives Juliet a potion plan to counterfeit death and avoid marrying Paris.

Romeo and Juliet · Act IV, Scene I · Tomorrow night

Friar Lawrence Juliet

Take thou this vial, being then in bed, And this distilled liquor drink thou off, When presently through all thy veins shall run A cold and drowsy humour; for no pulse Shall keep his native progress, but surcease.

Romeo and Juliet · Act IV, Scene I
Juliet accepts Friar Lawrence’s dangerous plan without fear.

Romeo and Juliet · Act IV, Scene I

Juliet Friar Lawrence

Give me, give me! O tell not me of fear!

Romeo and Juliet · Act IV, Scene I
Friar Lawrence plans to inform Romeo so he can take Juliet to Mantua after her awakening.

Romeo and Juliet · Act IV, Scene I · 📍 [[Mantua]] · that very night

Friar Lawrence Romeo Juliet

Shall Romeo by my letters know our drift, And hither shall he come, and he and I Will watch thy waking, and that very night Shall Romeo bear thee hence to Mantua.

Romeo and Juliet · Act IV, Scene II
Juliet asks Capulet’s pardon and pledges henceforth to obey him.

Romeo and Juliet · Act IV, Scene II

Juliet Capulet

Where I have learnt me to repent the sin Of disobedient opposition To you and your behests; and am enjoin’d By holy Lawrence to fall prostrate here, To beg your pardon. Pardon, I beseech you. Henceforward I am ever rul’d by you.

Romeo and Juliet · Act IV, Scene II
Capulet decides to arrange Juliet’s marriage to County Paris the next morning.

Romeo and Juliet · Act IV, Scene II · tomorrow morning

Capulet Juliet County Paris

Send for the County, go tell him of this. I’ll have this knot knit up tomorrow morning.

Romeo and Juliet · Act IV, Scene II
Capulet announces that the wedding will take place at church the next day.

Romeo and Juliet · Act IV, Scene II · tomorrow

Capulet Juliet County Paris

Go, Nurse, go with her. We’ll to church tomorrow.

Romeo and Juliet · Act IV, Scene III
Juliet reveals that the Friar previously married her to Romeo.

Romeo and Juliet · Act IV, Scene III

Juliet Romeo

Because he married me before to Romeo?

Romeo and Juliet · Act IV, Scene III
Juliet drinks the potion to prevent her impending marriage.

Romeo and Juliet · Act IV, Scene III · tomorrow morning

Juliet

Romeo, Romeo, Romeo, here’s drink! I drink to thee.

Romeo and Juliet · Act IV, Scene IV
Paris arrives as the bridegroom, and Capulet orders Juliet awakened and prepared.

Romeo and Juliet · Act IV, Scene IV · ’tis day

County Paris Juliet Capulet

The County will be here with music straight, For so he said he would. I hear him near. [Play music.] Nurse! Wife! What, ho! What, Nurse, I say! Re-enter Nurse. Go waken Juliet, go and trim her up. I’ll go and chat with Paris. Hie, make haste, Make haste; the bridegroom he is come already. Make haste I say.

Romeo and Juliet · Act IV, Scene V
Juliet dies before her wedding to Paris.

Romeo and Juliet · Act IV, Scene V · the night before thy wedding day

Juliet

O son, the night before thy wedding day Hath death lain with thy bride. There she lies,

Romeo and Juliet · Act IV, Scene V
Juliet’s wedding celebration is transformed into a funeral.

Romeo and Juliet · Act IV, Scene V

Juliet Capulet Lady Capulet County Paris

All things that we ordained festival Turn from their office to black funeral:

Romeo and Juliet · Act V, Scene I
Balthasar reports that Juliet has died and been placed in her family’s vault.

Romeo and Juliet · Act V, Scene I · 📍 [[Capel’s monument]]

Balthasar Juliet

Her body sleeps in Capel’s monument, And her immortal part with angels lives. I saw her laid low in her kindred’s vault,

Romeo and Juliet · Act V, Scene I
Romeo decides to leave immediately after learning of Juliet’s death.

Romeo and Juliet · Act V, Scene I · tonight

Romeo

Then I defy you, stars! Thou know’st my lodging. Get me ink and paper, And hire post-horses. I will hence tonight.

Romeo and Juliet · Act V, Scene I
Romeo buys a deadly poison from the impoverished Apothecary for use at Juliet’s grave.

Romeo and Juliet · Act V, Scene I · 📍 [[Mantua]]

Romeo Apothecary

There is thy gold, worse poison to men’s souls, Doing more murder in this loathsome world Than these poor compounds that thou mayst not sell. I sell thee poison, thou hast sold me none.

Romeo and Juliet · Act V, Scene II
Friar John’s journey to Mantua was delayed by quarantine over suspected plague infection.

Romeo and Juliet · Act V, Scene II · 📍 [[Mantua]]

Friar John

finding him, the searchers of the town, Suspecting that we both were in a house Where the infectious pestilence did reign, Seal’d up the doors, and would not let us forth, So that my speed to Mantua there was stay’d.

Romeo and Juliet · Act V, Scene II
Friar Lawrence’s urgent letter to Romeo remained undelivered because infection fears prevented its dispatch.

Romeo and Juliet · Act V, Scene II

Friar Lawrence Friar John

I could not send it,—here it is again,— Nor get a messenger to bring it thee, So fearful were they of infection.

Romeo and Juliet · Act V, Scene III
Romeo kills Paris in a fight at the monument.

Romeo and Juliet · Act V, Scene III · 📍 [[churchyard]] · tonight

Romeo County Paris

Wilt thou provoke me? Then have at thee, boy! [They fight.] PAGE. O lord, they fight! I will go call the watch. [Exit.] PARIS. O, I am slain!

Romeo and Juliet · Act V, Scene III
Romeo drinks poison and dies beside Juliet.

Romeo and Juliet · Act V, Scene III · 📍 [[monument]]

Romeo

Here’s to my love! [Drinks.] O true apothecary! Thy drugs are quick. Thus with a kiss I die.

Romeo and Juliet · Act V, Scene III
Juliet kills herself with Romeo’s dagger.

Romeo and Juliet · Act V, Scene III · 📍 [[monument]]

Juliet

Yea, noise? Then I’ll be brief. O happy dagger. [Snatching Romeo’s dagger.] This is thy sheath. [stabs herself] There rest, and let me die.

Romeo and Juliet · Act V, Scene III
Friar Lawrence reveals that Romeo and Juliet secretly married.

Romeo and Juliet · Act V, Scene III

Friar Lawrence Romeo Juliet

Romeo, there dead, was husband to that Juliet, And she, there dead, that Romeo’s faithful wife. I married them; and their stol’n marriage day

Romeo and Juliet · Act V, Scene III
Friar Lawrence’s letter to Romeo is returned after the messenger is detained.

Romeo and Juliet · Act V, Scene III · yesternight

Friar Lawrence Romeo

But he which bore my letter, Friar John, Was stay’d by accident; And yesternight Return’d my letter back.

Romeo and Juliet · Act V, Scene III
Montague reports that his wife died from grief over Romeo’s exile.

Romeo and Juliet · Act V, Scene III · tonight

Montague

Alas, my liege, my wife is dead tonight. Grief of my son’s exile hath stopp’d her breath.

Romeo and Juliet · Act V, Scene III
Capulet and Montague reconcile and pledge memorials to Juliet and Romeo.

Romeo and Juliet · Act V, Scene III · 📍 [[Verona]] · this morning

Capulet Montague

O brother Montague, give me thy hand. This is my daughter’s jointure, for no more Can I demand. MONTAGUE. But I can give thee more, For I will raise her statue in pure gold, That whiles Verona by that name is known, There shall no figure at such rate be set As that of true and faithful Juliet. CAPULET. As rich shall Romeo’s by his lady’s lie, Poor sacrifices of our enmity.

Macbeth · Act I, Scene I
The three Witches arrange to meet Macbeth upon the heath after the battle.

Macbeth · Act I, Scene I · 📍 [[the heath]] · When the hurlyburly’s done

First Witch Second Witch Third Witch Macbeth

When the hurlyburly’s done, When the battle’s lost and won. THIRD WITCH. That will be ere the set of sun. FIRST WITCH. Where the place? SECOND WITCH. Upon the heath. THIRD WITCH. There to meet with Macbeth.

Macbeth · Act I, Scene II
Macbeth kills Macdonwald in battle and displays his head on the battlements.

Macbeth · Act I, Scene II

Macbeth Macdonwald

For brave Macbeth (well he deserves that name), Disdaining Fortune, with his brandish’d steel, Which smok’d with bloody execution, Like Valour’s minion, carv’d out his passage, Till he fac’d the slave; Which ne’er shook hands, nor bade farewell to him, Till he unseam’d him from the nave to the chops, And fix’d his head upon our battlements.

Macbeth · Act I, Scene II
Norway’s king seeks terms and agrees to pay ten thousand dollars.

Macbeth · Act I, Scene II · 📍 [[Saint Colme’s Inch]]

Duncan Ross

That now Sweno, the Norways’ king, craves composition; Nor would we deign him burial of his men Till he disbursed at Saint Colme’s Inch Ten thousand dollars to our general use.

Macbeth · Act I, Scene II
Duncan orders the Thane of Cawdor’s execution.

Macbeth · Act I, Scene II

Duncan Ross

No more that Thane of Cawdor shall deceive Our bosom interest. Go pronounce his present death

Macbeth · Act I, Scene III
The Weird Sisters prophesy Macbeth’s kingship and Banquo’s future royal descendants.

Macbeth · Act I, Scene III

Macbeth Banquo

THIRD WITCH. All hail, Macbeth! that shalt be king hereafter! BANQUO. Good sir, why do you start and seem to fear Things that do sound so fair?—I’ th’ name of truth, Are ye fantastical, or that indeed Which outwardly ye show? My noble partner You greet with present grace and great prediction Of noble having and of royal hope, That he seems rapt withal. To me you speak not. If you can look into the seeds of time, And say which grain will grow, and which will not, Speak then to me, who neither beg nor fear Your favours nor your hate. FIRST WITCH. Hail! SECOND WITCH. Hail! THIRD WITCH. Hail! FIRST WITCH. Lesser than Macbeth, and greater. SECOND WITCH. Not so happy, yet much happier. THIRD WITCH. Thou shalt get kings, though thou be none:

Macbeth · Act I, Scene III
Ross announces that Macbeth has been granted the title Thane of Cawdor.

Macbeth · Act I, Scene III

Macbeth Ross

And, for an earnest of a greater honour, He bade me, from him, call thee Thane of Cawdor: In which addition, hail, most worthy thane, For it is thine.

Macbeth · Act I, Scene III
Angus confirms that the former Thane of Cawdor has been overthrown for proven treason.

Macbeth · Act I, Scene III

Macbeth Angus

But treasons capital, confess’d and prov’d, Have overthrown him.

Macbeth · Act I, Scene IV
Duncan names Malcolm Prince of Cumberland and designates him heir to the estate.

Macbeth · Act I, Scene IV · hereafter

Duncan Malcolm

We will establish our estate upon Our eldest, Malcolm; whom we name hereafter The Prince of Cumberland

Macbeth · Act I, Scene V
Lady Macbeth learns Macbeth has been promised kingship by the Weird Sisters.

Macbeth · Act I, Scene V

Lady Macbeth Macbeth

This have I thought good to deliver thee (my dearest partner of greatness) that thou might’st not lose the dues of rejoicing, by being ignorant of what greatness is promis’d thee.

Macbeth · Act I, Scene V
Macbeth is granted the title Thane of Cawdor.

Macbeth · Act I, Scene V

Macbeth

came missives from the King, who all-hailed me, ‘Thane of Cawdor’

Macbeth · Act I, Scene V
Lady Macbeth resolves to arrange Duncan’s murder during his visit.

Macbeth · Act I, Scene V · tonight

Lady Macbeth Macbeth Duncan

The raven himself is hoarse That croaks the fatal entrance of Duncan Under my battlements.

Macbeth · Act I, Scene VI
Duncan becomes Macbeth’s guest at the castle, receiving hospitality from Lady Macbeth.

Macbeth · Act I, Scene VI · tonight

Duncan Macbeth Lady Macbeth

We are your guest tonight.

Macbeth · Act I, Scene VII
Lady Macbeth devises drugging Duncan’s chamberlains and framing them for his murder.

Macbeth · Act I, Scene VII · When Duncan is asleep

Macbeth Lady Macbeth Duncan

When Duncan is asleep (Whereto the rather shall his day’s hard journey Soundly invite him), his two chamberlains Will I with wine and wassail so convince That memory, the warder of the brain, Shall be a fume, and the receipt of reason A limbeck only: when in swinish sleep Their drenched natures lie as in a death, What cannot you and I perform upon Th’ unguarded Duncan? what not put upon His spongy officers; who shall bear the guilt Of our great quell?

Macbeth · Act I, Scene VII
Macbeth abandons his hesitation and commits himself to murdering Duncan.

