by @divine-comedy

The Divine Comedy — Chronicle

Ordered by chapter. No event in this book could be dated from the text, so it is not dated — no anchor, no chronology; a date is never inferred. Time expressions are copied from the text as written. Every event links back to one sentence of the original.

⭐ Constellation map → · 📖 Read the original → · 🗂 Character index → · 📍 Places →

493 events · no event could be dated from the text

Undated

Canto 1
Dante finds himself in a dark forest after losing the straightforward pathway.

Canto 1 · Midway upon the journey of our life

Dante

Midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost.

Canto 1
Dante encounters Virgilius and asks for pity in the wilderness.

Canto 1

Dante Virgilius

While I was rushing downward to the lowland, Before mine eyes did one present himself, Who seemed from long-continued silence hoarse. When I beheld him in the desert vast, “Have pity on me,” unto him I cried, “Whiche’er thou art, or shade or real man!”

Canto 1
Virgilius reveals he was born under Julio and lived at Rome under Augustus.

Canto 1 · 📍 [[Rome]]

Virgilius Julio Augustus

‘Sub Julio’ was I born, though it was late, And lived at Rome under the good Augustus, During the time of false and lying gods.

Canto 1
Virgilius reveals that he sang of Anchises’ son after Troy’s destruction.

Canto 1

Virgilius

A poet was I, and I sang that just Son of Anchises, who came forth from Troy, After that Ilion the superb was burned.

Canto 1
Virgilius offers to guide Dante through the eternal place by another road.

Canto 1

Dante Virgilius

Therefore I think and judge it for thy best Thou follow me, and I will be thy guide, And lead thee hence through the eternal place,

Canto 1
Dante accepts Virgilius’s guidance and asks to be conducted toward Saint Peter’s portal.

Canto 1

Dante Virgilius

And I to him: “Poet, I thee entreat, By that same God whom thou didst never know, So that I may escape this woe and worse, Thou wouldst conduct me there where thou hast said, That I may see the portal of Saint Peter, And those thou makest so disconsolate.”

Canto 1
Virgilius moves onward, and Dante begins following him.

Canto 1 · Then

Dante Virgilius

Then he moved on, and I behind him followed.

Canto 2
Aeneas journeyed bodily into the immortal world, bringing consequences for Rome and the papal mantle.

Canto 2 · While yet corruptible

Aeneas Silvius

Thou sayest, that of Silvius the parent, While yet corruptible, unto the world Immortal went, and was there bodily. But if the adversary of all evil Was courteous, thinking of the high effect That issue would from him, and who, and what, To men of intellect unmeet it seems not; For he was of great Rome, and of her empire In the empyreal heaven as father chosen; The which and what, wishing to speak the truth, Were stablished as the holy place, wherein Sits the successor of the greatest Peter. Upon this journey, whence thou givest him vaunt, Things did he hear, which the occasion were Both of his victory and the papal mantle.

Canto 2
Dante questions whether he is worthy to undertake the journey with Virgilius.

Canto 2

Dante Virgilius

But I, why thither come, or who concedes it? I not Aeneas am, I am not Paul, Nor I, nor others, think me worthy of it. Therefore, if I resign myself to come, I fear the coming may be ill-advised; Thou’rt wise, and knowest better than I speak.”

Canto 2
Beatrice commissions Virgilius to assist Dante, who is endangered on the mountain slope.

Canto 2

Beatrice Virgilius Dante

A friend of mine, and not the friend of fortune, Upon the desert slope is so impeded Upon his way, that he has turned through terror, And may, I fear, already be so lost, That I too late have risen to his succour, From that which I have heard of him in Heaven. Bestir thee now, and with thy speech ornate, And with what needful is for his release, Assist him so, that I may be consoled. Beatrice am I, who do bid thee go;

Canto 2
Lucia hastens to Beatrice and urges her to rescue Dante from mortal danger.

Canto 2

Lucia Beatrice Dante

Lucia, foe of all that cruel is, Hastened away, and came unto the place Where I was sitting with the ancient Rachel. “Beatrice” said she, “the true praise of God, Why succourest thou not him, who loved thee so, For thee he issued from the vulgar herd? Dost thou not hear the pity of his plaint? Dost thou not see the death that combats him Beside that flood, where ocean has no vaunt?”

Canto 2
Beatrice reaches Virgilius, who then delivers Dante from the beast blocking his ascent.

Canto 2

Beatrice Virgilius Dante

And unto thee I came, as she desired; I have delivered thee from that wild beast, Which barred the beautiful mountain’s short ascent.

Canto 2
Dante accepts Virgilius as leader and enters the deep, savage way.

Canto 2 · when he had moved

Dante Virgilius

Now go, for one sole will is in us both, Thou Leader, and thou Lord, and Master thou.” Thus said I to him; and when he had moved, I entered on the deep and savage way.

Canto 3
Virgilius leads Dante through the gate into the realm of the damned.

Canto 3

Dante Virgilius

And after he had laid his hand on mine With joyful mien, whence I was comforted, He led me in among the secret things.

Canto 3
Virgilius brings Dante to the dismal shore of Acheron.

Canto 3 · 📍 [[Acheron]]

Dante Virgilius

These things shall all be known To thee, as soon as we our footsteps stay Upon the dismal shore of Acheron.

Canto 3
Charon refuses to carry Dante across Acheron, directing him to another passage.

Canto 3 · 📍 [[Acheron]]

Charon Dante

And thou, that yonder standest, living soul, Withdraw thee from these people, who are dead!” But when he saw that I did not withdraw, He said: “By other ways, by other ports Thou to the shore shalt come, not here, for passage; A lighter vessel needs must carry thee.”

Canto 3
Virgilius tells Charon that Dante’s passage is divinely willed and ends further questioning.

Canto 3 · 📍 [[Acheron]]

Virgilius Charon

And unto him the Guide: “Vex thee not, Charon; It is so willed there where is power to do That which is willed; and farther question not.”

Canto 3
Charon gathers the damned souls, striking those who lag behind with his oar.

Canto 3 · 📍 [[Acheron]]

Charon

Charon the demon, with the eyes of glede, Beckoning to them, collects them all together, Beats with his oar whoever lags behind.

Canto 3
Charon ferries the damned across the dusky wave while another troop gathers on the shore.

Canto 3 · 📍 [[Acheron]]

Charon

So they depart across the dusky wave, And ere upon the other side they land, Again on this side a new troop assembles.

Canto 3
A violent tremor and vermilion light overwhelm Dante, causing him to lose consciousness.

Canto 3

Dante

And as a man whom sleep hath seized I fell.

Canto 4
Virgilius leads Dante into the foremost circle surrounding the abyss.

Canto 4 · 📍 [[Limbo]]

Dante Virgilius

Let us go on, for the long way impels us.” Thus he went in, and thus he made me enter The foremost circle that surrounds the abyss.

Canto 4
Virgilius reveals that unbaptized souls, including himself, live without hope.

Canto 4 · 📍 [[Limbo]]

Dante Virgilius

That they sinned not; and if they merit had, ’Tis not enough, because they had not baptism Which is the portal of the Faith thou holdest;

Canto 4
Virgilius recounts how a victorious figure rescued the earliest righteous human spirits.

Canto 4 · 📍 [[Limbo]]

Virgilius

Hence he drew forth the shade of the First Parent, And that of his son Abel, and of Noah, Of Moses the lawgiver, and the obedient

Canto 4
Homer, Horace, Ovid, and Lucan honor Dante by admitting him into their company.

Canto 4 · 📍 [[Limbo]]

Dante Virgilius Homer Horace Ovid Lucan

And more of honour still, much more, they did me, In that they made me one of their own band; So that the sixth was I, ’mid so much wit.

Canto 4
Dante and the four poets enter a noble castle through seven portals.

Canto 4 · 📍 [[Limbo]]

Dante Virgilius Homer Horace Ovid Lucan

Through portals seven I entered with these Sages; We came into a meadow of fresh verdure.

Canto 5
Dante descends from the first circle into the second circle of Hell.

Canto 5

Dante Virgilius

Thus I descended out of the first circle Down to the second, that less space begirds,

Canto 5
Minos judges each condemned spirit and sends it to its assigned place in Hell.

Canto 5

Minos

Judges, and sends according as he girds him.

Canto 5
Semiramis is condemned among the lustful for making sensual vice lawful.

Canto 5

Semiramis

To sensual vices she was so abandoned, That lustful she made licit in her law,

Canto 5
Francesca kisses her lover while they read of Launcelot’s love.

Canto 5 · One day

Francesca

When as we read of the much-longed-for smile Being by such a noble lover kissed, This one, who ne’er from me shall be divided, Kissed me upon the mouth all palpitating.

Canto 5
Francesca declares that love led her and her lover to death.

Canto 5

Francesca

Love has conducted us unto one death; Caina waiteth him who quenched our life!

Canto 5
Dante swoons from pity after hearing Francesca’s account.

Canto 5 · And all the while one spirit uttered this

Dante

I swooned away as if I had been dying, And fell, even as a dead body falls.

Canto 6
Virgilius quiets Cerberus by throwing earth into his mouths.

Canto 6

Virgilius Cerberus

And my Conductor, with his spans extended, Took of the earth, and with his fists well filled, He threw it into those rapacious gullets.

Canto 6
Ciacco identifies himself and reveals his punishment for gluttony.

Canto 6 · 📍 [[third circle]]

Dante Ciacco

You citizens were wont to call me Ciacco; For the pernicious sin of gluttony I, as thou seest, am battered by this rain.

Canto 6
Ciacco prophesies bloodshed, exile, and political domination in the divided city.

Canto 6

Ciacco Dante

They, after long contention, Will come to bloodshed; and the rustic party Will drive the other out with much offence.

Canto 6
Ciacco reveals that Farinata, Tegghiaio, Jacopo Rusticucci, Arrigo, and Mosca are damned in deeper Hell.

Canto 6

Ciacco Dante

They are among the blacker souls; A different sin downweighs them to the bottom; If thou so far descendest, thou canst see them.

Canto 6
Ciacco falls prone and ceases speaking after answering Dante.

Canto 6

Ciacco

Then his straightforward eyes he turned askance, Eyed me a little, and then bowed his head; He fell therewith prone like the other blind.

Canto 7
Virgilius rebukes Plutus, causing the monster to fall silent and collapse.

Canto 7 · 📍 [[fourth chasm]]

Virgilius Plutus

Then he turned round unto that bloated lip, And said: “Be silent, thou accursed wolf; Consume within thyself with thine own rage. Not causeless is this journey to the abyss; Thus is it willed on high, where Michael wrought Vengeance upon the proud adultery.” Even as the sails inflated by the wind Involved together fall when snaps the mast, So fell the cruel monster to the earth.

Canto 7
Dante and Virgilius descend into the fourth chasm among the avaricious and prodigal.

Canto 7 · 📍 [[fourth chasm]]

Dante Virgilius

Thus we descended into the fourth chasm, Gaining still farther on the dolesome shore Which all the woe of the universe insacks.

Canto 7
Virgilius explains that Fortune redistributes worldly treasures beyond human resistance.

Canto 7

Virgilius Fortune

He in like manner to the mundane splendours Ordained a general ministress and guide, That she might change at times the empty treasures From race to race, from one blood to another, Beyond resistance of all human wisdom.