Macbeth · Act I, Scene VII

Macbeth

I am settled, and bend up Each corporal agent to this terrible feat.

Macbeth · Act II, Scene I
Macbeth departs to murder Duncan.

Macbeth · Act II, Scene I

Macbeth Duncan

I go, and it is done. The bell invites me. Hear it not, Duncan, for it is a knell

Macbeth · Act II, Scene II
Lady Macbeth drugs the grooms, leaving their lives uncertain while Macbeth carries out the murder.

Macbeth · Act II, Scene II

Lady Macbeth

I have drugg’d their possets, That death and nature do contend about them, Whether they live or die.

Macbeth · Act II, Scene II
Macbeth murders Duncan.

Macbeth · Act II, Scene II

Macbeth Duncan

I have done the deed.—Didst thou not hear a noise?

Macbeth · Act II, Scene II
Lady Macbeth takes the daggers back and smears the sleeping grooms with blood to frame them.

Macbeth · Act II, Scene II

Lady Macbeth

Give me the daggers. The sleeping and the dead Are but as pictures. ’Tis the eye of childhood That fears a painted devil. If he do bleed, I’ll gild the faces of the grooms withal, For it must seem their guilt.

Macbeth · Act II, Scene II
Macbeth and Lady Macbeth retreat to their chamber as knocking threatens to expose them.

Macbeth · Act II, Scene II

Macbeth Lady Macbeth

I hear knocking At the south entry:—retire we to our chamber.

Macbeth · Act II, Scene III
Duncan is murdered.

Macbeth · Act II, Scene III

Duncan

Our royal master’s murder’d!

Macbeth · Act II, Scene III
Malcolm and Donalbain learn that their father Duncan has been murdered.

Macbeth · Act II, Scene III

Malcolm Donalbain

Your royal father’s murder’d.

Macbeth · Act II, Scene III
Malcolm decides to flee to England for safety.

Macbeth · Act II, Scene III · 📍 [[England]]

Malcolm

I’ll to England.

Macbeth · Act II, Scene III
Donalbain decides to flee to Ireland for safety.

Macbeth · Act II, Scene III · 📍 [[Ireland]]

Donalbain

To Ireland, I.

Macbeth · Act II, Scene IV
Duncan’s body is carried to Colmekill.

Macbeth · Act II, Scene IV · 📍 [[Colmekill]]

Duncan

Where is Duncan’s body? MACDUFF. Carried to Colmekill,

Macbeth · Act II, Scene IV
Malcolm and Donalbain flee, placing suspicion for Duncan’s murder upon them.

Macbeth · Act II, Scene IV

Malcolm Donalbain

Malcolm and Donalbain, the King’s two sons, Are stol’n away and fled; which puts upon them Suspicion of the deed.

Macbeth · Act II, Scene IV
Macbeth is named sovereign and goes to Scone for investiture.

Macbeth · Act II, Scene IV · 📍 [[Scone]]

Macbeth

He is already nam’d; and gone to Scone To be invested.

Macbeth · Act III, Scene I
Macbeth commissions the murder of Banquo and Fleance, and the murderers agree to carry it out.

Macbeth · Act III, Scene I · tonight

Macbeth Banquo Fleance

Within this hour at most, I will advise you where to plant yourselves, Acquaint you with the perfect spy o’ th’ time, The moment on’t; for’t must be done tonight and something from the palace; always thought That I require a clearness. And with him (To leave no rubs nor botches in the work) Fleance his son, that keeps him company, Whose absence is no less material to me Than is his father’s, must embrace the fate Of that dark hour.

Macbeth · Act III, Scene II
Macbeth plans a dreadful deed against Banquo and Fleance, concealing its nature from Lady Macbeth.

Macbeth · Act III, Scene II · Ere the bat hath flown

Macbeth Lady Macbeth Banquo Fleance

Thou know’st that Banquo, and his Fleance, lives. LADY MACBETH. But in them nature’s copy’s not eterne. MACBETH. There’s comfort yet; they are assailable. Then be thou jocund. Ere the bat hath flown His cloister’d flight, ere to black Hecate’s summons The shard-born beetle, with his drowsy hums, Hath rung night’s yawning peal, there shall be done A deed of dreadful note.

Macbeth · Act III, Scene III
Banquo is ambushed and dies.

Macbeth · Act III, Scene III · tonight

Banquo

O, treachery! Fly, good Fleance, fly, fly, fly! Thou mayst revenge—O slave! [Dies. Fleance escapes.]

Macbeth · Act III, Scene III
Fleance escapes the murderers.

Macbeth · Act III, Scene III · tonight

Fleance

[Dies. Fleance escapes.]

Macbeth · Act III, Scene IV
Banquo is murdered by having his throat cut.

Macbeth · Act III, Scene IV

Macbeth Banquo

My lord, his throat is cut. That I did for him.

Macbeth · Act III, Scene IV
Fleance escapes the murderers who killed Banquo.

Macbeth · Act III, Scene IV

Macbeth Fleance

Fleance is ’scap’d.

Macbeth · Act III, Scene IV
Banquo’s ghost appears at the banquet, terrifying Macbeth and disrupting the gathering.

Macbeth · Act III, Scene IV

Macbeth Banquo

The Ghost of Banquo rises, and sits in Macbeth’s place.

Macbeth · Act III, Scene IV
Lady Macbeth ends the banquet and orders the assembled guests to leave immediately.

Macbeth · Act III, Scene IV · At once

Macbeth Lady Macbeth Ross Lennox

At once, good night:— Stand not upon the order of your going, But go at once.

Macbeth · Act III, Scene IV
Macbeth resolves to visit the Weird Sisters and pursue further violent action.

Macbeth · Act III, Scene IV · tomorrow

Macbeth

I will tomorrow (And betimes I will) to the Weird Sisters: More shall they speak

Macbeth · Act III, Scene V
Hecate summons Macbeth to meet her and learn his destiny.

Macbeth · Act III, Scene V · 📍 [[pit of Acheron]] · i’ th’ morning

Hecate Macbeth

And at the pit of Acheron Meet me i’ th’ morning: thither he Will come to know his destiny.

Macbeth · Act III, Scene V
Hecate plans magical sprites to lure Macbeth toward confusion.

Macbeth · Act III, Scene V · ere noon

Hecate Macbeth

Great business must be wrought ere noon. Upon the corner of the moon There hangs a vap’rous drop profound; I’ll catch it ere it come to ground: And that, distill’d by magic sleights, Shall raise such artificial sprites, As, by the strength of their illusion, Shall draw him on to his confusion.

Macbeth · Act III, Scene VI
Malcolm lives at the English court, where Edward receives him with great honor.

Macbeth · Act III, Scene VI · 📍 [[English court]]

Malcolm Duncan Edward

The son of Duncan, From whom this tyrant holds the due of birth, Lives in the English court and is receiv’d Of the most pious Edward with such grace

Macbeth · Act III, Scene VI
Macduff seeks Edward’s aid to awaken Northumberland and Siward against Macbeth.

Macbeth · Act III, Scene VI · 📍 [[English court]]

Macduff Edward Northumberland Siward

Thither Macduff Is gone to pray the holy king, upon his aid To wake Northumberland, and warlike Siward

Macbeth · Act III, Scene VI
Macbeth prepares a military attack after learning of the opposition gathering in England.

Macbeth · Act III, Scene VI

Macbeth

And this report Hath so exasperate the King that he Prepares for some attempt of war.

Macbeth · Act III, Scene VI
Macduff refuses Macbeth’s summons and remains in disgrace.

Macbeth · Act III, Scene VI

Macduff Macbeth

He did: and with an absolute “Sir, not I,” The cloudy messenger turns me his back

Macbeth · Act IV, Scene I
Macbeth is warned by an apparition to beware Macduff.

Macbeth · Act IV, Scene I

Macbeth Macduff

Macbeth! Macbeth! Macbeth! Beware Macduff; Beware the Thane of Fife.

Macbeth · Act IV, Scene I
Macbeth receives assurance that no man born of woman can harm him.

Macbeth · Act IV, Scene I

Macbeth

Be bloody, bold, and resolute. Laugh to scorn The power of man, for none of woman born Shall harm Macbeth.

Macbeth · Act IV, Scene I
Macbeth is told he cannot be vanquished until Birnam wood moves to Dunsinane.

Macbeth · Act IV, Scene I · 📍 [[Birnam wood]]

Macbeth

Macbeth shall never vanquish’d be, until Great Birnam wood to high Dunsinane hill Shall come against him.

Macbeth · Act IV, Scene I
Macduff flees to England.

Macbeth · Act IV, Scene I · 📍 [[England]]

Macduff

Macduff is fled to England.

Macbeth · Act IV, Scene I
Macbeth resolves to kill Macduff.

Macbeth · Act IV, Scene I · From this moment

Macbeth Macduff

Thou shalt not live; That I may tell pale-hearted fear it lies, And sleep in spite of thunder.

Macbeth · Act IV, Scene I
Macbeth orders an attack on Macduff’s castle and plans to seize Fife.

Macbeth · Act IV, Scene I · 📍 [[Fife]] · even now

Macbeth

And even now, To crown my thoughts with acts, be it thought and done: The castle of Macduff I will surprise; Seize upon Fife

Macbeth · Act IV, Scene II
A messenger warns Lady Macduff to flee with her children because danger approaches.

Macbeth · Act IV, Scene II

Lady Macduff

I doubt some danger does approach you nearly: If you will take a homely man’s advice, Be not found here; hence, with your little ones.

Macbeth · Act IV, Scene II
Lady Macduff’s son is stabbed and dies while defending his father.

Macbeth · Act IV, Scene II

Lady Macduff

What, you egg! [Stabbing him.] Young fry of treachery! SON. He has kill’d me, mother: Run away, I pray you! [_Dies. Exit Lady Macduff, crying “Murder!” and pursued by the Murderers.]

Macbeth · Act IV, Scene III
Malcolm reveals his vices were fabricated and pledges his true self to Scotland’s cause.

Macbeth · Act IV, Scene III · even now

Malcolm Macduff

I am yet Unknown to woman; never was forsworn; Scarcely have coveted what was mine own; At no time broke my faith; would not betray The devil to his fellow; and delight No less in truth than life: my first false speaking Was this upon myself.

Macbeth · Act IV, Scene III
Old Siward sets forth with ten thousand warlike men against Macbeth.

Macbeth · Act IV, Scene III · 📍 [[England]] · before thy here-approach

Siward

Old Siward, with ten thousand warlike men, Already at a point, was setting forth.

Macbeth · Act IV, Scene III
Ross reveals that Macduff’s castle was seized and his wife, children, and servants were slaughtered.

Macbeth · Act IV, Scene III

Ross Macduff

Your castle is surpris’d; your wife and babes Savagely slaughter’d.

Macbeth · Act IV, Scene III
Macduff transforms his grief into a vow to confront and kill Macbeth.

Macbeth · Act IV, Scene III

Macduff

Bring thou this fiend of Scotland and myself; Within my sword’s length set him; if he ’scape, Heaven forgive him too!

Macbeth · Act IV, Scene III
Malcolm announces that England has lent Siward and ten thousand men for Scotland’s liberation.

Macbeth · Act IV, Scene III · 📍 [[England]] · now

Malcolm Siward

Gracious England hath Lent us good Siward and ten thousand men; An older and a better soldier none That Christendom gives out.

Macbeth · Act V, Scene I
Lady Macbeth develops severe sleepwalking episodes, repeatedly performing actions while unconscious.

Macbeth · Act V, Scene I · Since his Majesty went into the field

Lady Macbeth

Since his Majesty went into the field, I have seen her rise from her bed, throw her nightgown upon her, unlock her closet, take forth paper, fold it, write upon’t, read it, afterwards seal it, and again return to bed; yet all this while in a most fast sleep.

Macbeth · Act V, Scene I
Lady Macbeth reveals her guilt over bloodshed while sleepwalking.

Macbeth · Act V, Scene I

Lady Macbeth

Yet who would have thought the old man to have had so much blood in him?

Macbeth · Act V, Scene I
Lady Macbeth’s mental disease is judged beyond the physician’s ability to treat.

Macbeth · Act V, Scene I

Lady Macbeth

This disease is beyond my practice

Macbeth · Act V, Scene II
Malcolm, Siward, and Macduff lead the approaching English power toward Birnam wood.

Macbeth · Act V, Scene II · 📍 [[Birnam wood]] · Near

Malcolm Siward Macduff

The English power is near, led on by Malcolm, His uncle Siward, and the good Macduff. Revenges burn in them; for their dear causes Would to the bleeding and the grim alarm Excite the mortified man. ANGUS. Near Birnam wood Shall we well meet them. That way are they coming.

Macbeth · Act V, Scene II
Macbeth strongly fortifies Great Dunsinane against the approaching forces.

Macbeth · Act V, Scene II · 📍 [[Great Dunsinane]]

Macbeth

Great Dunsinane he strongly fortifies.

Macbeth · Act V, Scene II
Revolts and loveless obedience weaken Macbeth’s authority and legitimacy.

Macbeth · Act V, Scene II · Now

Macbeth

Now minutely revolts upbraid his faith-breach; Those he commands move only in command, Nothing in love: now does he feel his title Hang loose about him, like a giant’s robe Upon a dwarfish thief.

Macbeth · Act V, Scene III
Macbeth learns that an English force is advancing against him.

Macbeth · Act V, Scene III

Macbeth

The English force, so please you.

Macbeth · Act V, Scene III
Macbeth orders armor, additional horses, and punishment for anyone expressing fear.

Macbeth · Act V, Scene III

Macbeth Seyton

I’ll put it on. Send out more horses, skirr the country round; Hang those that talk of fear. Give me mine armour.—

Macbeth · Act V, Scene III
Macbeth recognizes that his thanes are abandoning him.

Macbeth · Act V, Scene III

Macbeth

Doctor, the Thanes fly from me.

Macbeth · Act V, Scene IV
Malcolm orders soldiers to carry branches, concealing the army’s numbers from Macbeth.

Macbeth · Act V, Scene IV · 📍 [[The wood of Birnam]]

Malcolm

Let every soldier hew him down a bough, And bear’t before him. Thereby shall we shadow The numbers of our host

Macbeth · Act V, Scene V
Seyton announces that the Queen has died.

Macbeth · Act V, Scene V

Macbeth Seyton

SEYTON. The Queen, my lord, is dead.

Macbeth · Act V, Scene V
Macbeth learns Birnam Wood appears to move toward Dunsinane, undermining his confidence in the prophecy.

Macbeth · Act V, Scene V · 📍 [[Dunsinane]]

Macbeth

I pull in resolution; and begin To doubt th’ equivocation of the fiend, That lies like truth. “Fear not, till Birnam wood Do come to Dunsinane;” and now a wood Comes toward Dunsinane.—Arm, arm, and out!

Macbeth · Act V, Scene VI
Malcolm orders the army to discard its leafy screens and reveal itself before attacking Macbeth.

Macbeth · Act V, Scene VI · tonight

Malcolm Siward Macduff

Now near enough. Your leafy screens throw down, And show like those you are.

Macbeth · Act V, Scene VII
Macbeth kills young Siward in combat.

Macbeth · Act V, Scene VII

Macbeth young Siward

[They fight, and young Siward is slain.]

Macbeth · Act V, Scene VII
The castle surrenders as Malcolm and old Siward’s forces advance.

Macbeth · Act V, Scene VII

Malcolm Siward

This way, my lord;—the castle’s gently render’d:

Macbeth · Act V, Scene VIII
Macduff kills Macbeth and presents his severed head.

Macbeth · Act V, Scene VIII

Macduff Macbeth

Enter Macduff with Macbeth’s head. MACDUFF. Hail, King, for so thou art. Behold, where stands Th’ usurper’s cursed head: the time is free.

Macbeth · Act V, Scene VIII
Macduff reveals he was delivered by caesarean birth, breaking Macbeth’s protective prophecy.

Macbeth · Act V, Scene VIII

Macduff Macbeth

Despair thy charm; And let the angel whom thou still hast serv’d Tell thee, Macduff was from his mother’s womb Untimely ripp’d.

Macbeth · Act V, Scene VIII
Malcolm is acclaimed King of Scotland after Macbeth’s defeat.

Macbeth · Act V, Scene VIII · 📍 [[Scotland]]

Malcolm

Hail, King of Scotland! ALL. Hail, King of Scotland!

Macbeth · Act V, Scene VIII
Malcolm elevates his thanes to earls, creating Scotland’s first earldoms.

Macbeth · Act V, Scene VIII · 📍 [[Scotland]] · Henceforth

Malcolm

Henceforth be earls, the first that ever Scotland In such an honour nam’d.

Hamlet · Act I, Scene I
A ghost appears before the watchmen in the likeness of the dead King.

Hamlet · Act I, Scene I · tonight

Barnardo Horatio Marcellus

Enter Ghost. BARNARDO. In the same figure, like the King that’s dead. MARCELLUS. Thou art a scholar; speak to it, Horatio.

Hamlet · Act I, Scene I
Hamlet killed Fortinbras and gained his lands under their ratified combat compact.

Hamlet · Act I, Scene I

Horatio Hamlet Fortinbras

Our last King, Whose image even but now appear’d to us, Was, as you know, by Fortinbras of Norway, Thereto prick’d on by a most emulate pride, Dar’d to the combat; in which our valiant Hamlet, For so this side of our known world esteem’d him, Did slay this Fortinbras; who by a seal’d compact, Well ratified by law and heraldry, Did forfeit, with his life, all those his lands Which he stood seiz’d of, to the conqueror;

Hamlet · Act I, Scene I
Young Fortinbras gathers lawless forces to recover the lands his father lost.

Hamlet · Act I, Scene I · 📍 Norway

young Fortinbras

Now, sir, young Fortinbras, Of unimproved mettle, hot and full, Hath in the skirts of Norway, here and there, Shark’d up a list of lawless resolutes, For food and diet, to some enterprise That hath a stomach in’t; which is no other, As it doth well appear unto our state, But to recover of us by strong hand And terms compulsatory, those foresaid lands So by his father lost.

Hamlet · Act I, Scene I
The apparition vanishes when the cock crows.

Hamlet · Act I, Scene I · the cock crew

Barnardo Horatio Marcellus

It was about to speak, when the cock crew. HORATIO. And then it started, like a guilty thing Upon a fearful summons.

Hamlet · Act I, Scene I
The watchmen decide to tell Hamlet about the spirit they witnessed.

Hamlet · Act I, Scene I · tonight

Horatio Marcellus Hamlet

Break we our watch up, and by my advice, Let us impart what we have seen tonight Unto young Hamlet; for upon my life, This spirit, dumb to us, will speak to him. Do you consent we shall acquaint him with it, as needful in our loves, fitting our duty? MARCELLUS. Let’s do’t, I pray

Hamlet · Act I, Scene II
Claudius takes Gertrude as his wife and queen of Denmark.

Hamlet · Act I, Scene II

Claudius Gertrude

Taken to wife; nor have we herein barr’d

Hamlet · Act I, Scene II
Claudius dispatches Cornelius and Voltemand to Norway to suppress Fortinbras’s military preparations.

Hamlet · Act I, Scene II · 📍 Norway

Claudius Fortinbras Cornelius Voltemand Norway

And we here dispatch You, good Cornelius, and you, Voltemand, For bearers of this greeting to old Norway

Hamlet · Act I, Scene II
Claudius grants Laertes permission to return to France.

Hamlet · Act I, Scene II · 📍 France

Claudius Laertes

Take thy fair hour, Laertes; time be thine, And thy best graces spend it at thy will!

Hamlet · Act I, Scene II
Hamlet agrees to remain in Denmark instead of returning to Wittenberg.

Hamlet · Act I, Scene II · 📍 [[Denmark]]

Hamlet Claudius Gertrude

Let not thy mother lose her prayers, Hamlet. I pray thee stay with us; go not to Wittenberg. HAMLET. I shall in all my best obey you, madam.

Hamlet · Act I, Scene II
Horatio, Marcellus, and Barnardo reveal to Hamlet that his father’s apparition has appeared on watch.

Hamlet · Act I, Scene II · 📍 [[Elsinore]] · Two nights together

Hamlet Horatio Marcellus Barnardo

Two nights together had these gentlemen, Marcellus and Barnardo, on their watch In the dead waste and middle of the night, Been thus encounter’d. A figure like your father, Armed at point exactly, cap-à-pie, Appears before them

Hamlet · Act I, Scene III
Laertes departs to embark.

Hamlet · Act I, Scene III

Laertes

My necessaries are embark’d. Farewell.

Hamlet · Act I, Scene III
Ophelia reveals that Hamlet has recently declared his affection for her.

Hamlet · Act I, Scene III

Ophelia Hamlet

He hath, my lord, of late made many tenders Of his affection to me.

Hamlet · Act I, Scene III
Polonius orders Ophelia to stop speaking with Hamlet.

Hamlet · Act I, Scene III

Polonius Ophelia Hamlet

I would not, in plain terms, from this time forth Have you so slander any moment leisure As to give words or talk with the Lord Hamlet.

Hamlet · Act I, Scene IV
Ghost appears before Hamlet and his companions.

Hamlet · Act I, Scene IV

Ghost

Enter Ghost.

Hamlet · Act I, Scene IV
Hamlet breaks free from Horatio and Marcellus and follows Ghost.

Hamlet · Act I, Scene IV

Ghost Hamlet

By heaven, I’ll make a ghost of him that lets me. I say, away!—Go on, I’ll follow thee. [Exeunt Ghost and Hamlet.]

Hamlet · Act I, Scene V
Ghost reveals he is Hamlet’s father’s spirit, condemned to wander and suffer after death.

Hamlet · Act I, Scene V

Ghost Hamlet

I am thy father’s spirit,

Hamlet · Act I, Scene V
Ghost reveals that his brother murdered him and seized his life, crown, and queen.

Hamlet · Act I, Scene V · 📍 [[my orchard]] · of the afternoon

Ghost Hamlet

Thus was I, sleeping, by a brother’s hand, of life, of crown, of queen at once dispatch’d;

Hamlet · Act I, Scene V
Ghost commands Hamlet to avenge the murder, and Hamlet immediately commits himself to revenge.

Hamlet · Act I, Scene V

Ghost Hamlet

May sweep to my revenge.

Hamlet · Act I, Scene V
Horatio and Marcellus swear not to reveal what they witnessed.

Hamlet · Act I, Scene V · tonight

Hamlet Horatio Marcellus

My lord, we will not.

Hamlet · Act I, Scene V
Hamlet requires Horatio and Marcellus to conceal his planned antic disposition.

Hamlet · Act I, Scene V · hereafter

Hamlet Horatio Marcellus

As I perchance hereafter shall think meet To put an antic disposition on— That you, at such times seeing me, never shall

Hamlet · Act II, Scene I
Polonius assigns Reynaldo to investigate Hamlet's behavior in Paris.

Hamlet · Act II, Scene I · 📍 Paris

Polonius Reynaldo Hamlet

Give him this money and these notes, Reynaldo.

Hamlet · Act II, Scene I
Ophelia reports Hamlet's disturbing, apparently mad visit and seizure of her wrist.

Hamlet · Act II, Scene I

Hamlet Ophelia

Lord Hamlet, with his doublet all unbrac’d, No hat upon his head, his stockings foul’d, Ungart’red, and down-gyved to his ankle, Pale as his shirt, his knees knocking each other, And with a look so piteous in purport As if he had been loosed out of hell To speak of horrors, he comes before me.

Hamlet · Act II, Scene I
Ophelia reveals that she rejected Hamlet's letters and denied him access.

Hamlet · Act II, Scene I · of late

Ophelia Hamlet

I did repel His letters and denied His access to me.

Hamlet · Act II, Scene I
Polonius resolves to inform the King about Hamlet's apparent madness.

Hamlet · Act II, Scene I

Polonius Hamlet

Come, go with me. I will go seek the King. This is the very ecstasy of love

Hamlet · Act II, Scene II
King and Queen summon Rosencrantz and Guildenstern to investigate Hamlet’s transformation.

Hamlet · Act II, Scene II

Claudius Gertrude Rosencrantz Guildenstern

The need we have to use you did provoke Our hasty sending. Something have you heard Of Hamlet’s transformation; so I call it

Hamlet · Act II, Scene II
Fortinbras abandons military action against the King and receives Norway’s commission to fight the Polack.

Hamlet · Act II, Scene II

Fortinbras Norway Claudius

which he, in brief, obeys, Receives rebuke from Norway; and in fine, Makes vow before his uncle never more To give th’assay of arms against your Majesty. Whereon old Norway, overcome with joy, Gives him three thousand crowns in annual fee, And his commission to employ those soldiers So levied as before, against the Polack

Hamlet · Act II, Scene II
Polonius orders Ophelia to reject Hamlet, after which Hamlet descends into apparent madness.

Hamlet · Act II, Scene II

Polonius Ophelia Hamlet

That she should lock herself from his resort, Admit no messengers, receive no tokens. Which done, she took the fruits of my advice, And he, repulsed,—a short tale to make— Fell into a sadness, then into a fast, Thence to a watch, thence into a weakness, Thence to a lightness, and, by this declension, Into the madness wherein now he raves

Hamlet · Act II, Scene II
Polonius proposes secretly arranging Hamlet’s encounter with Ophelia to test whether love caused his madness.

Hamlet · Act II, Scene II

Claudius Gertrude Polonius Ophelia Hamlet

At such a time I’ll loose my daughter to him. Be you and I behind an arras then, Mark the encounter. If he love her not, And be not from his reason fall’n thereon, Let me be no assistant for a state

Hamlet · Act II, Scene II
Hamlet discovers that King and Queen sent Rosencrantz and Guildenstern to him.