Canto 7
Dante and Virgilius enter the marsh of Styx through its dark descending waters.

Canto 7 · 📍 [[Styx]]

Dante Virgilius

The water was more sombre far than perse; And we, in company with the dusky waves, Made entrance downward by a path uncouth. A marsh it makes, which has the name of Styx, This tristful brooklet, when it has descended Down to the foot of the malign gray shores.

Canto 7
Virgilius identifies the submerged souls as those overcome by anger and the sullen.

Canto 7 · 📍 [[Styx]]

Dante Virgilius

Said the good Master: “Son, thou now beholdest The souls of those whom anger overcame; And likewise I would have thee know for certain Beneath the water people are who sigh And make this water bubble at the surface, As the eye tells thee wheresoe’er it turns.

Canto 8
Virgilius guides Dante into Phlegyas’s boat and across the dead canal.

Canto 8

Virgilius Dante

My Guide descended down into the boat, And then he made me enter after him,

Canto 8
Virgilius repels Philippo Argenti when he reaches for the boat.

Canto 8

Virgilius Dante Philippo Argenti

Then stretched he both his hands unto the boat; Whereat my wary Master thrust him back,

Canto 8
The muddy spirits attack Philippo Argenti until he turns his teeth upon himself.

Canto 8 · A little after that

Philippo Argenti

They all were shouting, “At Philippo Argenti!” And that exasperate spirit Florentine Turned round upon himself with his own teeth.

Canto 8
Dante and Virgilius reach the city of Dis and its fortified entrance.

Canto 8 · 📍 Lucifer · Even now

Dante Virgilius

Even now, my Son, The city draweth near whose name is Dis,

Canto 8
The inhabitants of Dis deny Virgilius entry and order Dante to return alone.

Canto 8 · 📍 Lucifer

Dante Virgilius

Come thou alone, and he begone Who has so boldly entered these dominions. Let him return alone by his mad road; Try, if he can; for thou shalt here remain,

Canto 8
The adversaries close Dis’s gates against Virgilius while Dante remains outside with him.

Canto 8 · 📍 Lucifer

Virgilius Dante

They closed the portals, those our adversaries, On my Lord’s breast, who had remained without

Canto 8
Virgilius assures Dante that their passage is divinely guaranteed and promises not to abandon him.

Canto 8 · 📍 Lucifer

Virgilius Dante

Fear not; because our passage None can take from us, it by Such is given. But here await me, and thy weary spirit Comfort and nourish with a better hope; For in this nether world I will not leave thee.

Canto 9
Virgilius reveals that Erictho previously conjured him into the lowest circle.

Canto 9 · 📍 [[circle of Judas]] · once before

Virgilius Erictho

True is it, once before I here below Was conjured by that pitiless Erictho, Who summoned back the shades unto their bodies.

Canto 9
The three blood-stained Furies rise before Dante and Virgilius.

Canto 9 · in a moment

Dante Virgilius Megaera Alecto Tisiphone

Where in a moment saw I swift uprisen The three infernal Furies stained with blood, Who had the limbs of women and their mien,

Canto 9
Virgilius turns Dante away and shields his eyes from the Gorgon.

Canto 9

Dante Virgilius

Turn thyself round, and keep thine eyes close shut, For if the Gorgon appear, and thou shouldst see it, No more returning upward would there be. Thus said the Master; and he turned me round Himself, and trusted not unto my hands So far as not to blind me with his own.

Canto 9
The gate opens without resistance, allowing Dante and Virgilius to enter the city.

Canto 9 · 📍 [[the city]]

Dante Virgilius

He reached the gate, and with a little rod He opened it, for there was no resistance.

Canto 9
Dante and Virgilius enter the city and find a plain filled with torment.

Canto 9 · 📍 [[the city]] · Within

Dante Virgilius

Within we entered without any contest; And I, who inclination had to see What the condition such a fortress holds, Soon as I was within, cast round mine eye, And see on every hand an ample plain, Full of distress and torment terrible.

Canto 9
Virgilius identifies the tombs as belonging to heresiarchs and their disciples.

Canto 9

Dante Virgilius

And he to me: “Here are the Heresiarchs, With their disciples of all sects, and much More than thou thinkest laden are the tombs.

Canto 10
Virgilius leads Dante through the city of fire.

Canto 10

Dante Virgilius

My Master, and I follow at his back.

Canto 10
Farinata rises from his tomb and confronts Dante.

Canto 10 · Upon a sudden

Farinata Dante

Upon a sudden issued forth this sound From out one of the tombs; wherefore I pressed, Fearing, a little nearer to my Leader.

Canto 10
Farinata reveals that he joined the Arbia battle but opposed Florence’s destruction.

Canto 10

Farinata Dante

After his head he with a sigh had shaken, “There I was not alone,” he said, “nor surely Without a cause had with the others moved. But there I was alone, where every one Consented to the laying waste of Florence, He who defended her with open face.”

Canto 10
Farinata mistakes Dante’s wording for Guido’s death and collapses back into his tomb.

Canto 10 · When he became aware of some delay

Farinata Dante Guido

Up starting suddenly, he cried out: “How Saidst thou,—he had? Is he not still alive? Does not the sweet light strike upon his eyes?” When he became aware of some delay, Which I before my answer made, supine He fell again, and forth appeared no more.

Canto 10
Farinata predicts that Dante will learn the burden of exile.

Canto 10

Farinata Dante

But fifty times shall not rekindled be The countenance of the Lady who reigns here, Ere thou shalt know how heavy is that art;

Canto 10
Farinata explains that the dead foresee distant events but cannot know the present.

Canto 10

Farinata Dante

We see, like those who have imperfect sight, The things,” he said, “that distant are from us; So much still shines on us the Sovereign Ruler. When they draw near, or are, is wholly vain Our intellect, and if none brings it to us, Not anything know we of your human state.

Canto 10
Farinata identifies Frederick II among the condemned dead.

Canto 10

Farinata Frederick II

With more than a thousand here I lie; Within here is the second Frederick, And the Cardinal, and of the rest I speak not.

Canto 11
An inscription reveals that Photinus led Pope Anastasius I away from the right path.

Canto 11 · 📍 [[great tomb]]

Pope Anastasius I Photinus

Which said: “Pope Anastasius I hold, Whom out of the right way Photinus drew.”

Canto 11
Virgilius explains the hierarchy of sins and their punishments, resolving Dante’s doubts.

Canto 11

Dante Virgilius

Clearly wilt thou perceive why from these felons They separated are, and why less wroth Justice divine doth smite them with its hammer.”

Canto 12
Virgilius rebukes the Minotaur, quenching its anger and enabling Dante to descend.

Canto 12 · 📍 [[Hell]]

Virgilius Minotaur Dante

Get thee gone, beast, for this one cometh not Instructed by thy sister, but he comes In order to behold your punishments.

Canto 12
Virgilius reveals that the ravine collapsed during Christ’s descent into Hell.

Canto 12 · 📍 [[Hell]] · a little Before His coming

Virgilius Dante

But truly, if I well discern, a little Before His coming who the mighty spoil Bore off from Dis, in the supernal circle, Upon all sides the deep and loathsome valley Trembled so, that I thought the Universe Was thrilled with love, by which there are who think The world ofttimes converted into chaos; And at that moment this primeval crag Both here and elsewhere made such overthrow.

Canto 12
Virgilius guides Dante through the dark valley because necessity compels him.

Canto 12 · 📍 [[Hell]]

Virgilius Dante

Indeed he lives, and thus alone Me it behoves to show him the dark valley; Necessity, and not delight, impels us.

Canto 12
Virgilius requests an escort, and Chiron orders Nessus to guide and protect them.

Canto 12

Virgilius Chiron Nessus Dante

But by that virtue through which I am moving My steps along this savage thoroughfare, Give us some one of thine, to be with us, And who may show us where to pass the ford, And who may carry this one on his back; For ’tis no spirit that can walk the air.” Upon his right breast Chiron wheeled about, And said to Nessus: “Turn and do thou guide them, And warn aside, if other band may meet you.”

Canto 12
Alexander, Dionysius, Azzolin, and Obizzo suffer punishment among the tyrants in boiling blood.

Canto 12

Alexander Dionysius Azzolin Obizzo

Tyrants are these, Who dealt in bloodshed and in pillaging. Here they lament their pitiless mischiefs; here Is Alexander, and fierce Dionysius Who upon Sicily brought dolorous years. That forehead there which has the hair so black Is Azzolin; and the other who is blond, Obizzo is of Esti, who, in truth, Up in the world was by his stepson slain.”

Canto 12
Attila, Pyrrhus, Sextus, Rinier da Corneto, and Rinier Pazzo are punished in the boiling blood.

Canto 12

Attila Pyrrhus Sextus Rinier da Corneto Rinier Pazzo

Justice divine, upon this side, is goading That Attila, who was a scourge on earth, And Pyrrhus, and Sextus; and for ever milks The tears which with the boiling it unseals In Rinier da Corneto and Rinier Pazzo, Who made upon the highways so much war.

Canto 13
Virgilius guides Dante into the second round, establishing their continued passage together.

Canto 13

Dante Virgilius

And the good Master: “Ere thou enter farther, Know that thou art within the second round,” Thus he began to say

Canto 13
Dante tears a branch, wounding Jacopo’s transformed soul and causing it to speak.

Canto 13

Dante Jacopo

Then stretched I forth my hand a little forward, And plucked a branchlet off from a great thorn; And the trunk cried, “Why dost thou mangle me?”

Canto 13
Jacopo reveals that he killed himself hoping to escape disgrace.

Canto 13

Jacopo

My spirit, in disdainful exultation, Thinking by dying to escape disdain, Made me unjust against myself, the just.

Canto 13
Jacopo’s condemned soul becomes a tree in the seventh abyss, where Harpies feed on its leaves.

Canto 13

Jacopo

When the exasperated soul abandons The body whence it rent itself away, Minos consigns it to the seventh abyss. It falls into the forest, and no part Is chosen for it; but where Fortune hurls it, There like a grain of spelt it germinates. It springs a sapling, and a forest tree; The Harpies, feeding then upon its leaves, Do pain create, and for the pain an outlet.

Canto 14
Capaneus identifies himself as dead yet still defiant under the fiery rain.

Canto 14

Capaneus

“Such as I was living, am I, dead.

Canto 14
Jove shot thunderbolts at Capaneus during the battle of Phlegra.

Canto 14 · 📍 [[Phlegra]]

Jove Capaneus

Even as he did there at the fight of Phlegra, And shot his bolts at me with all his might,

Canto 14
Jove seized the sharp thunderbolt from Vulcan.

Canto 14

Jove Vulcan

If Jove should weary out his smith, from whom He seized in anger the sharp thunderbolt,

Canto 14
Virgilius declares Capaneus’s arrogance makes his punishment complete.

Canto 14

Virgilius Capaneus

O Capaneus, in that is not extinguished Thine arrogance, thou punished art the more; Not any torment, saving thine own rage, Would be unto thy fury pain complete.”

Canto 14
Virgilius reveals that the old man’s tears form Hell’s rivers, ultimately becoming Cocytus.