Hamlet · Act II, Scene II

Hamlet Rosencrantz Guildenstern Claudius Gertrude

GUILDENSTERN. My lord, we were sent for.

Hamlet · Act II, Scene II
Hamlet commissions the players to perform The Murder of Gonzago with an inserted speech.

Hamlet · Act II, Scene II · 📍 [[Elsinore]] · tomorrow night

Hamlet

We’ll ha’t tomorrow night. You could for a need study a speech of some dozen or sixteen lines, which I would set down and insert in’t

Hamlet · Act III, Scene I
King and Polonius secretly arrange for Hamlet to encounter Ophelia while they observe unseen.

Hamlet · Act III, Scene I

Claudius Hamlet Ophelia Polonius

For we have closely sent for Hamlet hither, That he, as ’twere by accident, may here Affront Ophelia. Her father and myself, lawful espials, Will so bestow ourselves that, seeing unseen, We may of their encounter frankly judge,

Hamlet · Act III, Scene I
A company of players is ordered to perform before Hamlet.

Hamlet · Act III, Scene I · This night

Hamlet Rosencrantz Guildenstern

They are about the court, And, as I think, they have already order This night to play before him.

Hamlet · Act III, Scene I
King orders Hamlet sent to England to demand the neglected tribute.

Hamlet · Act III, Scene I · 📍 [[England]] · with speed

Claudius Hamlet

he shall with speed to England For the demand of our neglected tribute:

Hamlet · Act III, Scene I
King approves Gertrude questioning Hamlet while Polonius secretly listens.

Hamlet · Act III, Scene I · after the play

Claudius Gertrude Hamlet Polonius

after the play, Let his queen mother all alone entreat him To show his grief, let her be round with him, And I’ll be plac’d, so please you, in the ear Of all their conference.

Hamlet · Act III, Scene II
Hamlet stages a play depicting a poisoning to test the King’s reaction to his father’s murder.

Hamlet · Act III, Scene II · tonight

Hamlet Horatio Claudius

There is a play tonight before the King. One scene of it comes near the circumstance Which I have told thee, of my father’s death.

Hamlet · Act III, Scene II
The King reacts violently to the poisoning scene and abruptly ends the performance.

Hamlet · Act III, Scene II · tonight

Claudius

OPHELIA. The King rises. HAMLET. What, frighted with false fire? QUEEN. How fares my lord? POLONIUS. Give o’er the play. KING. Give me some light. Away. All. Lights, lights, lights.

Hamlet · Act III, Scene II
Horatio confirms the King’s reaction to the poisoning, validating Hamlet’s suspicion.

Hamlet · Act III, Scene II

Hamlet Horatio Claudius

HAMLET. O good Horatio, I’ll take the ghost’s word for a thousand pound. Didst perceive? HORATIO. Very well, my lord. HAMLET. Upon the talk of the poisoning? HORATIO. I did very well note him.

Hamlet · Act III, Scene II
The King becomes severely distressed after the performance, prompting Guildenstern to report his condition.

Hamlet · Act III, Scene II

Claudius Guildenstern

GUILDENSTERN. The King, sir— HAMLET. Ay, sir, what of him? GUILDENSTERN. Is in his retirement, marvellous distempered.

Hamlet · Act III, Scene II
The Queen summons Hamlet to her closet, and Hamlet agrees to meet her.

Hamlet · Act III, Scene II · ere you go to bed

Player Queen Guildenstern Hamlet

ROSENCRANTZ. She desires to speak with you in her closet ere you go to bed. HAMLET. We shall obey, were she ten times our mother.

Hamlet · Act III, Scene III
King orders Rosencrantz and Guildenstern to escort Hamlet to England under royal commission.

Hamlet · Act III, Scene III · 📍 [[England]] · forthwith

Claudius Rosencrantz Guildenstern Hamlet

Therefore prepare you, I your commission will forthwith dispatch, And he to England shall along with you.

Hamlet · Act III, Scene III
Polonius hides behind the arras to overhear Hamlet’s confrontation with his mother.

Hamlet · Act III, Scene III

Polonius Hamlet

Behind the arras I’ll convey myself To hear the process.

Hamlet · Act III, Scene III
King reveals that he murdered his brother to obtain and retain the crown and queen.

Hamlet · Act III, Scene III

Claudius

Forgive me my foul murder! That cannot be; since I am still possess’d Of those effects for which I did the murder,— My crown, mine own ambition, and my queen.

Hamlet · Act III, Scene III
Hamlet decides not to kill the praying King, postponing revenge until a more damnable moment.

Hamlet · Act III, Scene III

Hamlet Claudius

And am I then reveng’d, To take him in the purging of his soul, When he is fit and season’d for his passage? No.

Hamlet · Act III, Scene IV
Hamlet kills Polonius, mistaking him for the King behind the arras.

Hamlet · Act III, Scene IV

Hamlet Polonius

How now? A rat? [Draws.] Dead for a ducat, dead! [Makes a pass through the arras.] POLONIUS. [Behind.] O, I am slain! [Falls and dies.]

Hamlet · Act III, Scene IV
The Ghost visits Hamlet and urges him to renew his purpose and address the Queen.

Hamlet · Act III, Scene IV

Ghost Hamlet

Do not forget. This visitation Is but to whet thy almost blunted purpose. But look, amazement on thy mother sits. O step between her and her fighting soul. Conceit in weakest bodies strongest works. Speak to her, Hamlet.

Hamlet · Act III, Scene IV
The Queen accepts Hamlet’s demand to keep his disclosures secret.

Hamlet · Act III, Scene IV

Gertrude Hamlet

Be thou assur’d, if words be made of breath, And breath of life, I have no life to breathe What thou hast said to me.

Hamlet · Act III, Scene IV
Hamlet’s departure for England is confirmed, with sealed letters and an arranged escort.

Hamlet · Act III, Scene IV

Hamlet Gertrude

I must to England, you know that? QUEEN. Alack, I had forgot. ’Tis so concluded on. HAMLET. There’s letters seal’d: and my two schoolfellows, Whom I will trust as I will adders fang’d,— They bear the mandate, they must sweep my way And marshal me to knavery.

Hamlet · Act IV, Scene I
Hamlet kills Polonius in a fit of madness.

Hamlet · Act IV, Scene I

Hamlet Polonius

Hamlet in madness hath Polonius slain, And from his mother’s closet hath he dragg’d him.

Hamlet · Act IV, Scene I
Hamlet is to be shipped away to contain and excuse Polonius’s killing.

Hamlet · Act IV, Scene I · The sun no sooner shall the mountains touch

Hamlet

The sun no sooner shall the mountains touch But we will ship him hence, and this vile deed We must with all our majesty and skill Both countenance and excuse.

Hamlet · Act IV, Scene I
Rosencrantz and Guildenstern are ordered to bring Polonius’s body into the chapel.

Hamlet · Act IV, Scene I · 📍 [[chapel]]

Rosencrantz Guildenstern Polonius

Friends both, go join you with some further aid: Hamlet in madness hath Polonius slain, And from his mother’s closet hath he dragg’d him. Go seek him out, speak fair, and bring the body Into the chapel.

Hamlet · Act IV, Scene II
Hamlet reveals that the dead body has been concealed with dust.

Hamlet · Act IV, Scene II

Hamlet

Compounded it with dust, whereto ’tis kin.

Hamlet · Act IV, Scene III
King orders Hamlet sent to England immediately, ostensibly for safety after Polonius’s death.

Hamlet · Act IV, Scene III · 📍 [[England]] · tonight

Claudius Hamlet

Hamlet, this deed, for thine especial safety,— Which we do tender, as we dearly grieve For that which thou hast done,—must send thee hence With fiery quickness. Therefore prepare thyself; The bark is ready, and the wind at help, Th’associates tend, and everything is bent For England. HAMLET. For England? KING. Ay, Hamlet. HAMLET. Good. KING. So is it, if thou knew’st our purposes. HAMLET. I see a cherub that sees them. But, come; for England! Farewell, dear mother. KING. Thy loving father, Hamlet. HAMLET. My mother. Father and mother is man and wife; man and wife is one flesh; and so, my mother. Come, for England. [Exit.] KING. Follow him at foot. Tempt him with speed aboard; Delay it not; I’ll have him hence tonight.

Hamlet · Act IV, Scene III
King commands Rosencrantz and Guildenstern to escort Hamlet aboard without delay.

Hamlet · Act IV, Scene III · 📍 [[England]] · tonight

Claudius Rosencrantz Guildenstern Hamlet

Follow him at foot. Tempt him with speed aboard; Delay it not; I’ll have him hence tonight. Away, for everything is seal’d and done That else leans on th’affair. Pray you make haste.

Hamlet · Act IV, Scene III
King secretly instructs England to execute Hamlet upon his arrival.

Hamlet · Act IV, Scene III · 📍 [[England]]

Claudius Hamlet

By letters conjuring to that effect, The present death of Hamlet. Do it, England; For like the hectic in my blood he rages, And thou must cure me.

Hamlet · Act IV, Scene IV
Fortinbras leads Norwegian forces into a campaign against Poland for a worthless patch of land.

Hamlet · Act IV, Scene IV · 📍 [[Poland]]

Fortinbras

Enter Fortinbras and Forces marching. FORTINBRAS. Go, Captain, from me greet the Danish king. Tell him that by his license, Fortinbras Craves the conveyance of a promis’d march Over his kingdom.

Hamlet · Act IV, Scene V
Ophelia becomes mentally unbalanced after her father’s death.

Hamlet · Act IV, Scene V

Ophelia

Poor Ophelia Divided from herself and her fair judgement

Hamlet · Act IV, Scene V
Polonius’s death is publicly acknowledged.

Hamlet · Act IV, Scene V

Polonius

For good Polonius’ death

Hamlet · Act IV, Scene V
A rabble-backed rebellion proclaims Laertes king.

Hamlet · Act IV, Scene V

Laertes

The rabble call him lord, And, as the world were now but to begin, Antiquity forgot, custom not known, The ratifiers and props of every word, They cry ‘Choose we! Laertes shall be king!’

Hamlet · Act IV, Scene V
Laertes learns that his father is dead.

Hamlet · Act IV, Scene V

Laertes Polonius

Where is my father? KING. Dead.

Hamlet · Act IV, Scene V
Laertes vows thorough revenge for his father.

Hamlet · Act IV, Scene V

Laertes Polonius

only I’ll be reveng’d Most throughly for my father.

Hamlet · Act IV, Scene VI
Hamlet becomes a prisoner after boarding a pirate ship.

Hamlet · Act IV, Scene VI · Ere we were two days old at sea

Hamlet

Ere we were two days old at sea, a pirate of very warlike appointment gave us chase. Finding ourselves too slow of sail, we put on a compelled valour, and in the grapple I boarded them. On the instant they got clear of our ship, so I alone became their prisoner.

Hamlet · Act IV, Scene VII
Hamlet announces his sudden return and requests an audience with the King and Queen.

Hamlet · Act IV, Scene VII · Tomorrow

Hamlet Claudius Gertrude

Tomorrow shall I beg leave to see your kingly eyes.

Hamlet · Act IV, Scene VII
King and Laertes conspire to kill Hamlet during a rigged fencing match.

Hamlet · Act IV, Scene VII

Claudius Laertes Hamlet

We’ll put on those shall praise your excellence, And set a double varnish on the fame The Frenchman gave you, bring you in fine together And wager on your heads.

Hamlet · Act IV, Scene VII
Laertes agrees to poison his sword so even a slight wound will kill Hamlet.

Hamlet · Act IV, Scene VII

Laertes Hamlet

I’ll touch my point With this contagion, that if I gall him slightly, It may be death.

Hamlet · Act IV, Scene VII
King prepares a poisoned cup as a backup plan to kill Hamlet.

Hamlet · Act IV, Scene VII

Claudius Hamlet

I’ll have prepar’d him A chalice for the nonce; whereon but sipping, If he by chance escape your venom’d stuck, Our purpose may hold there.

Hamlet · Act IV, Scene VII
Ophelia drowns after falling from a willow into a brook.

Hamlet · Act IV, Scene VII

Ophelia

When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide, And mermaid-like, awhile they bore her up

Hamlet · Act V, Scene I
Ophelia dies by suspected suicide and receives restricted but permitted Christian burial rites.

Hamlet · Act V, Scene I

Ophelia

Her death was doubtful; And but that great command o’ersways the order, She should in ground unsanctified have lodg’d

Hamlet · Act V, Scene I
Hamlet recognizes Yorick’s skull and confronts the physical reality of his former companion’s death.

Hamlet · Act V, Scene I

Hamlet Yorick

This same skull, sir, was Yorick’s skull, the King’s jester.

Hamlet · Act V, Scene I
Hamlet and Laertes grapple in Ophelia’s grave during their public confrontation.

Hamlet · Act V, Scene I

Hamlet Laertes

LAERTES. [Grappling with him.] The devil take thy soul!

Hamlet · Act V, Scene I
Gertrude reveals that she once hoped Ophelia would become Hamlet’s wife.

Hamlet · Act V, Scene I

Gertrude Ophelia Hamlet

I hop’d thou shouldst have been my Hamlet’s wife; I thought thy bride-bed to have deck’d, sweet maid, And not have strew’d thy grave.

Hamlet · Act V, Scene I
Hamlet publicly declares the depth of his love for Ophelia.

Hamlet · Act V, Scene I

Hamlet Ophelia

I lov’d Ophelia; forty thousand brothers Could not, with all their quantity of love, Make up my sum.

Hamlet · Act V, Scene II
Hamlet forges a commission ordering the bearers' execution instead of his own.

Hamlet · Act V, Scene II

Hamlet Claudius Guildenstern Rosencrantz

I sat me down, Devis’d a new commission, wrote it fair: I once did hold it, as our statists do, A baseness to write fair, and labour’d much How to forget that learning; but, sir, now It did me yeoman’s service. Wilt thou know The effect of what I wrote? HORATIO. Ay, good my lord. HAMLET. An earnest conjuration from the King, As England was his faithful tributary, As love between them like the palm might flourish, As peace should still her wheaten garland wear And stand a comma ’tween their amities, And many such-like ‘as’es of great charge, That on the view and know of these contents, Without debatement further, more or less, He should the bearers put to sudden death, Not shriving-time allow’d.

Hamlet · Act V, Scene II
Rosencrantz and Guildenstern are reported dead in England.

Hamlet · Act V, Scene II

Guildenstern Rosencrantz

The ears are senseless that should give us hearing, To tell him his commandment is fulfill’d, That Rosencrantz and Guildenstern are dead.

Hamlet · Act V, Scene II
Hamlet and Laertes are wounded by exchanged poisoned rapiers.

Hamlet · Act V, Scene II

Hamlet Laertes

[Laertes wounds Hamlet; then, in scuffling, they change rapiers, and Hamlet wounds Laertes.]

Hamlet · Act V, Scene II
Gertrude dies after drinking from the poisoned cup.

Hamlet · Act V, Scene II

Gertrude

QUEEN. No, no, the drink, the drink! O my dear Hamlet! The drink, the drink! I am poison’d. [Dies.]

Hamlet · Act V, Scene II
Laertes dies from the poisoned weapon and reveals the King's treachery.

Hamlet · Act V, Scene II

Laertes Hamlet

LAERTES. It is here, Hamlet. Hamlet, thou art slain. No medicine in the world can do thee good. In thee there is not half an hour of life; The treacherous instrument is in thy hand, Unbated and envenom’d. The foul practice Hath turn’d itself on me. Lo, here I lie, Never to rise again. Thy mother’s poison’d. I can no more. The King, the King’s to blame. HAMLET. The point envenom’d too! Then, venom, to thy work. [Stabs the King.]

Hamlet · Act V, Scene II
Hamlet kills the King by forcing him to drink the poisoned potion.

Hamlet · Act V, Scene II

Hamlet Claudius

HAMLET. Here, thou incestuous, murderous, damned Dane, Drink off this potion. Is thy union here? Follow my mother. [King dies.]

Hamlet · Act V, Scene II
Hamlet dies after the poison takes effect.

Hamlet · Act V, Scene II

Hamlet

HAMLET. O, I die, Horatio. The potent poison quite o’er-crows my spirit: I cannot live to hear the news from England, But I do prophesy th’election lights On Fortinbras. He has my dying voice. So tell him, with the occurrents more and less, Which have solicited. The rest is silence. [Dies.]

Hamlet · Act V, Scene II
Fortinbras orders Hamlet's body honored with a soldier's funeral.

Hamlet · Act V, Scene II

Fortinbras Hamlet

FORTINBRAS. Let four captains Bear Hamlet like a soldier to the stage, For he was likely, had he been put on, To have prov’d most royally; and for his passage, The soldiers’ music and the rites of war Speak loudly for him. Take up the bodies. Such a sight as this Becomes the field, but here shows much amiss. Go, bid the soldiers shoot.

King Lear · Act I, Scene I
Lear divides the kingdom and transfers rule and state duties to younger rulers.

King Lear · Act I, Scene I · this hour

King Lear Goneril Regan Cornwall Albany

Know that we have divided In three our kingdom: and ’tis our fast intent To shake all cares and business from our age; Conferring them on younger strengths

King Lear · Act I, Scene I
Lear grants Goneril a hereditary third of the kingdom for her issue with Albany.

King Lear · Act I, Scene I

King Lear Goneril Albany

We make thee lady: to thine and Albany’s issue Be this perpetual.

King Lear · Act I, Scene I
Lear grants Regan and Cornwall a hereditary third of the kingdom.

King Lear · Act I, Scene I

King Lear Regan Cornwall

To thee and thine hereditary ever Remain this ample third of our fair kingdom

King Lear · Act I, Scene I
Lear disowns Cordelia, revoking paternal care and declaring her a stranger.

King Lear · Act I, Scene I

King Lear Cordelia

Here I disclaim all my paternal care, Propinquity and property of blood, And as a stranger to my heart and me Hold thee from this for ever.

King Lear · Act I, Scene I
Lear banishes Kent from the kingdom and threatens death if he returns.

King Lear · Act I, Scene I · on the sixth

King Lear Kent

Five days we do allot thee for provision, To shield thee from disasters of the world; And on the sixth to turn thy hated back Upon our kingdom

King Lear · Act I, Scene I
Burgundy refuses to marry Cordelia without the dower Lear withdrew.

King Lear · Act I, Scene I

Burgundy Cordelia

Since that respects of fortunes are his love, I shall not be his wife.

King Lear · Act I, Scene I
France accepts Cordelia without a dowry and makes her queen.

King Lear · Act I, Scene I · 📍 France

France Cordelia

Thy dowerless daughter, King, thrown to my chance, Is queen of us, of ours, and our fair France

King Lear · Act I, Scene II
Edmund resolves to seize Edgar’s land through deception.

King Lear · Act I, Scene II

Edmund Edgar

Well then, Legitimate Edgar, I must have your land: Our father’s love is to the bastard Edmund As to the legitimate

King Lear · Act I, Scene II
Gloucester accepts the letter as Edgar’s and orders Edmund to apprehend him.

King Lear · Act I, Scene II

Gloucester Edgar

It is his. [...] O villain, villain! His very opinion in the letter! Abhorred villain! Unnatural, detested, brutish villain! worse than brutish! Go, sirrah, seek him; I’ll apprehend him.

King Lear · Act I, Scene II
Edmund promises to arrange Gloucester’s secret hearing of his conversation with Edgar.

King Lear · Act I, Scene II · this very evening

Edmund Gloucester

If your honour judge it meet, I will place you where you shall hear us confer of this, and by an auricular assurance have your satisfaction, and that without any further delay than this very evening.

King Lear · Act I, Scene II
Edmund deceives Edgar into avoiding Gloucester and retreating armed to his lodging.

King Lear · Act I, Scene II

Edmund Edgar

Bethink yourself wherein you may have offended him: and at my entreaty forbear his presence until some little time hath qualified the heat of his displeasure

King Lear · Act I, Scene II
Edmund confirms his treachery and intends to obtain Edgar’s lands by cunning.

King Lear · Act I, Scene II

Edmund Edgar

A credulous father! and a brother noble, Whose nature is so far from doing harms That he suspects none; on whose foolish honesty My practices ride easy! I see the business. Let me, if not by birth, have lands by wit

King Lear · Act I, Scene III
Goneril decides to refuse King Lear and pretend to be sick.

King Lear · Act I, Scene III · When he returns from hunting

Goneril King Lear

When he returns from hunting, I will not speak with him; say I am sick.

King Lear · Act I, Scene III
Goneril orders Oswald and his fellows to treat King Lear with deliberate negligence.

King Lear · Act I, Scene III

Goneril Oswald King Lear

Put on what weary negligence you please, You and your fellows; I’d have it come to question: If he distaste it, let him to our sister,

King Lear · Act I, Scene III
Goneril decides to write her sister, coordinating opposition to King Lear.

King Lear · Act I, Scene III

Goneril

I’ll write straight to my sister To hold my very course.

King Lear · Act I, Scene IV
Kent offers service in disguise, and King Lear accepts him as a servant.

King Lear · Act I, Scene IV

Kent King Lear

Lear. Follow me; thou shalt serve me.

King Lear · Act I, Scene IV
Oswald refuses to return when King Lear summons him.

King Lear · Act I, Scene IV

Oswald King Lear

Sir, he answered me in the roundest manner, he would not.

King Lear · Act I, Scene IV
Goneril demands that King Lear reduce his disorderly retinue.

King Lear · Act I, Scene IV

Goneril King Lear

Be, then, desir’d By her that else will take the thing she begs A little to disquantity your train;

King Lear · Act I, Scene IV
King Lear responds by ordering his horses and preparing to leave Goneril.

King Lear · Act I, Scene IV

King Lear Goneril

Darkness and devils! Saddle my horses; call my train together. Degenerate bastard! I’ll not trouble thee:

King Lear · Act I, Scene IV
Goneril reduces King Lear’s followers from one hundred to fifty.

King Lear · Act I, Scene IV · Within a fortnight?

King Lear Goneril

What, fifty of my followers at a clap? Within a fortnight?

King Lear · Act I, Scene IV
King Lear curses Goneril with sterility and a hostile child.

King Lear · Act I, Scene IV

King Lear Goneril

Into her womb convey sterility! Dry up in her the organs of increase;

King Lear · Act I, Scene IV
King Lear leaves Goneril’s household with Kent and his attendants.

King Lear · Act I, Scene IV

King Lear Kent

Exeunt Lear, Kent and Attendants.

King Lear · Act I, Scene IV
Goneril sends Oswald to warn her sister about King Lear and his followers.

King Lear · Act I, Scene IV

Goneril Oswald

Take you some company, and away to horse: Inform her full of my particular fear;

King Lear · Act I, Scene V
King Lear orders Kent to deliver letters to Gloucester before him.

King Lear · Act I, Scene V · 📍 Gloucester

King Lear Kent

Go you before to Gloucester with these letters: acquaint my daughter no further with anything you know than comes from her demand out of the letter.

King Lear · Act I, Scene V
King Lear acknowledges that he wronged his daughter.

King Lear · Act I, Scene V

King Lear

I did her wrong.

King Lear · Act II, Scene I
Edmund stages an attack and falsely accuses Edgar of attempting to murder Gloucester.

King Lear · Act II, Scene I

Edmund Edgar Gloucester

But that I told him the revenging gods ’Gainst parricides did all their thunders bend;

King Lear · Act II, Scene I
Gloucester orders Edgar pursued, executed if found, and anyone concealing him killed.

King Lear · Act II, Scene I

Gloucester Edgar

Let him fly far; Not in this land shall he remain uncaught; And found—dispatch’d.

King Lear · Act II, Scene I
Gloucester promises to make Edmund legally capable of inheriting his land.

King Lear · Act II, Scene I

Gloucester Edmund

And of my land, Loyal and natural boy, I’ll work the means To make thee capable.

King Lear · Act II, Scene I
Cornwall accepts Edmund into his service because of his apparent virtue and obedience.

King Lear · Act II, Scene I

Cornwall Edmund

For you, Edmund, Whose virtue and obedience doth this instant So much commend itself, you shall be ours:

King Lear · Act II, Scene II
Kent attacks Oswald after accusing him of serving against King Lear.

King Lear · Act II, Scene II

Kent Oswald

Draw, you rascal: you come with letters against the King; and take vanity the puppet’s part against the royalty of her father: draw, you rogue, or I’ll so carbonado your shanks:—draw, you rascal; come your ways! OSWALD. Help, ho! murder! help! KENT. Strike, you slave; stand, rogue, stand; you neat slave, strike! [Beating him.]

King Lear · Act II, Scene II
Kent is placed in the stocks at Regan’s insistence.

King Lear · Act II, Scene II

Kent Regan

REGAN. My sister may receive it much more worse, To have her gentleman abus’d, assaulted, For following her affairs. Put in his legs. [Kent is put in the stocks.]

King Lear · Act II, Scene II
Kent recognizes Cordelia’s letter and learns she knows about his concealed course.

King Lear · Act II, Scene II

Kent

I know ’tis from Cordelia, Who hath most fortunately been inform’d Of my obscured course.

King Lear · Act II, Scene III
Edgar resolves to disguise himself as a Bedlam beggar and abandon his identity.

King Lear · Act II, Scene III · While I may scape

Edgar

While I may scape I will preserve myself: and am bethought To take the basest and most poorest shape That ever penury in contempt of man, Brought near to beast: my face I’ll grime with filth, Blanket my loins; elf all my hair in knots, And with presented nakedness outface The winds and persecutions of the sky.

King Lear · Act II, Scene IV
Kent is released from the stocks.

King Lear · Act II, Scene IV

Kent King Lear

[Kent here set at liberty.]

King Lear · Act II, Scene IV
Cornwall admits that he placed Kent in the stocks.