Canto 14

Dante Virgilius

Each part, except the gold, is by a fissure Asunder cleft, that dripping is with tears, Which gathered together perforate that cavern. From rock to rock they fall into this valley; Acheron, Styx, and Phlegethon they form; Then downward go along this narrow sluice Unto that point where is no more descending. They form Cocytus;

Canto 14
Virgilius directs Dante to follow him along the safe margins beyond the burning wood.

Canto 14 · It is time now

Dante Virgilius

Then said he: “It is time now to abandon The wood; take heed that thou come after me; A way the margins make that are not burning,

Canto 15
Virgilius guides Dante along the road through the afterlife.

Canto 15

Dante Virgilius

This one appeared to me, returning thither, And homeward leadeth me along this road.

Canto 15
Dante recognizes Brunetto Latini among the souls along the dike.

Canto 15

Dante Brunetto Latini

Thus scrutinised by such a family, By some one I was recognised, who seized My garment’s hem, and cried out, “What a marvel!” And I, when he stretched forth his arm to me, On his baked aspect fastened so mine eyes, That the scorched countenance prevented not His recognition by my intellect; And bowing down my face unto his own, I made reply, “Are you here, Ser Brunetto?”

Canto 15
Brunetto Latini walks beside Dante while continuing with his condemned company.

Canto 15

Dante Brunetto Latini

Therefore go on; I at thy skirts will come, And afterward will I rejoin my band, Which goes lamenting its eternal doom.”

Canto 15
Brunetto foretells that Dante’s good deeds will provoke hostility from his people.

Canto 15

Brunetto Latini Dante

But that ungrateful and malignant people, Which of old time from Fesole descended, And smacks still of the mountain and the granite, Will make itself, for thy good deeds, thy foe;

Canto 15
Dante recalls Brunetto’s instruction and declares lasting gratitude for his teaching.

Canto 15

Dante Brunetto Latini

For in my mind is fixed, and touches now My heart the dear and good paternal image Of you, when in the world from hour to hour You taught me how a man becomes eternal;

Canto 15
Brunetto identifies Priscian and Francis of Accorso among souls condemned for the same sin.

Canto 15

Brunetto Latini Priscian Francis of Accorso

Know them in sum, that all of them were clerks, And men of letters great and of great fame, In the world tainted with the selfsame sin. Priscian goes yonder with that wretched crowd, And Francis of Accorso;

Canto 15
Brunetto Latini turns away from Dante and returns toward his condemned band.

Canto 15

Brunetto Latini Dante

Then he turned round, and seemed to be of those Who at Verona run for the Green Mantle Across the plain; and seemed to be among them

Canto 16
Virgilius pauses Dante so he can courteously address the three approaching shades.

Canto 16 · 📍 [[Hell]]

Dante Virgilius

Unto their cries my Teacher paused attentive; He turned his face towards me, and “Now wait,” He said; “to these we should be courteous.

Canto 16
The three shades reveal their identities, lineage, and punishment to Dante.

Canto 16 · 📍 [[Hell]]

Guidoguerra Gualdrada Tegghiaio Aldobrandi Jacopo Rusticucci

He was the grandson of the good Gualdrada; His name was Guidoguerra, and in life Much did he with his wisdom and his sword. The other, who close by me treads the sand, Tegghiaio Aldobrandi is, whose fame Above there in the world should welcome be. And I, who with them on the cross am placed, Jacopo Rusticucci was; and truly My savage wife, more than aught else, doth harm me.”

Canto 16
Dante reveals that he is from their city and journeys toward salvation through Hell.

Canto 16 · 📍 [[Hell]]

Dante Guidoguerra Tegghiaio Aldobrandi Jacopo Rusticucci

I of your city am; and evermore Your labours and your honourable names I with affection have retraced and heard. I leave the gall, and go for the sweet fruits Promised to me by the veracious Leader; But to the centre first I needs must plunge.”

Canto 16
Guglielmo Borsier has recently joined the three shades in torment.

Canto 16 · 📍 [[Hell]] · of late

Guglielmo Borsier Guidoguerra Tegghiaio Aldobrandi Jacopo Rusticucci

For Guglielmo Borsier, who is in torment With us of late, and goes there with his comrades, Doth greatly mortify us with his words.

Canto 16
The three shades ask Dante to preserve their memory if he returns to the stars.

Canto 16 · 📍 [[Hell]]

Dante Guidoguerra Tegghiaio Aldobrandi Jacopo Rusticucci

Therefore, if thou escape from these dark places, And come to rebehold the beauteous stars, When it shall pleasure thee to say, ‘I was,’ See that thou speak of us unto the people.”

Canto 16
The three shades end their encounter with Dante and rapidly disappear.

Canto 16 · 📍 [[Hell]]

Guidoguerra Tegghiaio Aldobrandi Jacopo Rusticucci

Then they broke up the wheel, and in their flight It seemed as if their agile legs were wings. Not an Amen could possibly be said So rapidly as they had disappeared;

Canto 16
Dante gives Virgilius his cord, which Virgilius coils and casts into the abyss.

Canto 16

Dante Virgilius

After I this had all from me unloosed, As my Conductor had commanded me, I reached it to him, gathered up and coiled, Whereat he turned himself to the right side, And at a little distance from the verge, He cast it down into that deep abyss.

Canto 17
Virgilius asks Geryon to carry them downward.

Canto 17

Virgilius Geryon

Till thou returnest I will speak with him, That he concede to us his stalwart shoulders.

Canto 17
Dante mounts Geryon, while Virgilius positions himself behind and protects him.

Canto 17

Dante Virgilius Geryon

I seated me upon those monstrous shoulders; I wished to say, and yet the voice came not As I believed, “Take heed that thou embrace me.” But he, who other times had rescued me In other peril, soon as I had mounted, Within his arms encircled and sustained me,

Canto 17
Virgilius commands Geryon to begin carrying them, warning him about the burden.

Canto 17

Virgilius Geryon

And said: “Now, Geryon, bestir thyself; The circles large, and the descent be little; Think of the novel burden which thou hast.”

Canto 17
Geryon transports Dante and Virgilius through the air and deposits them at the bottom.

Canto 17

Dante Virgilius Geryon

Even thus did Geryon place us on the bottom, Close to the bases of the rough-hewn rock, And being disencumbered of our persons, He sped away as arrow from the string.

Canto 18
Virgilius guides Dante through Malebolge’s first bolgia.

Canto 18 · 📍 [[Malebolge]]

Dante Virgilius

Within this place, down shaken from the back Of Geryon, we found us; and the Poet Held to the left, and I moved on behind.

Canto 18
Venedico reveals that he induced Ghisola to satisfy the Marquis’s desires.

Canto 18

Venedico Caccianimico Ghisola Dante

I was the one who the fair Ghisola Induced to grant the wishes of the Marquis, Howe’er the shameless story may be told.

Canto 18
Jason abandons pregnant Hypsipyle after deceiving her, earning punishment alongside Medea’s vengeance.

Canto 18 · 📍 [[Lemnos]]

Jason Hypsipyle Medea

There did he leave her pregnant and forlorn; Such sin unto such punishment condemns him, And also for Medea is vengeance done.

Canto 18
Alessio Interminei is submerged in filth for his insatiable flatteries.

Canto 18

[[Alessio Interminei]]

The flatteries have submerged me here below, Wherewith my tongue was never surfeited.

Canto 18
Thais is condemned among the filthy flatterers for falsely praising her paramour.

Canto 18

Thais

Thais the harlot is it, who replied Unto her paramour, when he said, ‘Have I Great gratitude from thee?’—‘Nay, marvellous;’

Canto 19
Simon Magus and his disciples are condemned to eternal punishment with their burning feet protruding from holes.

Canto 19 · 📍 [[third Bolgia]]

Simon Magus

O Simon Magus, O forlorn disciples, Ye who the things of God, which ought to be The brides of holiness, rapaciously For silver and for gold do prostitute, Now it behoves for you the trumpet sound, Because in this third Bolgia ye abide.

Canto 19
Dante denies being Boniface after the punished soul mistakes him for the future simoniac occupant.

Canto 19 · 📍 [[fourth dike]]

Dante [[Boniface]]

Then said Virgilius: “Say to him straightway, ‘I am not he, I am not he thou thinkest.’” And I replied as was imposed on me.

Canto 19
Boniface is foretold to descend into the fissure after the current simoniac soul.

Canto 19

[[Boniface]]

Below there I shall likewise fall, whenever That one shall come who I believed thou wast, What time the sudden question I proposed.

Canto 19
Constantine’s donation to the first wealthy pope is condemned as the source of widespread evil.

Canto 19

Constantine

Ah, Constantine! of how much ill was mother, Not thy conversion, but that marriage dower Which the first wealthy Father took from thee!

Canto 20
Virgilius guides Dante through the circle of diviners.

Canto 20

Dante Virgilius

Truly I wept, leaning upon a peak Of the hard crag, so that my Escort said

Canto 20
Amphiaraus is swallowed by the earth and falls to Minos in Hell.

Canto 20

Amphiaraus Minos

Wherefore they all cried: ‘Whither rushest thou, Amphiaraus? Why dost leave the war?’ And downward ceased he not to fall amain As far as Minos, who lays hold on all.

Canto 20
Tiresias changed from male to female, then regained manhood after striking two serpents.

Canto 20 · afterwards

Tiresias

Behold Tiresias, who his semblance changed, When from a male a female he became, His members being all of them transformed; And afterwards was forced to strike once more The two entangled serpents with his rod, Ere he could have again his manly plumes.

Canto 20
Manto selected a marsh refuge, and settlers later named their city Mantua after her.

Canto 20 · 📍 [[Mantua]] · After her father had from life departed

Manto

They built their city over those dead bones, And, after her who first the place selected, Mantua named it, without other omen.

Canto 20
Pinamonte deceived Casalodi, causing Mantua’s population to decline.

Canto 20 · 📍 [[Mantua]]

Casalodi Pinamonte

Its people once within more crowded were, Ere the stupidity of Casalodi From Pinamonte had received deceit.

Canto 20
Eryphylus and Calchas determined at Aulis when the Greeks should sever their first cable.

Canto 20 · 📍 [[Aulis]] · when Greece was void of males

Eryphylus Calchas

An augur, and with Calchas gave the moment, In Aulis, when to sever the first cable.

Canto 20
Virgilius’s tragedy sings of Eryphylus.

Canto 20

Virgilius Eryphylus

Eryphylus his name was, and so sings My lofty Tragedy in some part or other;

Canto 21
Virgilius warns Dante and pulls him away from danger beside the boiling pitch.

Canto 21 · 📍 [[Malebolge]]

Dante Virgilius

The while below there fixedly I gazed, My Leader, crying out: “Beware, beware!” Drew me unto himself from where I stood.

Canto 21
Virgilius shields Dante while confronting the demons and securing their passage.

Canto 21 · 📍 [[Malebolge]]

Dante Virgilius

And for no outrage that is done to me Be thou afraid, because these things I know, For once before was I in such a scuffle.”

Canto 21
Malacoda lowers his weapon and orders the demons not to attack Virgilius.

Canto 21 · 📍 [[Malebolge]]

Virgilius Malacoda

Then was his arrogance so humbled in him, That he let fall his grapnel at his feet, And to the others said: “Now strike him not.”

Canto 21
Dante leaves his hiding place and returns safely to Virgilius among the threatening demons.

Canto 21 · 📍 [[Malebolge]]

Dante Virgilius

Wherefore I started and came swiftly to him; And all the devils forward thrust themselves, So that I feared they would not keep their compact.

Canto 21
Scarmiglione threatens to strike Dante, but Malacoda immediately silences him.

Canto 21 · 📍 [[Malebolge]]

Malacoda Scarmiglione Dante Virgilius

They lowered their rakes, and “Wilt thou have me hit him,” They said to one another, “on the rump?” And answered: “Yes; see that thou nick him with it.” But the same demon who was holding parley With my Conductor turned him very quickly, And said: “Be quiet, be quiet, Scarmiglione;”

Canto 21
Malacoda reveals that the sixth arch is broken and directs Dante and Virgilius toward another path.

Canto 21 · 📍 [[Malebolge]] · Yesterday, five hours later than this hour

Malacoda Dante Virgilius

Then said to us: “You can no farther go Forward upon this crag, because is lying All shattered, at the bottom, the sixth arch. And if it still doth please you to go onward, Pursue your way along upon this rock; Near is another crag that yields a path.

Canto 21
Malacoda commands ten demons to escort Dante and Virgilius safely past the boiling pitch.

Canto 21 · 📍 [[Malebolge]]

Malacoda Alichino Calcabrina Cagnazzo Barbariccia Libicocco Draghignazzo Ciriatto Graffiacane Farfarello Rubicante

I send in that direction some of mine To see if any one doth air himself; Go ye with them; for they will not be vicious. Step forward, Alichino and Calcabrina,” Began he to cry out, “and thou, Cagnazzo; And Barbariccia, do thou guide the ten. Come forward, Libicocco and Draghignazzo, And tusked Ciriatto and Graffiacane, And Farfarello and mad Rubicante; Search ye all round about the boiling pitch; Let these be safe as far as the next crag, That all unbroken passes o’er the dens.”

Canto 21
Virgilius reassures Dante that the demons’ threatening gestures concern the sinners, not them.

Canto 21 · 📍 [[Malebolge]]

Dante Virgilius

And he to me: “I will not have thee fear; Let them gnash on, according to their fancy, Because they do it for those boiling wretches.”

Canto 22
Virgilius learns that Friar Gomita practiced fraud and released his lord’s enemies for money.

Canto 22 · Lately

Virgilius Friar Gomita

It was the Friar Gomita, He of Gallura, vessel of all fraud, Who had the enemies of his Lord in hand, And dealt so with them each exults thereat; Money he took, and let them smoothly off

Canto 22
Virgilius learns that Don Michael Zanche shared barratry and endless gossip with Friar Gomita.

Canto 22 · 📍 [[Logodoro]]

Virgilius Don Michael Zanche

Foregathers with him one Don Michael Zanche Of Logodoro; and of Sardinia To gossip never do their tongues feel tired.

Canto 22
Barbariccia orders Farfarello to stand aside while the sinner continues speaking.

Canto 22

Barbariccia Farfarello

And the grand Provost, turned to Farfarello, Who rolled his eyes about as if to strike, Said: “Stand aside there, thou malicious bird.”

Canto 22
Calcabrina attacks Alichin above the moat, and both demons fall into the boiling pitch.

Canto 22

Alichino Calcabrina

Infuriate at the mockery, Calcabrina Flying behind him followed close, desirous The other should escape, to have a quarrel. And when the barrator had disappeared, He turned his talons upon his companion, And grappled with him right above the moat. But sooth the other was a doughty sparhawk To clapperclaw him well; and both of them Fell in the middle of the boiling pond.

Canto 22
Barbariccia sends four demons to rescue the pitch-covered demons trapped in the boiling moat.

Canto 22

Barbariccia

Lamenting with the others, Barbariccia Made four of them fly to the other side With all their gaffs, and very speedily This side and that they to their posts descended; They stretched their hooks towards the pitch-ensnared

Canto 23
Virgilius seizes Dante and carries him down the bank to escape the pursuing demons.

Canto 23 · 📍 [[fifth moat]]

Dante Virgilius

My Leader on a sudden seized me up, Even as a mother who by noise is wakened, And close beside her sees the enkindled flames,

Canto 23
Dante and Virgilius enter the moat where hypocrites suffer beneath heavy gilded leaden cloaks.

Canto 23 · 📍 [[fifth moat]]

Dante Virgilius

A painted people there below we found, Who went about with footsteps very slow, Weeping and in their semblance tired and vanquished.

Canto 23
Catalano and Loderingo reveal that they were Bolognese Frati Gaudenti appointed together to maintain Florence’s peace.

Canto 23 · 📍 [[fifth moat]]

Catalano Loderingo

Frati Gaudenti were we, and Bolognese; I Catalano, and he Loderingo Named, and together taken by thy city,

Canto 23
Catalano reveals that the crucified sinner advised the Pharisees to sacrifice one man for the people.

Canto 23 · 📍 [[fifth moat]]

Catalano

This transfixed one, whom thou seest, Counselled the Pharisees that it was meet To put one man to torture for the people.

Canto 23
Catalano tells Dante and Virgilius that a broken rock provides the route upward from the moat.

Canto 23 · 📍 [[fifth moat]]

Dante Virgilius Catalano

Nearer than thou hopest There is a rock, that forth from the great circle Proceeds, and crosses all the cruel valleys,

Canto 24
Dante and Virgilius descend from the ruined bridge into the eighth bolgia.

Canto 24 · 📍 [[Malebolge]]

Dante Virgilius

We from the bridge descended at its head, Where it connects itself with the eighth bank, And then was manifest to me the Bolgia;

Canto 24
A serpent transforms Vanni Fucci into ashes, which reassemble him moments later.

Canto 24 · 📍 [[Malebolge]]

Vanni Fucci

And lo! at one who was upon our side There darted forth a serpent, which transfixed him There where the neck is knotted to the shoulders. Nor ‘O’ so quickly e’er, nor ‘I’ was written, As he took fire, and burned; and ashes wholly Behoved it that in falling he became. And when he on the ground was thus destroyed, The ashes drew together, and of themselves Into himself they instantly returned.

Canto 24
Vanni Fucci identifies himself as a sinner from Tuscany and Pistoia.

Canto 24 · 📍 [[Malebolge]] · A short time since

Vanni Fucci

The Guide thereafter asked him who he was; Whence he replied: “I rained from Tuscany A short time since into this cruel gorge. A bestial life, and not a human, pleased me, Even as the mule I was; I’m Vanni Fucci, Beast, and Pistoia was my worthy den.”

Canto 24
Vanni Fucci confesses robbing a sacristy and falsely allowing another person to be blamed.

Canto 24 · 📍 [[Malebolge]]

Vanni Fucci

So low am I put down because I robbed The sacristy of the fair ornaments, And falsely once ’twas laid upon another;

Canto 24
Vanni Fucci prophesies political upheaval in Pistoia and Florence and a battle at Campo Picen.

Canto 24 · 📍 [[Pistoia]] · When it shall suddenly rend the mist asunder

Vanni Fucci

Pistoia first of Neri groweth meagre; Then Florence doth renew her men and manners; Mars draws a vapour up from Val di Magra, Which is with turbid clouds enveloped round, And with impetuous and bitter tempest Over Campo Picen shall be the battle; When it shall suddenly rend the mist asunder, So that each Bianco shall thereby be smitten.

Canto 25
Virgilius guides Dante through Hell during their encounter with Cacus.

Canto 25 · 📍 [[Hell]]

Dante Virgilius

My Master said: “That one is Cacus, who

Canto 25
Hercules ended Cacus’s fraudulent theft with his mace.

Canto 25 · 📍 [[Mount Aventine]]

Cacus Hercules

Whereat his tortuous actions ceased beneath The mace of Hercules, who peradventure Gave him a hundred, and he felt not ten.”

Canto 25
Cianfa’s serpent form fused with Agnello, erasing both original identities.

Canto 25

Cianfa Agnello

Then they stuck close, as if of heated wax They had been made, and intermixed their colour; Nor one nor other seemed now what he was;

Canto 25
Lucan wrote about Sabellus and Nassidius’s transformations.

Canto 25

Lucan Sabellus Nassidius

Henceforth be silent Lucan, where he mentions Wretched Sabellus and Nassidius,

Canto 25
Ovid wrote about Cadmus becoming a snake and Arethusa becoming a fountain.

Canto 25

Ovid Cadmus Arethusa

Be silent Ovid, of Cadmus and Arethusa; For if him to a snake, her to fountain,

Canto 25
Buoso is assigned to crawl after a reciprocal human-serpent transformation.

Canto 25

Buoso

Then did he turn upon him his new shoulders, And said to the other: “I’ll have Buoso run, Crawling as I have done, along this road.”

Canto 26
Virgilius leads Dante upward along the stairs and solitary path toward the eighth bolgia.

Canto 26

Dante Virgilius

We went our way, and up along the stairs The bourns had made us to descend before, Remounted my Conductor and drew me.

Canto 26
Dante and Virgilius discover that each moving flame contains a concealed sinner.

Canto 26

Dante Virgilius

“Within the fires the spirits are; Each swathes himself with that wherewith he burns.”

Canto 26
Ulysses and Diomed suffer together within one flame for their destructive stratagems.

Canto 26

Ulysses Diomed

He answered me: “Within there are tormented Ulysses and Diomed, and thus together They unto vengeance run as unto wrath.

Canto 26
Virgilius summons the two Greek spirits, and Ulysses responds from the flame.

Canto 26

Virgilius Ulysses Diomed

“O ye, who are twofold within one fire, If I deserved of you, while I was living, If I deserved of you or much or little

Canto 26
Ulysses departs from Circe and resumes his voyage despite her concealment of him near Gaeta.

Canto 26 · 📍 [[Gaeta]] · more than a year

Ulysses Circe

When I From Circe had departed, who concealed me More than a year there near unto Gaeta,

Canto 26
Ulysses abandons domestic obligations to pursue knowledge of the world and human virtue.

Canto 26

Ulysses Penelope

Nor fondness for my son, nor reverence For my old father, nor the due affection Which joyous should have made Penelope, Could overcome within me the desire I had to be experienced of the world,

Canto 26
Ulysses persuades his companions to sail beyond Hercules’ landmarks into the unpeopled world.

Canto 26

Ulysses

So eager did I render my companions, With this brief exhortation, for the voyage, That then I hardly could have held them back.

Canto 26
A whirlwind overturns Ulysses’ ship, drowning him and his companions beneath the sea.

Canto 26

Ulysses

Three times it made her whirl with all the waters, At the fourth time it made the stern uplift, And the prow downward go, as pleased Another, Until the sea above us closed again.”

Canto 27
Constantine sought Sylvester to cure his leprosy.

Canto 27 · 📍 [[Soracte]]

Constantine Sylvester

But even as Constantine sought out Sylvester To cure his leprosy, within Soracte,

Canto 28
Virgilius conducts Dante through Hell from circle to circle.

Canto 28 · 📍 [[Hell]]

Virgilius Dante

Me, who am dead, behoves it to conduct him Down here through Hell, from circle unto circle;

Canto 28
Mahomet and Ali suffer bodily cleaving as punishment for sowing schism.

Canto 28 · 📍 [[ninth Bolgia]]

Mahomet Ali

How mutilated, see, is Mahomet; In front of me doth Ali weeping go, Cleft in the face from forelock unto chin;

Canto 28
Mahomet warns Fra Dolcino to gather provisions before winter enables Novara's victory.