King Lear · Act II, Scene IV

Cornwall Kent

CORNWALL. I set him there, sir: but his own disorders Deserv’d much less advancement.

King Lear · Act II, Scene IV
Regan refuses to house Lear unless he dismisses most of his followers.

King Lear · Act II, Scene IV

Regan King Lear

If, till the expiration of your month, You will return and sojourn with my sister, Dismissing half your train, come then to me:

King Lear · Act II, Scene IV
Goneril and Regan refuse to accommodate Lear's followers.

King Lear · Act II, Scene IV

Goneril Regan King Lear

REGAN. For his particular, I’ll receive him gladly, But not one follower. GONERIL. So am I purpos’d.

King Lear · Act II, Scene IV
Lear refuses to return to Goneril and declares they will not meet again.

King Lear · Act II, Scene IV

King Lear Goneril

Return to her, and fifty men dismiss’d? No, rather I abjure all roofs, and choose To wage against the enmity o’ the air;

King Lear · Act II, Scene IV
Lear leaves in fury as a storm approaches.

King Lear · Act II, Scene IV · the night comes on

King Lear Gloucester Kent

The King is in high rage. CORNWALL. Whither is he going? GLOUCESTER. He calls to horse; but will I know not whither.

King Lear · Act III, Scene I
Kent reveals a concealed division between Albany and Cornwall.

King Lear · Act III, Scene I

Kent Albany Cornwall

There is division, Although as yet the face of it be cover’d With mutual cunning, ’twixt Albany and Cornwall;

King Lear · Act III, Scene I
Kent reports that French forces have entered the kingdom and occupy strategic ports.

King Lear · Act III, Scene I · This night

Kent

But, true it is, from France there comes a power Into this scatter’d kingdom; who already, Wise in our negligence, have secret feet In some of our best ports, and are at point To show their open banner.

King Lear · Act III, Scene I
Kent sends a messenger to Dover with a ring that will reveal Kent’s hidden identity to Cordelia.

King Lear · Act III, Scene I · 📍 [[Dover]]

Kent

If you shall see Cordelia, As fear not but you shall, show her this ring; And she will tell you who your fellow is That yet you do not know.

King Lear · Act III, Scene II
Lear and Kent depart to seek shelter in a hovel.

King Lear · Act III, Scene II

King Lear Kent

True, boy. Come, bring us to this hovel. [_Exeunt Lear and Kent.]

King Lear · Act III, Scene III
Gloucester secretly resolves to support and relieve King Lear despite threats from the Dukes.

King Lear · Act III, Scene III · this night

Gloucester King Lear

we must incline to the King. I will look him, and privily relieve him

King Lear · Act III, Scene III
Edmund decides to betray Gloucester by revealing his secret letter and forbidden support to the Duke.

King Lear · Act III, Scene III

Edmund Gloucester

This courtesy, forbid thee, shall the Duke Instantly know; and of that letter too.

King Lear · Act III, Scene IV
Goneril and Regan shut Lear out into the storm.

King Lear · Act III, Scene IV · In such a night

Goneril Regan King Lear

In such a night To shut me out! Pour on; I will endure: In such a night as this! O Regan, Goneril!

King Lear · Act III, Scene IV
Edgar appears disguised as a madman under the name Poor Tom.

King Lear · Act III, Scene IV

Edgar

Enter Edgar, disguised as a madman.

King Lear · Act III, Scene IV
Lear tears off his clothes during the storm.

King Lear · Act III, Scene IV

King Lear

Come, unbutton here. [Tears off his clothes.]

King Lear · Act III, Scene IV
Gloucester defies his daughters by seeking Lear and offering him shelter, fire, and food.

King Lear · Act III, Scene IV · this tyrannous night

Gloucester King Lear Goneril Regan

Though their injunction be to bar my doors, And let this tyrannous night take hold upon you, Yet have I ventur’d to come seek you out, And bring you where both fire and food is ready.

King Lear · Act III, Scene IV
Gloucester reveals that his son is outlawed and recently sought his life.

King Lear · Act III, Scene IV · very late

Gloucester Edgar

I had a son, Now outlaw’d from my blood; he sought my life But lately, very late

King Lear · Act III, Scene V
Cornwall makes Edmund Earl of Gloucester after discovering the letter implicating treason.

King Lear · Act III, Scene V

Cornwall Edmund

True or false, it hath made thee Earl of Gloucester.

King Lear · Act III, Scene VI
Gloucester reveals a plot against King Lear and orders his immediate escape to Dover.

King Lear · Act III, Scene VI · 📍 [[Dover]]

Gloucester King Lear

I have o’erheard a plot of death upon him; There is a litter ready; lay him in’t And drive towards Dover, friend, where thou shalt meet Both welcome and protection.

King Lear · Act III, Scene VI
Gloucester, Kent, and the Fool carry King Lear away toward Dover for protection.

King Lear · Act III, Scene VI · 📍 [[Dover]]

Gloucester Kent Fool King Lear

[Exeunt Kent, Gloucester and the Fool bearing off Lear.]

King Lear · Act III, Scene VII
Cornwall learns that the French army has landed.

King Lear · Act III, Scene VII

Cornwall

Post speedily to my lord your husband, show him this letter: the army of France is landed.

King Lear · Act III, Scene VII
Cornwall and Regan seize Gloucester and bind him.

King Lear · Act III, Scene VII

Cornwall Regan Gloucester

CORNWALL. Bind him, I say. [Servants bind him.]

King Lear · Act III, Scene VII
Gloucester reveals that he sent King Lear to Dover for protection.

King Lear · Act III, Scene VII · 📍 [[Dover]]

Gloucester King Lear

GLOUCESTER. Because I would not see thy cruel nails Pluck out his poor old eyes; nor thy fierce sister In his anointed flesh stick boarish fangs.

King Lear · Act III, Scene VII
Cornwall removes both of Gloucester’s eyes, leaving him blind.

King Lear · Act III, Scene VII

Cornwall Gloucester

[Gloucester is held down in his chair, while Cornwall plucks out one of his eyes and sets his foot on it.]

King Lear · Act III, Scene VII
Regan stabs the First Servant, killing him.

King Lear · Act III, Scene VII

Regan First Servant

REGAN. [To another servant.] Give me thy sword. A peasant stand up thus? [Snatches a sword, comes behind, and stabs him.] FIRST SERVANT. O, I am slain! My lord, you have one eye left

King Lear · Act III, Scene VII
The First Servant wounds Cornwall during their fight.

King Lear · Act III, Scene VII

Cornwall First Servant

[Draws. They fight. Cornwall is wounded.]

King Lear · Act III, Scene VII
Gloucester learns that Edmund betrayed him by accusing him of treason.

King Lear · Act III, Scene VII

Edmund Gloucester Regan

Thou call’st on him that hates thee: it was he That made the overture of thy treasons to us;

King Lear · Act III, Scene VII
Regan orders Gloucester expelled and sent toward Dover after his blinding.

King Lear · Act III, Scene VII · 📍 [[Dover]]

Regan Gloucester

Go thrust him out at gates, and let him smell His way to Dover.

King Lear · Act IV, Scene I
Gloucester reveals his intention to die by asking Edgar to lead him to Dover’s cliff.

King Lear · Act IV, Scene I · 📍 [[Dover]]

Gloucester Edgar

There is a cliff, whose high and bending head Looks fearfully in the confined deep: Bring me but to the very brim of it, And I’ll repair the misery thou dost bear With something rich about me: from that place I shall no leading need.

King Lear · Act IV, Scene II
Goneril orders Edmund to hasten military musters and conduct his brother’s forces.

King Lear · Act IV, Scene II

Goneril Edmund

Back, Edmund, to my brother; Hasten his musters and conduct his powers.

King Lear · Act IV, Scene II
Cornwall dies after his servant resists the attack that would have blinded Gloucester.

King Lear · Act IV, Scene II

Cornwall Gloucester

O, my good lord, the Duke of Cornwall’s dead; Slain by his servant, going to put out The other eye of Gloucester.

King Lear · Act IV, Scene II
Gloucester is confirmed to have lost both eyes.

King Lear · Act IV, Scene II

Gloucester

But, O poor Gloucester! Lost he his other eye? MESSENGER. Both, both, my lord.

King Lear · Act IV, Scene II
Edmund is revealed to have informed against Gloucester, enabling his punishment.

King Lear · Act IV, Scene II

Edmund Gloucester

Ay, my good lord. ’Twas he inform’d against him; And quit the house on purpose, that their punishment Might have the freer course.

King Lear · Act IV, Scene II
Albany vows to thank Gloucester and avenge the loss of his eyes.

King Lear · Act IV, Scene II

Albany Gloucester

Gloucester, I live To thank thee for the love thou show’dst the King, And to revenge thine eyes.

King Lear · Act IV, Scene III
The King of France departs, leaving Monsieur La Far behind as marshal.

King Lear · Act IV, Scene III · so suddenly

King of France Monsieur La Far

Something he left imperfect in the state, which since his coming forth is thought of, which imports to the kingdom so much fear and danger that his personal return was most required and necessary. KENT. Who hath he left behind him general? GENTLEMAN. The Mareschal of France, Monsieur La Far.

King Lear · Act IV, Scene III
Cordelia reads the letters and responds with restrained grief, tears, and cries for her father and sisters.

King Lear · Act IV, Scene III

Cordelia

Ay, sir; she took them, read them in my presence; And now and then an ample tear trill’d down Her delicate cheek. It seem’d she was a queen Over her passion; who, most rebel-like, Sought to be king o’er her.

King Lear · Act IV, Scene III
Lear refuses to see Cordelia, detained by shame over previously disowning and abandoning her.

King Lear · Act IV, Scene III · 📍 [[the town]]

King Lear Cordelia

Well, sir, the poor distressed Lear’s i’ the town; Who sometime, in his better tune, remembers What we are come about, and by no means Will yield to see his daughter. GENTLEMAN. Why, good sir? KENT. A sovereign shame so elbows him. His own unkindness, That stripp’d her from his benediction, turn’d her To foreign casualties, gave her dear rights To his dog-hearted daughters, these things sting His mind so venomously that burning shame Detains him from Cordelia.

King Lear · Act IV, Scene IV
Cordelia orders a search for King Lear after finding him wandering mad in the fields.

King Lear · Act IV, Scene IV

Cordelia King Lear

Search every acre in the high-grown field, And bring him to our eye.

King Lear · Act IV, Scene IV
France supports Cordelia’s military effort to restore King Lear’s rights.

King Lear · Act IV, Scene IV

France Cordelia King Lear

Therefore great France My mourning and important tears hath pitied. No blown ambition doth our arms incite, But love, dear love, and our ag’d father’s right:

King Lear · Act IV, Scene IV
France’s forces march toward Cordelia’s position.

King Lear · Act IV, Scene IV

France

The British powers are marching hitherward.

King Lear · Act IV, Scene V
Regan reveals that her husband is dead.

King Lear · Act IV, Scene V

Regan

My lord is dead;

King Lear · Act IV, Scene V
Regan presents Edmund as a more suitable potential husband for herself.

King Lear · Act IV, Scene V

Regan Edmund

Edmund and I have talk’d, And more convenient is he for my hand Than for your lady’s.

King Lear · Act IV, Scene VI
Gloucester attempts suicide but survives Edgar’s staged deception and fall.

King Lear · Act IV, Scene VI

Gloucester Edgar

Gone, sir, farewell. [Gloucester leaps, and falls along] And yet I know not how conceit may rob The treasury of life when life itself Yields to the theft. Had he been where he thought, By this had thought been past. Alive or dead? Ho you, sir! friend! Hear you, sir? speak! Thus might he pass indeed: yet he revives.

King Lear · Act IV, Scene VI
Gloucester abandons his renewed suicide attempt and accepts continued endurance of affliction.

King Lear · Act IV, Scene VI

Gloucester Edgar

I do remember now: henceforth I’ll bear Affliction till it do cry out itself ‘Enough, enough,’ and die.

King Lear · Act IV, Scene VI
Edgar fights Oswald to protect Gloucester and kills him.

King Lear · Act IV, Scene VI

Edgar Oswald Gloucester

[They fight, and Edgar knocks him down.] OSWALD. Slave, thou hast slain me. Villain, take my purse. If ever thou wilt thrive, bury my body; And give the letters which thou find’st about me To Edmund, Earl of Gloucester. Seek him out Upon the British party. O, untimely death! [Dies.]

King Lear · Act IV, Scene VI
Edgar reads Oswald’s letter and discovers Goneril’s plot against her husband with Edmund.

King Lear · Act IV, Scene VI

Edgar Goneril Edmund

‘Let our reciprocal vows be remembered. You have many opportunities to cut him off: if your will want not, time and place will be fruitfully offered. There is nothing done if he return the conqueror: then am I the prisoner, and his bed my gaol; from the loathed warmth whereof deliver me, and supply the place for your labour. ‘Your (wife, so I would say) affectionate servant, ‘Goneril.’ O indistinguish’d space of woman’s will! A plot upon her virtuous husband’s life, And the exchange my brother!