Canto 28

Mahomet Fra Dolcino

Now say to Fra Dolcino, then, to arm him, Thou, who perhaps wilt shortly see the sun, If soon he wish not here to follow me, So with provisions, that no stress of snow May give the victory to the Novarese,

Canto 28
Pier da Medicina prophesies that Guido and Angiolello will be betrayed and drowned near Cattolica.

Canto 28 · 📍 [[Cattolica]]

Pier da Medicina Guido Angiolello

That if foreseeing here be not in vain, Cast over from their vessel shall they be, And drowned near unto the Cattolica, By the betrayal of a tyrant fell.

Canto 28
Curio suffers with his tongue split in his throat for his bold counsel.

Canto 28 · 📍 [[ninth Bolgia]]

Curio

O how bewildered unto me appeared, With tongue asunder in his windpipe slit, Curio, who in speaking was so bold!

Canto 28
Bertram de Born caused the Young King and his father to rebel against each other.

Canto 28

Bertram de Born Young King

Know that Bertram de Born am I, the same Who gave to the Young King the evil comfort. I made the father and the son rebellious;

Canto 28
Bertram de Born bears his severed head because he divided father and son.

Canto 28 · 📍 [[ninth Bolgia]]

Bertram de Born

Because I parted persons so united, Parted do I now bear my brain, alas! From its beginning, which is in this trunk.

Canto 29
Geri del Bello had suffered a violent death that remained unavenged.

Canto 29 · 📍 [[Malebolge]]

Geri del Bello

O my Conductor, his own violent death, Which is not yet avenged for him

Canto 29
Minos condemned Capocchio to the final bolgia for practicing alchemy.

Canto 29 · 📍 [[Malebolge]]

Capocchio Minos

But unto the last Bolgia of the ten, For alchemy, which in the world I practised, Minos, who cannot err, has me condemned.

Canto 30
Juno’s rage over Semele drives Athamas mad, and he kills Learchus.

Canto 30 · 📍 [[Thebes]]

Juno Semele Athamas Learchus

So reft of reason Athamas became, That, seeing his own wife with children twain Walking encumbered upon either hand, He cried: “Spread out the nets, that I may take The lioness and her whelps upon the passage;” And then extended his unpitying claws, Seizing the first, who had the name Learchus, And whirled him round, and dashed him on a rock;

Canto 30
Hecuba discovers Polyxena and Polydorus dead, and grief drives her into madness.

Canto 30 · 📍 [[Troy]]

Hecuba Polyxena Polydorus

Hecuba sad, disconsolate, and captive, When lifeless she beheld Polyxena, And of her Polydorus on the shore Of ocean was the dolorous one aware, Out of her senses like a dog she barked, So much the anguish had her mind distorted;

Canto 30
Gianni Schicchi attacks Capocchio by biting and dragging him across the ground.

Canto 30

Gianni Schicchi Capocchio

One to Capocchio came, and by the nape Seized with its teeth his neck, so that in dragging It made his belly grate the solid bottom.

Canto 30
Gianni Schicchi impersonates Buoso Donati to make and validate a fraudulent will.

Canto 30

Gianni Schicchi Buoso Donati

As he who goeth yonder undertook, That he might gain the lady of the herd, To counterfeit in himself Buoso Donati, Making a will and giving it due form.”

Canto 30
Master Adam counterfeits currency bearing the Baptist’s image.

Canto 30 · 📍 [[Romena]] · while living

Master Adam

There is Romena, where I counterfeited The currency imprinted with the Baptist, For which I left my body burned above.

Canto 30
Master Adam reveals that Guido and Alessandro’s family induced him to counterfeit florins.

Canto 30 · 📍 [[Romena]]

Master Adam Guido Alessandro

For them am I in such a family; They did induce me into coining florins, Which had three carats of impurity.”

Canto 30
Master Adam and Sinon exchange blows and insults over their respective frauds.

Canto 30

Master Adam Sinon

And one of them, who felt himself annoyed At being, peradventure, named so darkly, Smote with the fist upon his hardened paunch. It gave a sound, as if it were a drum; And Master Adam smote him in the face, With arm that did not seem to be less hard,

Canto 30
Virgilius rebukes Dante for listening too intently to the quarrel between the sinners.

Canto 30

Dante Virgilius

In listening to them was I wholly fixed, When said the Master to me: “Now just look, For little wants it that I quarrel with thee.”

Canto 31
Virgilius guides Dante through the darkness toward the giants surrounding the well.

Canto 31

Dante Virgilius

Then tenderly he took me by the hand,

Canto 31
Virgilius reveals that the apparent towers are giants surrounding the well.

Canto 31

Dante Virgilius

Less strange, know that these are not towers, but giants,

Canto 31
Virgilius identifies Nimrod as the cause of humanity’s divided languages.

Canto 31

Dante Virgilius Nimrod

This one is Nimrod, by whose evil thought One language in the world is not still used.

Canto 31
Ephialtes is bound for challenging Jove’s supreme power.

Canto 31

Ephialtes Jove

This proud one wished to make experiment Of his own power against the Supreme Jove,” My Leader said, “whence he has such a guerdon.

Canto 31
Antaeus lifts Dante and Virgilius and places them at the bottom of the abyss.

Canto 31 · 📍 [[Cocytus]]

Antaeus Dante Virgilius

But lightly in the abyss, which swallows up Judas with Lucifer, he put us down;

Canto 32
Camicion identifies Focaccia and Sassol Mascheroni among Caina’s condemned shades.

Canto 32 · 📍 [[Caina]]

Camicion de’ Pazzi Focaccia Sassol Mascheroni

Not he in whom were broken breast and shadow At one and the same blow by Arthur’s hand; Focaccia not; not he who me encumbers So with his head I see no farther forward, And bore the name of Sassol Mascheroni; Well knowest thou who he was, if thou art Tuscan. And that thou put me not to further speech, Know that I Camicion de’ Pazzi was, And wait Carlino to exonerate me.”

Canto 32
Dante seizes Bocca by the hair and repeatedly threatens him for refusing to identify himself.

Canto 32 · 📍 [[Antenora]]

Dante Bocca

Then by the scalp behind I seized upon him, And said: “It must needs be thou name thyself, Or not a hair remain upon thee here.” Whence he to me: “Though thou strip off my hair, I will not tell thee who I am, nor show thee, If on my head a thousand times thou fall.” I had his hair in hand already twisted, And more than one shock of it had pulled out,

Canto 32
Bocca reveals Duera, Beccaria, Gianni del Soldanier, Ganellon, and Tebaldello as traitors frozen nearby.

Canto 32 · 📍 [[Antenora]]

Bocca Duera Beccaria Gianni del Soldanier Ganellon Tebaldello

He weepeth here the silver of the French; ‘I saw,’ thus canst thou phrase it, ‘him of Duera There where the sinners stand out in the cold.’ If thou shouldst questioned be who else was there, Thou hast beside thee him of Beccaria, Of whom the gorget Florence slit asunder; Gianni del Soldanier, I think, may be Yonder with Ganellon, and Tebaldello Who oped Faenza when the people slep.”

Canto 33
Ruggieri betrayed Count Ugolino, imprisoning him and eventually having him put to death.

Canto 33

Count Ugolino Ruggieri

That, by effect of his malicious thoughts, Trusting in him I was made prisoner, And after put to death, I need not say;

Canto 33
Count Ugolino gnaws Ruggieri’s head as revenge for his betrayal.

Canto 33

Count Ugolino Ruggieri

His mouth uplifted from his grim repast, That sinner, wiping it upon the hair Of the same head that he behind had wasted.

Canto 33
Gaddo dies in the prison, followed by three of Count Ugolino’s sons.

Canto 33 · the fourth day

Count Ugolino Gaddo

When we had come unto the fourth day, Gaddo Threw himself down outstretched before my feet, Saying, ‘My father, why dost thou not help me?’ And there he died; and, as thou seest me, I saw the three fall, one by one, between The fifth day and the sixth;

Canto 33
Hunger finally kills Count Ugolino after grief and his sons’ deaths.

Canto 33 · Then

Count Ugolino

Then hunger did what sorrow could not do.”

Canto 33
Friar Alberigo’s soul descends to Ptolomaea before his body dies, which a demon subsequently controls.

Canto 33 · 📍 [[Ptolomaea]]

Friar Alberigo

Such an advantage has this Ptolomaea, That oftentimes the soul descendeth here Sooner than Atropos in motion sets it. And, that thou mayest more willingly remove From off my countenance these glassy tears, Know that as soon as any soul betrays As I have done, his body by a demon Is taken from him, who thereafter rules it, Until his time has wholly been revolved.

Canto 33
Ser Branca d’ Oria betrays Michel Zanche with the help of a near kinsman.

Canto 33 · 📍 [[Ptolomaea]]

Ser Branca d’ Oria Michel Zanche

In moat above,” said he, “of Malebranche, There where is boiling the tenacious pitch, As yet had Michel Zanche not arrived, When this one left a devil in his stead In his own body and one near of kin, Who made together with him the betrayal.

Canto 34
Virgilius reveals Lucifer to Dante at the center of Hell.

Canto 34

Virgilius Dante Lucifer

He from before me moved and made me stop, Saying: “Behold Dis, and behold the place Where thou with fortitude must arm thyself.”

Canto 34
Lucifer torments Judas Iscariot, Brutus, and Cassius by devouring them in his three mouths.

Canto 34

Lucifer [[Judas Iscariot]] Brutus Cassius

At every mouth he with his teeth was crunching A sinner, in the manner of a brake, So that he three of them tormented thus.

Canto 34
Virgilius identifies the three sinners Lucifer eternally torments.

Canto 34

Lucifer [[Judas Iscariot]] Brutus Cassius

That soul up there which has the greatest pain,” The Master said, “is Judas Iscariot; With head inside, he plies his legs without.

Canto 34
Virgilius turns at Lucifer’s center, redirecting Dante’s descent toward escape.

Canto 34

Virgilius Dante Lucifer

When we were come to where the thigh revolves Exactly on the thickness of the haunch, The Guide, with labour and with hard-drawn breath, Turned round his head where he had had his legs,

Canto 34
Lucifer falls from heaven, causing land to retreat and the sea to cover it.

Canto 34

Lucifer

Upon this side he fell down out of heaven; And all the land, that whilom here emerged, For fear of him made of the sea a veil,

Canto 34
Virgilius leads Dante into a hidden passage to return to the bright world.

Canto 34 · now

Virgilius Dante

The Guide and I into that hidden road Now entered, to return to the bright world;

Canto 34
Dante and Virgilius emerge from the underground passage and see the stars.

Canto 34

Virgilius Dante

Thence we came forth to rebehold the stars.

Canto 35
Dante and Virgilius emerge from Hell and proceed toward spirits purging themselves.

Canto 35 · now

Dante Virgilius

I’ve shown him all the people of perdition, And now those spirits I intend to show Who purge themselves beneath thy guardianship.

Canto 35
Beatrice sends Virgilius to rescue Dante from spiritual peril.

Canto 35

Beatrice Virgilius Dante

I came not of myself; A Lady from Heaven descended, at whose prayers I aided this one with my company.

Canto 35
Cato permits Dante and Virgilius to pass through his realm because Beatrice commands Virgilius.

Canto 35

Cato Virgilius Dante Beatrice

But if a Lady of Heaven do move and rule thee, As thou dost say, no flattery is needful; Let it suffice thee that for her thou ask me. Go, then, and see thou gird this one about

Canto 35
Cato dies in Utica for liberty.

Canto 35 · 📍 [[Utica]]

Cato

Thou know’st it; since, for her, to thee not bitter Was death in Utica, where thou didst leave The vesture, that will shine so, the great day.

Canto 35
Virgilius washes Dante’s face, removing the stain of Hell.

Canto 35 · As soon as we were come to where the dew

Virgilius Dante

Both of his hands upon the grass outspread In gentle manner did my Master place; Whence I, who of his action was aware, Extended unto him my tearful cheeks; There did he make in me uncovered wholly That hue which Hell had covered up in me.

Canto 35
Virgilius girds Dante with a rush, which regrows after being uprooted.

Canto 35 · There

Virgilius Dante

There he begirt me as the other pleased; O marvellous! for even as he culled The humble plant, such it sprang up again Suddenly there where he uprooted it.

Canto 35
Virgilius leads Dante back across the plain toward the mountain’s easier ascent.

Canto 35 · Then

Virgilius Dante

And he began: “Son, follow thou my steps; Let us turn back, for on this side declines The plain unto its lower boundaries.”

Canto 36
The Angel of God ferries more than a hundred spirits to shore, then swiftly departs.

Canto 36

Angel of God

Upon the stern stood the Celestial Pilot; Beatitude seemed written in his face, And more than a hundred spirits sat within.

Canto 36
Dante recognizes Casella, and Casella stops to speak with him.

Canto 36

Dante Casella

Gently it said that I should stay my steps; Then knew I who it was, and I entreated That it would stop awhile to speak with me.

Canto 36
Casella gains passage after the gatekeeper has admitted peaceful arrivals for three months.

Canto 36 · 📍 [[Tiber]] · three months past

Casella

He, sooth to say, for three months past has taken Whoever wished to enter with all peace; Whence I, who now had turned unto that shore Where salt the waters of the Tiber grow, Benignantly by him have been received.

Canto 36
Casella sings a love song that comforts Dante and captivates the gathered spirits.

Canto 36

Casella Dante

“Love, that within my mind discourses with me,” Forthwith began he so melodiously, The melody within me still is sounding.

Canto 36
The spirits abandon Casella’s song after an admonition and hurry toward the mountain.

Canto 36

Dante Virgilius Casella

So that fresh company did I behold The song relinquish, and go tow’rds the hill, As one who goes, and knows not whitherward; Nor was our own departure less in haste.

Canto 37
Virgilius confirms that he guides Dante up the mountain.

Canto 37

Dante Virgilius

Dost thou not think me with thee, and that I guide thee?

Canto 37
Virgilius explains why Dante casts a shadow while he does not.

Canto 37

Dante Virgilius

Now if in front of me no shadow fall, Marvel not at it more than at the heavens

Canto 37
Manfredi reveals his identity and royal descent to Dante.

Canto 37

Manfredi

Then said he with a smile: “I am Manfredi, The grandson of the Empress Costanza;

Canto 37
Manfredi asks Dante to tell his daughter how he was found among the penitent dead.

Canto 37

Manfredi Costanza (daughter)

Go to my daughter beautiful, the mother Of Sicily’s honour and of Aragon’s, And the truth tell her, if aught else be told.

Canto 37
After receiving mortal wounds, Manfredi repents and entrusts himself to divine forgiveness.

Canto 37

Manfredi

After I had my body lacerated By these two mortal stabs, I gave myself Weeping to Him, who willingly doth pardon.

Canto 37
Manfredi’s remains are removed from Benevento after Clement orders a pursuit against him.

Canto 37 · 📍 [[Benevento]] · at that time

Manfredi Clement

The bones of my dead body still would be At the bridge-head, near unto Benevento, Under the safeguard of the heavy cairn.

Canto 37
Manfredi’s remains are carried beyond the realm and exposed to rain and wind.

Canto 37

Manfredi

Now the rain bathes and moveth them the wind, Beyond the realm, almost beside the Verde, Where he transported them with tapers quenched.

Canto 37
Manfredi is sentenced to wait outside the mountain thirty times his period of defiance.

Canto 37

Manfredi

Must wait upon the outside this bank Thirty times told the time that he has been In his presumption

Canto 38
Virgilius leads Dante upward through a narrow passage toward the mountain’s upper terrace.

Canto 38

Dante Virgilius

With the swift pinions and the plumes I say Of great desire, conducted after him Who gave me hope, and made a light for me.

Canto 38
Virgilius directs Dante to continue climbing until a wise escort appears.

Canto 38

Dante Virgilius

And he to me: “No step of thine descend; Still up the mount behind me win thy way, Till some sage escort shall appear to us.”

Canto 38
Dante reaches the terrace after Virgilius urges him to overcome his fatigue.

Canto 38

Dante Virgilius

These words of his so spurred me on, that I Strained every nerve, behind him scrambling up, Until the circle was beneath my feet.

Canto 38
Dante recognizes the seated spirit as Belacqua and questions his delay on the mountain.

Canto 38

Dante Belacqua

Then knew I who he was; and the distress, That still a little did my breathing quicken, My going to him hindered not; and after I came to him he hardly raised his head, Saying: “Hast thou seen clearly how the sun O’er thy left shoulder drives his chariot?”

Canto 38
Belacqua reveals that delayed repentance keeps him outside the gate unless living prayer aids him.

Canto 38

Dante Belacqua

First heaven must needs so long revolve me round Outside thereof, as in my life it did, Since the good sighs I to the end postponed, Unless, e’er that, some prayer may bring me aid Which rises from a heart that lives in grace; What profit others that in heaven are heard not?”

Canto 39
Dante follows Virgilius as his Guide through the mountain.

Canto 39

Dante Virgilius

And followed in the footsteps of my Guide,

Canto 39
Buonconte dies invoking Mary and is reconciled to God through a final tear.

Canto 39

Buonconte God

There my sight lost I, and my utterance Ceased in the name of Mary, and thereat I fell, and tenantless my flesh remained. Truth will I speak, repeat it to the living; God’s Angel took me up, and he of hell Shouted: ‘O thou from heaven, why dost thou rob me? Thou bearest away the eternal part of him, For one poor little tear, that takes him from me;

Canto 39
Buonconte’s flood-swollen body is carried into the Arno and buried beneath debris.

Canto 39 · 📍 [[Archiano]]

Buonconte

My frozen body near unto its outlet The robust Archian found, and into Arno Thrust it, and loosened from my breast the cross I made of me, when agony o’ercame me; It rolled me on the banks and on the bottom, Then with its booty covered and begirt me.”

Canto 39
Pia reveals that Siena made her and Maremma unmade her.

Canto 39 · 📍 [[Siena]]

Pia

Siena made me, unmade me Maremma;

Canto 39
Pia states that she had been espoused with a ring placed on her finger.

Canto 39

Pia

He knoweth it, who had encircled first, Espousing me, my finger with his gem.

Canto 40
Virgilius reveals that Beatrice will illuminate the truth for Dante at the mountain’s summit.

Canto 40

Dante Virgilius Beatrice

I know not if thou understand; I speak Of Beatrice; her shalt thou see above, Smiling and happy, on this mountain’s top.

Canto 40
Sordello recognizes Virgilius as a fellow Mantuan and embraces him.

Canto 40

Virgilius Sordello

Saying: “O Mantuan, I am Sordello Of thine own land!” and one embraced the other.

Canto 41
Virgilius reveals his identity and explains that lack of faith kept him from Heaven.

Canto 41

Virgilius Sordello

I am Virgilius; and for no crime else Did I lose heaven, than for not having faith;

Canto 41
Sordello offers to guide Virgilius and Dante toward Purgatory’s ascent.

Canto 41 · the day declines

Sordello Virgilius Dante

So far as I can go, as guide I join thee. But see already how the day declines,

Canto 42
Sordello reveals that two angels guard the valley against the approaching serpent.

Canto 42

Sordello

“From Mary’s bosom both of them have come,” Sordello said, “as guardians of the valley Against the serpent, that will come anon.”

Canto 42
Virgilius continues guiding Dante through the valley and explains the changing stars.

Canto 42

Dante Virgilius

And my Conductor: “Son, what dost thou gaze at Up there?” And I to him: “At those three torches With which this hither pole is all on fire.”

Canto 42
Sordello leads Dante among the shades so they can speak with him.

Canto 42

Dante Sordello

And once again Sordello: “Now descend we ’Mid the grand shades, and we will speak to them; Right pleasant will it be for them to see you.”

Canto 42
Dante meets Nino and recognizes him among the saved rather than the damned.

Canto 42 · this morn

Dante Nino

Noble Judge Nino! how it me delighted, When I beheld thee not among the damned!

Canto 42
Nino asks Dante to tell Giovanna to pray for him.

Canto 42 · When thou shalt be beyond the waters wide

Nino Giovanna

Tell my Giovanna that she pray for me, Where answer to the innocent is made.

Canto 42
Currado Malaspina identifies himself and declares his enduring love for his family.

Canto 42 · 📍 [[Valdimagra]]

Currado Malaspina

Currado Malaspina was I called; I’m not the elder, but from him descended; To mine I bore the love which here refineth.

Canto 42
Currado predicts that Dante will soon confirm his favorable opinion of the Malaspina family.

Canto 42 · Before that such a courteous opinion Shall in the middle of thy head be nailed

Currado Malaspina Dante

Before that such a courteous opinion Shall in the middle of thy head be nailed With greater nails than of another’s speech

Canto 43
Lucia carries the sleeping Dante upward, while Virgilius follows her.

Canto 43 · as day grew bright

Lucia Dante Virgilius

Sordello and the other noble shapes Remained; she took thee, and, as day grew bright, Upward she came, and I upon her footsteps.

Canto 43
Dante reaches Purgatory with Virgilius as his guide.

Canto 43 · 📍 [[Purgatory]]

Dante Virgilius

Thou hast at length arrived at Purgatory;

Canto 43
Virgilius guides Dante up the cliff toward Purgatory’s entrance.

Canto 43

Dante Virgilius

So did I change; and when without disquiet My Leader saw me, up along the cliff He moved, and I behind him, tow’rd the height.

Canto 43
The Angel inscribes seven P’s on Dante’s forehead and commands him to cleanse them.

Canto 43

Dante

Seven P’s upon my forehead he described With the sword’s point, and, “Take heed that thou wash These wounds, when thou shalt be within,” he said.

Canto 43
The Angel unlocks and opens the sacred gate, admitting Dante and Virgilius.

Canto 43

Dante Virgilius

Then pushed the portals of the sacred door, Exclaiming: “Enter; but I give you warning That forth returns whoever looks behind.”

Canto 44
Trajan postpones vengeance for a widow’s dead son until he has fulfilled his duty.

Canto 44

Trajan

And he to answer her: “Now wait until I shall return.”

Canto 44
Trajan’s great beneficence moves Gregory to victory.

Canto 44

Trajan Gregory

There the high glory of the Roman Prince Was chronicled, whose great beneficence Moved Gregory to his great victory;

Canto 45
Omberto died because his ancestral pride made him scorn all other men.