King Lear · Act IV, Scene VII
King Lear awakens from his prolonged sleep.

King Lear · Act IV, Scene VII

King Lear

He wakes; speak to him.

King Lear · Act IV, Scene VII
King Lear recognizes Cordelia as his child, and she confirms her identity.

King Lear · Act IV, Scene VII

King Lear Cordelia

Methinks I should know you, and know this man; Yet I am doubtful: for I am mainly ignorant What place this is; and all the skill I have Remembers not these garments; nor I know not Where I did lodge last night. Do not laugh at me; For, as I am a man, I think this lady To be my child Cordelia. CORDELIA. And so I am. I am.

King Lear · Act IV, Scene VII
King Lear asks Cordelia to forget and forgive his earlier wrongs.

King Lear · Act IV, Scene VII

King Lear Cordelia

Pray you now, forget and forgive: I am old and foolish.

King Lear · Act IV, Scene VII
The Physician declares that King Lear's great rage has been extinguished.

King Lear · Act IV, Scene VII

King Lear

Be comforted, good madam, the great rage, You see, is kill’d in him

King Lear · Act V, Scene I
Albany receives a letter promising proof of its accusations after victory.

King Lear · Act V, Scene I · Before you fight the battle

Albany Edgar

Before you fight the battle, ope this letter. If you have victory, let the trumpet sound For him that brought it: wretched though I seem, I can produce a champion that will prove What is avouched there.

King Lear · Act V, Scene I
Edmund plots to use Albany in battle and arrange his death afterward.

King Lear · Act V, Scene I · The battle done

Edmund Albany Goneril Regan

Now, then, we’ll use His countenance for the battle; which being done, Let her who would be rid of him devise His speedy taking off.

King Lear · Act V, Scene I
Edmund decides that mercy will not be granted after the captives are secured.

King Lear · Act V, Scene I · The battle done

Edmund

As for the mercy Which he intends to Lear and to Cordelia, The battle done, and they within our power, Shall never see his pardon

King Lear · Act V, Scene II
King Lear loses the battle, and he and Cordelia are captured.

King Lear · Act V, Scene II

King Lear Cordelia

King Lear hath lost, he and his daughter ta’en:

King Lear · Act V, Scene III
King Lear and Cordelia are captured and taken to prison under guard.

King Lear · Act V, Scene III · 📍 [[prison]]

King Lear Cordelia

[Exeunt Lear and Cordelia, guarded.]

King Lear · Act V, Scene III
Edmund reveals his order for Cordelia to be hanged in prison and blamed for her own death.

King Lear · Act V, Scene III · 📍 [[prison]]

Edmund Cordelia

He hath commission from thy wife and me To hang Cordelia in the prison, and To lay the blame upon her own despair, That she fordid herself.

King Lear · Act V, Scene III
Albany arrests Edmund for capital treason.

King Lear · Act V, Scene III

Albany Edmund

Stay yet; hear reason: Edmund, I arrest thee On capital treason; and, in thine arrest, This gilded serpent.

King Lear · Act V, Scene III
Edgar challenges Edmund and defeats him in combat.

King Lear · Act V, Scene III

Edgar Edmund

[Alarums. They fight. Edmund falls.]

King Lear · Act V, Scene III
Edgar reveals that he is Edmund’s brother and Gloucester’s son.

King Lear · Act V, Scene III

Edgar Edmund

My name is Edgar and thy father’s son.

King Lear · Act V, Scene III
Regan is poisoned by Goneril, who then dies by suicide.

King Lear · Act V, Scene III

Goneril Regan

The one the other poisoned for my sake, And after slew herself.

King Lear · Act V, Scene III
Edmund dies from the wounds he received in combat.

King Lear · Act V, Scene III

Edmund

OFFICER. Edmund is dead, my lord.

King Lear · Act V, Scene III
Cordelia dies, and King Lear dies while mourning her.

King Lear · Act V, Scene III

King Lear Cordelia

Why should a dog, a horse, a rat have life, And thou no breath at all? Thou’lt come no more, Never, never, never, never, never! Pray you undo this button. Thank you, sir. Do you see this? Look on her: look, her lips, Look there, look there! [He dies.]

Othello · Act I, Scene I
Othello appoints Michael Cassio lieutenant, bypassing Iago despite Iago’s military experience.

Othello · Act I, Scene I

Othello Cassio Iago

But he, sir, had the election, And I, of whom his eyes had seen the proof At Rhodes, at Cyprus, and on other grounds, Christian and heathen, must be belee’d and calm’d By debitor and creditor, this counter-caster, He, in good time, must his lieutenant be, And I, God bless the mark, his Moorship’s ancient.

Othello · Act I, Scene I
Iago reveals that he follows Othello for personal advantage rather than loyalty.

Othello · Act I, Scene I

Iago Othello

I follow him to serve my turn upon him:

Othello · Act I, Scene I
Iago alerts Brabantio that Desdemona has eloped with Othello.

Othello · Act I, Scene I · 📍 [[Venice]] · by night

Iago Brabantio Othello Desdemona

I am one, sir, that comes to tell you your daughter and the Moor are now making the beast with two backs.

Othello · Act I, Scene I
Brabantio learns that Othello and Desdemona are probably married.

Othello · Act I, Scene I

Othello Desdemona Brabantio

Are they married, think you? RODERIGO. Truly I think they are.

Othello · Act I, Scene I
Brabantio arms a search party to apprehend Othello and Desdemona.

Othello · Act I, Scene I

Brabantio Roderigo Othello Desdemona

Get weapons, ho! And raise some special officers of night. On, good Roderigo.

Othello · Act I, Scene II
Othello's marriage to Desdemona is revealed.

Othello · Act I, Scene II · tonight

Othello Desdemona

He’s married.

Othello · Act I, Scene II
The duke urgently summons Othello to attend pressing state business from Cyprus.

Othello · Act I, Scene II · this very night

Othello Cassio

The duke does greet you, general, And he requires your haste-post-haste appearance Even on the instant.

Othello · Act I, Scene II
Brabantio accuses Othello of abducting and enchanting Desdemona.

Othello · Act I, Scene II

Brabantio Othello Desdemona

O thou foul thief, where hast thou stow’d my daughter? Damn’d as thou art, thou hast enchanted her,

Othello · Act I, Scene III
Othello publicly reveals that he has married Desdemona.

Othello · Act I, Scene III

Othello Desdemona Brabantio

That I have ta’en away this old man’s daughter, It is most true; true, I have married her.

Othello · Act I, Scene III
Brabantio relinquishes his opposition and accepts Othello as Desdemona’s husband.

Othello · Act I, Scene III

Brabantio Othello Desdemona

I here do give thee that with all my heart Which, but thou hast already, with all my heart I would keep from thee.

Othello · Act I, Scene III
Othello is assigned to lead the military expedition against the Ottomites.

Othello · Act I, Scene III · 📍 [[Cyprus]]

Othello

The Turk with a most mighty preparation makes for Cyprus. Othello, the fortitude of the place is best known to you. And though we have there a substitute of most allowed sufficiency, yet opinion, a sovereign mistress of effects, throws a more safer voice on you: you must therefore be content to slubber the gloss of your new fortunes with this more stubborn and boisterous expedition.

Othello · Act I, Scene III
Othello is ordered to depart for the military campaign that night.

Othello · Act I, Scene III · tonight

Othello

You must away tonight.

Othello · Act I, Scene III
Othello entrusts Desdemona to Iago and arranges for her to follow him.

Othello · Act I, Scene III

Othello Desdemona Iago

My Desdemona must I leave to thee. I prithee, let thy wife attend on her, And bring them after in the best advantage.

Othello · Act I, Scene III
Roderigo abandons his suicide plan and decides to sell all his land.

Othello · Act I, Scene III

Roderigo

I am changed. I’ll sell all my land.

Othello · Act I, Scene III
Iago devises a scheme to implicate Cassio with Desdemona and obtain his position.

Othello · Act I, Scene III

Iago Othello Desdemona Cassio

Cassio’s a proper man. Let me see now, To get his place, and to plume up my will In double knavery. How, how? Let’s see. After some time, to abuse Othello’s ear That he is too familiar with his wife.

Othello · Act II, Scene I
The Turkish fleet is wrecked, ending the war.

Othello · Act II, Scene I · 📍 [[Cyprus]]

Montano Cassio

Our wars are done. The desperate tempest hath so bang’d the Turks That their designment halts.

Othello · Act II, Scene I
Michael Cassio arrives and assumes his role as lieutenant in Cyprus.

Othello · Act II, Scene I · 📍 [[Cyprus]]

Cassio Othello

Michael Cassio, Lieutenant to the warlike Moor Othello, Is come on shore

Othello · Act II, Scene I
Desdemona arrives safely in Cyprus under Iago’s conduct.

Othello · Act II, Scene I · 📍 [[Cyprus]]

Desdemona Iago Roderigo Emilia

Enter Desdemona, Iago, Roderigo, and Emilia.

Othello · Act II, Scene I
Othello and Desdemona reunite joyfully after the storm.

Othello · Act II, Scene I · 📍 [[Cyprus]]

Othello Desdemona

OTHELLO. O my fair warrior! DESDEMONA. My dear Othello!

Othello · Act II, Scene I
Othello confirms that his marriage to Desdemona has been accomplished.

Othello · Act II, Scene I · 📍 [[Cyprus]]

Othello Desdemona

Most fortunately: he hath achiev’d a maid That paragons description and wild fame

Othello · Act II, Scene I
Roderigo agrees to provoke Cassio as part of Iago’s scheme.

Othello · Act II, Scene I · 📍 [[Cyprus]] · tonight

Roderigo Iago Cassio

RODERIGO. I will do this, if I can bring it to any opportunity.

Othello · Act II, Scene I
Iago resolves to make Othello jealous and discredit Cassio.

Othello · Act II, Scene I

Iago Othello Desdemona Cassio

Till I am even’d with him, wife for wife, Or, failing so, yet that I put the Moor At least into a jealousy so strong

Othello · Act II, Scene II
The Turkish fleet is reported lost, prompting public celebration.

Othello · Act II, Scene II · 📍 [[Cyprus]]

Othello Turkish fleet

upon certain tidings now arrived, importing the mere perdition of the Turkish fleet

Othello · Act II, Scene II
Othello’s nuptial is publicly celebrated with unrestricted feasting and revelry.

Othello · Act II, Scene II · 📍 [[Cyprus]] · from this present hour of five till the bell have told eleven

Othello

For besides these beneficial news, it is the celebration of his nuptial. So much was his pleasure should be proclaimed. All offices are open, and there is full liberty of feasting from this present hour of five till the bell have told eleven.

Othello · Act II, Scene III
Iago schemes to intoxicate Cassio and provoke an incident that will offend the island.

Othello · Act II, Scene III · 📍 [[Cyprus]] · tonight

Iago Cassio

If I can fasten but one cup upon him, With that which he hath drunk tonight already, He’ll be as full of quarrel and offence

Othello · Act II, Scene III
Drunken Cassio strikes Roderigo and fights Montano.

Othello · Act II, Scene III · 📍 [[Cyprus]] · tonight

Cassio Roderigo Montano

Dost thou prate, rogue? [Striking Roderigo.] MONTANO. Nay, good lieutenant; I pray you, sir, hold your hand. CASSIO. Let me go, sir, Or I’ll knock you o’er the mazard. MONTANO. Come, come, you’re drunk. CASSIO. Drunk? [They fight.]

Othello · Act II, Scene III
Montano is seriously injured during the brawl.

Othello · Act II, Scene III · 📍 [[Cyprus]] · tonight

Montano Cassio

Zounds, I bleed still, I am hurt to the death.

Othello · Act II, Scene III
Othello removes Cassio from his officer’s position after the disorder.

Othello · Act II, Scene III · 📍 [[Cyprus]]

Othello Cassio

Cassio, I love thee, But never more be officer of mine.

Othello · Act II, Scene III
Iago reveals his plan to use Cassio’s appeal to Desdemona to destroy her credibility with Othello.

Othello · Act II, Scene III · 📍 [[Cyprus]]

Iago Cassio Desdemona Othello

And then for her To win the Moor, were’t to renounce his baptism, All seals and symbols of redeemed sin, His soul is so enfetter’d to her love That she may make, unmake, do what she list, Even as her appetite shall play the god With his weak function.

Othello · Act II, Scene III
Iago plots to turn Desdemona’s efforts to restore Cassio into evidence of sexual misconduct.

Othello · Act II, Scene III · 📍 [[Cyprus]]

Iago Cassio Desdemona Othello

I’ll pour this pestilence into his ear, That she repeals him for her body’s lust; And by how much she strives to do him good, She shall undo her credit with the Moor.

Othello · Act III, Scene I
Iago promises to send Emilia and distract Othello so Cassio can speak privately with Desdemona.

Othello · Act III, Scene I

Iago Cassio Emilia Othello

I’ll send her to you presently, And I’ll devise a mean to draw the Moor Out of the way, that your converse and business May be more free.