Canto 45

Omberto

All men I held in scorn to such extent I died therefor, as know the Sienese, And every child in Campagnatico.

Canto 45
Oderisi turned to God and escaped remaining among the condemned.

Canto 45

Oderisi

And yet I should not be here, were it not That, having power to sin, I turned to God.

Canto 45
Franco Bolognese surpassed Oderisi in artistic honor.

Canto 45

Franco Bolognese Oderisi

more laughing are the leaves Touched by the brush of Franco Bolognese; All his the honour now, and mine in part.

Canto 45
Giotto eclipsed Cimabue as the leading painter.

Canto 45

Cimabue Giotto

In painting Cimabue thought that he Should hold the field, now Giotto has the cry, So that the other’s fame is growing dim.

Canto 45
Provenzan Salvani was punished for attempting to bring Siena entirely under his control.

Canto 45 · 📍 [[Siena]]

Provenzan Salvani

That,” he replied, “is Provenzan Salvani, And he is here because he had presumed To bring Siena all into his hands.

Canto 45
Provenzan humbled himself publicly to free a friend imprisoned by Charles.

Canto 45 · 📍 [[Campo of Siena]] · When he in greatest splendour lived

Provenzan Salvani

Freely upon the Campo of Siena, All shame being laid aside, he placed himself; And there to draw his friend from the duress Which in the prison-house of Charles he suffered, He brought himself to tremble in each vein.

Canto 45
Provenzan’s self-abasing action released him from the purgatorial confines.

Canto 45

Provenzan Salvani

This action has released him from those confines.

Canto 46
Dante follows Virgilius onward through the mountain as his guide.

Canto 46

Dante Virgilius

I had moved on, and followed willingly, The footsteps of my Master, and we both Already showed how light of foot we were,

Canto 46
Thymbraeus, Pallas, and Mars behold the scattered remains of the giants.

Canto 46

Thymbraeus Pallas Mars

I saw Thymbraeus, Pallas saw, and Mars, Still clad in armour round about their father, Gaze at the scattered members of the giants.

Canto 46
Tomyris brings ruin and carnage upon Cyrus, answering his thirst for blood with blood.

Canto 46

Tomyris Cyrus

Displayed the ruin and the cruel carnage That Tomyris wrought, when she to Cyrus said, “Blood didst thou thirst for, and with blood I glut thee!”

Canto 46
An angel strikes Dante's forehead with his wings and grants him a safe passage upward.

Canto 46

Dante Angel

He led us on to where the rock was cleft; There smote upon my forehead with his wings, Then a safe passage promised unto me.

Canto 46
Dante discovers that one of the seven carved P’s has been erased from his forehead.

Canto 46

Dante

I found but six the letters, that had carved Upon my temples he who bore the keys;

Canto 47
Sapia undergoes purification for envy alongside other penitents on the terrace.

Canto 47

Sapia

Sienese was I,” it replied, “and with The others here recleanse my guilty life, Weeping to Him to lend himself to us.

Canto 47
Sapia reveals that she rejoiced maliciously when her fellow citizens were defeated in battle.

Canto 47

Sapia

And I was at another’s harm More happy far than at my own good fortune.

Canto 47
Sapia confesses that she defiantly rejoiced at her countrymen’s rout and challenged God.

Canto 47

Sapia

So that I lifted upward my bold face Crying to God, ‘Henceforth I fear thee not,’

Canto 47
Pier Pettignano’s charitable prayers preserved Sapia from remaining unreconciled with God.

Canto 47

Pier Pettignano Sapia

Had it not been that in remembrance held me Pier Pettignano in his holy prayers, Who out of charity was grieved for me.

Canto 47
Dante states that his eyes will eventually be sealed temporarily as punishment for envy.

Canto 47

Dante

Mine eyes,” I said, “will yet be here ta’en from me, But for short space; for small is the offence Committed by their being turned with envy.

Canto 47
Sapia asks Dante to restore her reputation among her relatives if he reaches Tuscany.

Canto 47 · 📍 [[Tuscany]]

Sapia Dante

And I implore, by what thou most desirest, If e’er thou treadest the soil of Tuscany, Well with my kindred reinstate my fame.

Canto 48
Guido del Duca identifies himself and Renier to Dante.

Canto 48

Dante Guido del Duca Renier

Know, then, that I Guido del Duca am. My blood was so with envy set on fire, That if I had beheld a man make merry, Thou wouldst have seen me sprinkled o’er with pallor. From my own sowing such the straw I reap! O human race! why dost thou set thy heart Where interdict of partnership must be? This is Renier; this is the boast and honour Of the house of Calboli, where no one since Has made himself the heir of his desert.

Canto 48
Guido del Duca foretells Renier’s grandson will hunt and slaughter the wolves of the wild stream.

Canto 48

Guido del Duca Renier

Thy grandson I behold, who doth become A hunter of those wolves upon the bank Of the wild stream, and terrifies them all. He sells their flesh, it being yet alive; Thereafter slaughters them like ancient beeves; Many of life, himself of praise, deprives. Blood-stained he issues from the dismal forest; He leaves it such, a thousand years from now In its primeval state ’tis not re-wooded.

Canto 48
Guido del Duca recognizes Dante’s Tuscan stream as the Arno.

Canto 48

Dante Guido del Duca

“If well thy meaning I can penetrate With intellect of mine,” then answered me He who first spake, “thou speakest of the Arno.”

Canto 48
Dante moves close to Virgilius, who explains the warning against envy and earthly distraction.

Canto 48

Dante Virgilius

“I am Aglaurus, who became a stone!” And then, to press myself close to the Poet, I backward, and not forward, took a step. Already on all sides the air was quiet; And said he to me: “That was the hard curb That ought to hold a man within his bounds;

Canto 49
An angel invites Dante and Virgilius onto a less steep stairway upward.

Canto 49

Dante Virgilius

“An angel ’tis, who comes to invite us upward.

Canto 49
Dante and Virgilius enter another circle after ascending the easier stairway.

Canto 49

Dante Virgilius

We mounting were, already thence departed, And “Beati misericordes” was Behind us sung

Canto 49
Virgilius promises Beatrice will resolve Dante’s remaining doubts and longings.

Canto 49

Dante Virgilius

Thou shalt see Beatrice; and she will fully Take from thee this and every other longing.

Canto 49
Dante recognizes the visions’ truth and understands his errors after returning to ordinary consciousness.

Canto 49

Dante

Soon as my soul had outwardly returned To things external to it which are true, Did I my not false errors recognize.

Canto 49
Virgilius explains that Dante’s vision teaches him to open his heart to peace.

Canto 49

Dante Virgilius

What thou hast seen was that thou mayst not fail To ope thy heart unto the waters of peace

Canto 49
A dark smoke approaches, depriving Dante and Virgilius of sight and clean air.

Canto 49

Dante Virgilius

This of our eyes and the pure air bereft us.

Canto 50
Virgilius guides Dante through the smoke and offers his shoulder to keep him from separation.

Canto 50

Dante Virgilius

Whereat mine escort, faithful and sagacious, Drew near to me and offered me his shoulder.

Canto 50
Marco reveals his identity and confirms that Dante is ascending by the correct route.

Canto 50

Dante Marco

“Lombard was I, and I was Marco called; The world I knew, and loved that excellence, At which has each one now unbent his bow. For mounting upward, thou art going right.”

Canto 50
Dante pledges to pray for Marco after reaching above.

Canto 50

Dante Marco

And I to him: “My faith I pledge to thee To do what thou dost ask me; but am bursting Inly with doubt, unless I rid me of it.

Canto 50
Marco explains that human free will, rather than corrupt nature, causes the world's moral disorder.

Canto 50

Marco

Hence, if the present world doth go astray, In you the cause is, be it sought in you; And I therein will now be thy true spy.

Canto 50
Marco identifies Gherardo only through his daughter Gaia, leaving his surname unknown.

Canto 50

Marco

By other surname do I know him not, Unless I take it from his daughter Gaia.

Canto 50
Marco departs before the Angel appears as dawn begins to brighten through the smoke.

Canto 50

Marco

Behold the dawn, that through the smoke rays out, Already whitening; and I must depart— Yonder the Angel is—ere he appear.”

Canto 51
Virgilius guides Dante out of the cloud toward the upward passage.

Canto 51

Dante Virgilius

Thus, to the faithful footsteps of my Master Mating mine own, I issued from that cloud To rays already dead on the low shores.

Canto 51
Dante and Virgilius reach the circle where negligent love is purged.

Canto 51

Dante Virgilius

We at the point were where no more ascends The stairway upward, and were motionless, Even as a ship, which at the shore arrives; And I gave heed a little, if I might hear Aught whatsoever in the circle new; Then to my Master turned me round and said: “Say, my sweet Father, what delinquency Is purged here in the circle where we are? Although our feet may pause, pause not thy speech.”

Canto 52
Virgilius explains that free will restrains love and determines moral merit.

Canto 52

Dante Virgilius

The noble virtue Beatrice understands By the free will; and therefore see that thou Bear it in mind, if she should speak of it.

Canto 52
Virgilius continues guiding Dante as they encounter rushing penitents.

Canto 52

Dante Virgilius

These were the words of him who was my Guide; And some one of those spirits said: “Come on

Canto 52
San Zeno’s Abbot identifies himself as the former abbot of Verona.

Canto 52 · 📍 [[Verona]] · Under the empire of good Barbarossa

San Zeno’s Abbot

I was San Zeno’s Abbot at Verona, Under the empire of good Barbarossa,

Canto 52
Barbarossa’s unfit son is installed in a monastery instead of its rightful pastor.

Canto 52 · erelong

Barbarossa San Zeno’s Abbot

Because his son, in his whole body sick, And worse in mind, and who was evil-born, He put into the place of its true pastor.

Canto 53
Dante’s gaze transforms a deformed, stammering woman into an articulate, alluring Siren.

Canto 53 · It was the hour when the diurnal heat

Dante Siren

There came to me in dreams a stammering woman, Squint in her eyes, and in her feet distorted, With hands dissevered and of sallow hue. I looked at her; and as the sun restores The frigid members which the night benumbs, Even thus my gaze did render voluble Her tongue, and made her all erect thereafter In little while, and the lost countenance As love desires it so in her did colour.

Canto 53
The Siren claims her song drew Ulysses from wandering and satisfied those who remained with her.

Canto 53

Siren Ulysses

“I am,” she sang, “I am the Siren sweet Who mariners amid the main unman, So full am I of pleasantness to hear. I drew Ulysses from his wandering way Unto my song, and he who dwells with me Seldom departs so wholly I content him.”

Canto 53
Virgilius rouses Dante and leads him toward the passage through the mountain.

Canto 53 · 📍 [[Sacred Mountain]] · with the new sun at our back

Dante Virgilius

I turned mine eyes, and good Virgilius said: “At least thrice have I called thee; rise and come; Find we the opening by which thou mayst enter.” I rose; and full already of high day Were all the circles of the Sacred Mountain, And with the new sun at our back we went.

Canto 53
Virgilius guides Dante into the fifth circle, where avaricious souls lie prostrate.

Canto 53 · 📍 [[the fifth circle]] · On the fifth circle

Dante Virgilius

On the fifth circle when I had come forth, People I saw upon it who were weeping, Stretched prone upon the ground, all downward turned.