Othello · Act III, Scene I
Emilia reveals that Desdemona advocates for Cassio while Othello plans to restore him when possible.

Othello · Act III, Scene I

Emilia Cassio Desdemona Othello

The general and his wife are talking of it, And she speaks for you stoutly: the Moor replies That he you hurt is of great fame in Cyprus And great affinity, and that in wholesome wisdom He might not but refuse you; but he protests he loves you And needs no other suitor but his likings To take the safest occasion by the front To bring you in again.

Othello · Act III, Scene I
Emilia brings Cassio inside and arranges an opportunity for him to speak freely with Desdemona.

Othello · Act III, Scene I

Emilia Cassio Desdemona

Pray you, come in. I will bestow you where you shall have time To speak your bosom freely.

Othello · Act III, Scene II
Othello entrusts letters to Iago for delivery to the pilot and the senate.

Othello · Act III, Scene II

Othello Iago

These letters give, Iago, to the pilot, And by him do my duties to the senate.

Othello · Act III, Scene III
Othello agrees to receive Cassio after Desdemona repeatedly petitions him.

Othello · Act III, Scene III

Othello Desdemona Cassio

Let him come when he will; I will deny thee nothing.

Othello · Act III, Scene III
Emilia gives Iago Desdemona’s dropped handkerchief.

Othello · Act III, Scene III

Emilia Iago Desdemona

No, faith, she let it drop by negligence, And, to the advantage, I being here, took ’t up. Look, here it is. IAGO. A good wench, give it me.

Othello · Act III, Scene III
Iago begins Othello’s suspicion by urging him to observe Desdemona with Cassio.

Othello · Act III, Scene III

Iago Othello Desdemona Cassio

Look to your wife; observe her well with Cassio; Wear your eye thus, not jealous nor secure.

Othello · Act III, Scene III
Othello’s confidence in Desdemona changes into explicit doubt.

Othello · Act III, Scene III

Othello Desdemona

By the world, I think my wife be honest, and think she is not.

Othello · Act III, Scene III
Iago presents the handkerchief as evidence, and Othello accepts Desdemona’s alleged betrayal as true.

Othello · Act III, Scene III · today

Iago Othello Desdemona Cassio

I know not that: but such a handkerchief (I am sure it was your wife’s) did I today See Cassio wipe his beard with. OTHELLO. If it be that,— IAGO. If it be that, or any that was hers, It speaks against her with the other proofs. OTHELLO. O, that the slave had forty thousand lives! One is too poor, too weak for my revenge! Now do I see ’tis true.

Othello · Act III, Scene III
Othello commissions Cassio’s killing and appoints Iago lieutenant.

Othello · Act III, Scene III · Within these three days

Othello Iago Cassio

Within these three days let me hear thee say That Cassio’s not alive. IAGO. My friend is dead. ’Tis done at your request. But let her live. OTHELLO. Damn her, lewd minx! O, damn her, damn her! Come, go with me apart, I will withdraw To furnish me with some swift means of death For the fair devil. Now art thou my lieutenant.

Othello · Act III, Scene IV
Desdemona cannot produce the handkerchief, provoking Othello’s alarm and suspicion.

Othello · Act III, Scene IV

Desdemona Othello

OTHELLO. That which I gave you. DESDEMONA. I have it not about me. OTHELLO. Not? DESDEMONA. No, faith, my lord.

Othello · Act III, Scene IV
Othello reveals the handkerchief’s inherited magical significance and warns that losing it brings ruin.

Othello · Act III, Scene IV

Othello Desdemona

OTHELLO. That is a fault. That handkerchief Did an Egyptian to my mother give. She was a charmer, and could almost read The thoughts of people. She told her, while she kept it, ’Twould make her amiable and subdue my father Entirely to her love. But if she lost it, Or made a gift of it, my father’s eye Should hold her loathed, and his spirits should hunt After new fancies: she, dying, gave it me, And bid me, when my fate would have me wive, To give it her. I did so; and take heed on’t, Make it a darling like your precious eye. To lose’t or give’t away were such perdition As nothing else could match.

Othello · Act III, Scene IV
Othello repeatedly demands the handkerchief and angrily ends the exchange.

Othello · Act III, Scene IV

Othello Desdemona

OTHELLO. Fetch me the handkerchief! My mind misgives. DESDEMONA. Come, come. You’ll never meet a more sufficient man. OTHELLO. The handkerchief! DESDEMONA. I pray, talk me of Cassio. OTHELLO. The handkerchief! DESDEMONA. A man that all his time Hath founded his good fortunes on your love, Shar’d dangers with you,— OTHELLO. The handkerchief! DESDEMONA. In sooth, you are to blame. OTHELLO. Away!

Othello · Act III, Scene IV
Cassio gives Bianca Desdemona’s handkerchief after finding it in his chamber for her to copy.

Othello · Act III, Scene IV

Cassio Bianca Desdemona

CASSIO. Pardon me, Bianca. I have this while with leaden thoughts been press’d, But I shall in a more continuate time Strike off this score of absence. Sweet Bianca, [Giving her Desdemona’s handkerchief.] Take me this work out. BIANCA. O Cassio, whence came this? This is some token from a newer friend. To the felt absence now I feel a cause. Is’t come to this? Well, well. CASSIO. Go to, woman! Throw your vile guesses in the devil’s teeth, From whence you have them. You are jealous now That this is from some mistress, some remembrance. No, in good troth, Bianca. BIANCA. Why, whose is it? CASSIO. I know not neither. I found it in my chamber. I like the work well. Ere it be demanded, As like enough it will, I’d have it copied. Take it, and do ’t, and leave me for this time.

Othello · Act IV, Scene I
Othello accepts the handkerchief as proof that Desdemona gave it to Cassio.

Othello · Act IV, Scene I

Othello Cassio Desdemona

Yours, by this hand: and to see how he prizes the foolish woman your wife! she gave it him, and he hath given it his whore.

Othello · Act IV, Scene I
Othello orders Desdemona’s murder and agrees she should be strangled in bed.

Othello · Act IV, Scene I · this night

Othello Desdemona

Get me some poison, Iago; this night. I’ll not expostulate with her, lest her body and beauty unprovide my mind again. This night, Iago.

Othello · Act IV, Scene I
Othello approves the plan to have Cassio killed.

Othello · Act IV, Scene I · by midnight

Othello Cassio

And for Cassio, let me be his undertaker. You shall hear more by midnight. OTHELLO. Excellent good.

Othello · Act IV, Scene I
Venice recalls Othello and appoints Cassio to replace him in government.

Othello · Act IV, Scene I · 📍 [[Cyprus]]

Othello Cassio Lodovico

I am commanded home.—Get you away; I’ll send for you anon.—Sir, I obey the mandate, And will return to Venice.—Hence, avaunt! [Exit Desdemona.] Cassio shall have my place.

Othello · Act IV, Scene I
Othello strikes Desdemona publicly after insulting her.

Othello · Act IV, Scene I · 📍 [[Cyprus]]

Othello Desdemona

OTHELLO. I am glad to see you mad. DESDEMONA. Why, sweet Othello? OTHELLO. Devil! [Striking her.]

Othello · Act IV, Scene II
Othello accuses Desdemona of infidelity and repudiates her as his wife.

Othello · Act IV, Scene II

Othello Desdemona

I cry you mercy then. I took you for that cunning whore of Venice That married with Othello.

Othello · Act IV, Scene II
Roderigo discovers Iago deceived him about jewels supposedly delivered to Desdemona.

Othello · Act IV, Scene II

Roderigo Iago Desdemona

The jewels you have had from me to deliver to Desdemona would half have corrupted a votarist: you have told me she hath received them, and returned me expectations and comforts of sudden respect and acquaintance, but I find none.

Othello · Act IV, Scene II
Iago reveals that Othello will be replaced and depart for Mauritania with Desdemona.

Othello · Act IV, Scene II · 📍 [[Mauritania]]

Iago Othello Desdemona

There is especial commission come from Venice to depute Cassio in Othello’s place. RODERIGO. Is that true? Why then Othello and Desdemona return again to Venice. IAGO. O, no; he goes into Mauritania, and takes away with him the fair Desdemona

Othello · Act IV, Scene II
Iago proposes that Roderigo kill Othello’s replacement to prevent Othello and Desdemona’s departure.

Othello · Act IV, Scene II · this night

Iago Roderigo

If thou the next night following enjoy not Desdemona, take me from this world with treachery and devise engines for my life.

Othello · Act IV, Scene II
Iago directs Roderigo to ambush and kill the replacement after supper.

Othello · Act IV, Scene II · between twelve and one

Iago Roderigo

If you will watch his going thence, which I will fashion to fall out between twelve and one, you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.

Othello · Act IV, Scene III
Othello orders Desdemona to go to bed and dismiss Emilia.

Othello · Act IV, Scene III · on th’ instant

Othello Desdemona Emilia

Get you to bed on th’ instant, I will be return’d forthwith. Dismiss your attendant there. Look ’t be done.

Othello · Act V, Scene I
Roderigo attacks Cassio, who wounds him in the ensuing fight.

Othello · Act V, Scene I

Roderigo Cassio

RODERIGO. I know his gait; ’tis he. Villain, thou diest! [Rushes out, and makes a pass at Cassio.] CASSIO. That thrust had been mine enemy indeed, But that my coat is better than thou know’st. I will make proof of thine. [Draws, and wounds Roderigo.] RODERIGO. O, I am slain!

Othello · Act V, Scene I
Iago cuts Cassio in the leg, leaving him maimed.

Othello · Act V, Scene I

Iago Cassio

[Iago rushes from his post, cuts Cassio behind in the leg, and exit.] CASSIO. I am maim’d forever. Help, ho! murder, murder!

Othello · Act V, Scene I
Iago stabs Roderigo, killing him.

Othello · Act V, Scene I

Iago Roderigo

RODERIGO. O, help me here! CASSIO. That’s one of them. IAGO. O murderous slave! O villain! [Stabs Roderigo.] RODERIGO. O damn’d Iago! O inhuman dog!

Othello · Act V, Scene I
Iago deceives Emilia by blaming Roderigo and escaped attackers for Cassio’s wounding.

Othello · Act V, Scene I

Iago Emilia Cassio Roderigo

EMILIA. ’Las, what’s the matter? What’s the matter, husband? IAGO. Cassio hath here been set on in the dark By Roderigo, and fellows that are ’scap’d. He’s almost slain, and Roderigo dead.

Othello · Act V, Scene I
Othello resolves to kill Desdemona after believing Iago’s accusations.

Othello · Act V, Scene I

Othello

OTHELLO. ’Tis he. O brave Iago, honest and just, That hast such noble sense of thy friend’s wrong! Thou teachest me,—minion, your dear lies dead, And your unbless’d fate hies. Strumpet, I come! Forth of my heart those charms, thine eyes, are blotted; Thy bed, lust-stain’d, shall with lust’s blood be spotted. [Exit.]

Othello · Act V, Scene II
Othello smothers Desdemona in her bed.

Othello · Act V, Scene II

Othello Desdemona

It is too late. [Smothers her.]

Othello · Act V, Scene II
Emilia reveals that she found the handkerchief and gave it to Iago.

Othello · Act V, Scene II

Emilia Iago Othello Desdemona

O thou dull Moor, that handkerchief thou speak’st of I found by fortune and did give my husband; For often with a solemn earnestness, More than indeed belong’d to such a trifle, He begg’d of me to steal it.

Othello · Act V, Scene II
Iago stabs Emilia after she exposes his deception.

Othello · Act V, Scene II

Iago Emilia

[Iago stabs Emilia and then runs out.]

Othello · Act V, Scene II
Othello admits consenting with Iago to Cassio’s death.

Othello · Act V, Scene II

Othello Iago Cassio

This wretch hath part confess’d his villany. Did you and he consent in Cassio’s death? OTHELLO. Ay.

Othello · Act V, Scene II
Othello loses his command, and Cassio assumes authority in Cyprus.

Othello · Act V, Scene II · 📍 [[Cyprus]]

Othello Iago Cassio

Your power and your command is taken off, And Cassio rules in Cyprus.

Othello · Act V, Scene II
Letters reveal that Iago manipulated Roderigo into attacking Cassio.

Othello · Act V, Scene II

Othello Iago Cassio

There is besides in Roderigo’s letter, How he upbraids Iago, that he made him Brave me upon the watch, whereon it came That I was cast. And even but now he spake, After long seeming dead, Iago hurt him, Iago set him on.

Othello · Act V, Scene II
Othello stabs himself and dies beside Desdemona.

Othello · Act V, Scene II

Othello

[Stabs himself.] LODOVICO. O bloody period! GRATIANO. All that’s spoke is marr’d. OTHELLO. I kiss’d thee ere I kill’d thee. No way but this, Killing myself, to die upon a kiss. [Falling upon Desdemona.]

Read all of Shakespeare's Tragedies in Rho MD

← Search more on Rho Cloud