Canto 54
Hugh Capet reveals his identity and royal lineage.

Canto 54

Hugh Capet

Hugh Capet was I called upon the earth;

Canto 54
Hugh Capet’s offspring is elevated to the French crown.

Canto 54

Hugh Capet

That to the widowed diadem promoted The head of mine own offspring was, from whom The consecrated bones of these began.

Canto 54
Charles kills Conradin after coming to Italy.

Canto 54 · 📍 [[Italy]]

Charles Conradin

Charles came to Italy, and for amends A victim made of Conradin, and then

Canto 54
Charles causes Thomas to die after coming to Italy.

Canto 54 · 📍 [[Italy]]

Charles Thomas of Aquinum

Thrust Thomas back to heaven, for amends.

Canto 54
Achan steals the spoils, provoking Joshua’s wrath.

Canto 54 · At that time

Achan Joshua

The foolish Achan each one then records, And how he stole the spoils; so that the wrath Of Joshua still appears to sting him here.

Canto 54
Polymnestor murders Polydorus.

Canto 54 · At that time

Polymnestor Polydorus

Polymnestor who murdered Polydorus.

Canto 55
Virgilius guides Dante upward from Hell as far as his power permits.

Canto 55

Dante Virgilius

Whence I was drawn from out the ample throat Of Hell to be his guide, and I shall guide him As far on as my school has power to lead.

Canto 55
Statius becomes free to ascend, causing the mountain to tremble and souls to praise God.

Canto 55 · Five hundred years and more

Statius

And I, who have been lying in this pain Five hundred years and more, but just now felt A free volition for a better seat. Therefore thou heardst the earthquake, and the pious Spirits along the mountain rendering praise Unto the Lord, that soon he speed them upwards.

Canto 55
Statius reveals his identity and that he sang of Thebes and Achilles.

Canto 55

Statius

Statius the people name me still on earth; I sang of Thebes, and then of great Achilles;

Canto 55
Titus avenges the wounds associated with Judas’s betrayal.

Canto 55 · In days when the good Titus

Titus Judas

In days when the good Titus, with the aid Of the supremest King, avenged the wounds Whence issued forth the blood by Judas sold,

Canto 55
Statius recognizes Virgilius as the poet from whom he learned to sing.

Canto 55

Statius Virgilius

This one, who guides on high these eyes of mine, Is that Virgilius, from whom thou didst learn To sing aloud of men and of the Gods.

Canto 56
An angel erases one penitential mark from Dante’s face.

Canto 56

Dante

Already was the Angel left behind us, The Angel who to the sixth round had turned us, Having erased one mark from off my face;

Canto 56
Juvenal’s report of Statius’s affection causes Virgilius to regard Statius with deep kindliness.

Canto 56

Virgilius Juvenal Statius

Hence from the hour that Juvenal descended Among us into the infernal Limbo, Who made apparent to me thy affection, My kindliness towards thee was as great

Canto 56
Statius explains that he repented both avarice and excessive spending.

Canto 56

Statius

Then I perceived the hands could spread too wide Their wings in spending, and repented me As well of that as of my other sins;

Canto 56
Statius credits Virgilius with making him a poet and leading him to Christianity.

Canto 56

Statius Virgilius

Through thee I Poet was, through thee a Christian; But that thou better see what I design, To colour it will I extend my hand.

Canto 56
Virgilius reveals that the named poets reside together in the first circle.

Canto 56 · 📍 [[Limbo]]

Virgilius Terentius Caecilius Plautus Varro Persius Euripides Antiphon Simonides Agatho

These, Persius and myself, and others many, Replied my Leader, “with that Grecian are Whom more than all the rest the Muses suckled, In the first circle of the prison blind; Ofttimes we of the mountain hold discourse Which has our nurses ever with itself. Euripides is with us, Antiphon, Simonides, Agatho, and many other Greeks who of old their brows with laurel decked.

Canto 57
Dante recognizes Forese despite his severely altered appearance.

Canto 57

Dante Forese

This spark within me wholly re-enkindled My recognition of his altered face, And I recalled the features of Forese.

Canto 57
Nella’s prayers free Forese from waiting and hasten his ascent through purgation.

Canto 57

Forese Nella

Thus speedily has led me To drink of the sweet wormwood of these torments, My Nella with her overflowing tears; She with her prayers devout and with her sighs Has drawn me from the coast where one where one awaits, And from the other circles set me free.

Canto 57
Virgilius leads Dante through the realm of the dead and upward around the mountain.

Canto 57 · two days agone

Dante Virgilius

Out of that life he turned me back who goes In front of me, two days agone when round The sister of him yonder showed herself, And to the sun I pointed. “Through the deep Night of the truly dead has this one led me, With this true flesh, that follows after him. Thence his encouragements have led me up, Ascending and still circling round the mount

Canto 58
Forese reveals that Piccarda has already triumphed and rejoices in her heavenly crown.

Canto 58 · 📍 [[Olympus]]

Forese Piccarda

“My sister, who, ’twixt beautiful and good, I know not which was more, triumphs rejoicing Already in her crown on high Olympus.”

Canto 58
Buonagiunta prophesies that Gentucca will make Lucca pleasant to Dante.

Canto 58 · 📍 [[Lucca]]

Buonagiunta Gentucca Dante

“A maid is born, and wears not yet the veil,” Began he, “who to thee shall pleasant make My city, howsoever men may blame it.

Canto 58
Buonagiunta recognizes Dante as the poet who inaugurated the sweet new style.

Canto 58

Dante Buonagiunta

And I to him: “One am I, who, whenever Love doth inspire me, note, and in that measure Which he within me dictates, singing go.” “O brother, now I see,” he said, “the knot Which me, the Notary, and Guittone held Short of the sweet new style that now I hear.

Canto 58
Virgilius and Statius guide Dante onward past the tree of forbidden fruit.

Canto 58

Dante Virgilius Statius

Thus said I know not who among the branches; Whereat Virgilius, Statius, and myself Went crowding forward on the side that rises.

Canto 58
A luminous angel directs Dante and his companions toward the path of ascent.

Canto 58

Dante Virgilius Statius

I raised my head to see who this might be, And never in a furnace was there seen Metals or glass so lucent and so red As one I saw who said: “If it may please you To mount aloft, here it behoves you turn; This way goes he who goeth after peace.”

Canto 59
Virgilius appoints Statius to explain why shades grow thin, and Statius agrees.

Canto 59

Dante Virgilius Statius

But that thou mayst content thee in thy wish Lo Statius here; and him I call and pray He now will be the healer of thy wounds.” “If I unfold to him the eternal vengeance,” Responded Statius, “where thou present art, Be my excuse that I can naught deny thee.”

Canto 59
Diana drove Helice from the wood after Helice was poisoned by Venus.

Canto 59

Diana Helice Venus

This also ended, cried they: “To the wood Diana ran, and drove forth Helice Therefrom, who had of Venus felt the poison.”

Canto 60
Dante reveals that he is alive and ascending through purgatory by a Lady’s grace.

Canto 60

Dante

I go up here to be no longer blind; A Lady is above, who wins this grace, Whereby the mortal through your world I bring.

Canto 60
Guido Guinicelli identifies himself and reveals that he is purging his sin after repenting.

Canto 60

Guido Guinicelli

I’m Guido Guinicelli, and now purge me, Having repented ere the hour extreme.

Canto 60
Dante recognizes Guido Guinicelli as the father of his poetic tradition and offers him devoted service.

Canto 60

Dante Guido Guinicelli

The moment I heard name himself the father Of me and of my betters, who had ever Practised the sweet and gracious rhymes of love;

Canto 60
Arnaut reveals his identity, confesses past folly, and expresses hope for the promised future.

Canto 60

Arnaut

Jeu sui Arnaut, que plor e vai chantan; Consiros vei la passada folor, E vei jauzen lo jorn qu’ esper denan.

Canto 61
Virgilius guides Dante through the purifying fire and urges Statius to follow.

Canto 61

Dante Virgilius Statius

Then into the fire in front of me he entered, Beseeching Statius to come after me, Who a long way before divided us. When I was in it, into molten glass I would have cast me to refresh myself, So without measure was the burning there!

Canto 61
Dante overcomes his resistance to the fire after Virgilius invokes Beatrice.

Canto 61

Dante Virgilius Beatrice

Seeing me stand still motionless and stubborn, Somewhat disturbed he said: “Now look thou, Son, ’Twixt Beatrice and thee there is this wall.” As at the name of Thisbe oped his lids The dying Pyramus, and gazed upon her, What time the mulberry became vermilion, Even thus, my obduracy being softened, I turned to my wise Guide, hearing the name That in my memory evermore is welling.

Canto 61
Dante reaches the summit, and Virgilius relinquishes guidance, declaring him free and crowning him.

Canto 61

Dante Virgilius

When underneath us was the stairway all Run o’er, and we were on the highest step, Virgilius fastened upon me his eyes, And said: “The temporal fire and the eternal, Son, thou hast seen, and to a place art come Where of myself no farther I discern. By intellect and art I here have brought thee; Take thine own pleasure for thy guide henceforth; Beyond the steep ways and the narrow art thou. Behold the sun, that shines upon thy forehead; Behold the grass, the flowerets, and the shrubs Which of itself alone this land produces. Until rejoicing come the beauteous eyes Which weeping caused me to come unto thee, Thou canst sit down, and thou canst walk among them. Expect no more or word or sign from me; Free and upright and sound is thy free-will, And error were it not to do its bidding; Thee o’er thyself I therefore crown and mitre!”

Canto 62
Dante encounters Matelda beside the stream and asks her to explain the forest and water.

Canto 62

Dante Matelda

And there appeared to me (even as appears Suddenly something that doth turn aside Through very wonder every other thought) A lady all alone, who went along Singing and culling floweret after floweret,

Canto 62
Matelda explains that Lethe removes memories of sin and Eunoe restores memories of good deeds.

Canto 62

Dante Matelda

Upon this side with virtue it descends, Which takes away all memory of sin; On that, of every good deed done restores it. Here Lethe, as upon the other side Eunoe, it is called; and worketh not If first on either side it be not tasted.

Canto 62
Matelda reveals the earthly paradise as the place of humanity’s original innocence, perpetual spring, and abundant fruit.

Canto 62

Dante Matelda

Here was the human race in innocence; Here evermore was Spring, and every fruit; This is the nectar of which each one speaks.

Canto 63
Eve’s disobedience deprived humanity of longer enjoyment of paradise.

Canto 63

Eve

holy zeal Made me rebuke the hardihood of Eve; For there where earth and heaven obedient were, The woman only, and but just created, Could not endure to stay ’neath any veil; Underneath which had she devoutly stayed, I sooner should have tasted those delights Ineffable, and for a longer time.

Canto 63
The four winged animals appear as Ezekiel described them, with John’s account differing in their plumage.

Canto 63

Dante Ezekiel John

But read Ezekiel, who depicteth them As he beheld them from the region cold Coming with cloud, with whirlwind, and with fire; And such as thou shalt find them in his pages, Such were they here; saving that in their plumage John is with me, and differeth from him.

Canto 63
Thunder stops the august procession and prevents it from proceeding farther.

Canto 63

Dante

And when the car was opposite to me Thunder was heard; and all that folk august Seemed to have further progress interdicted, There with the vanward ensigns standing still.

Canto 64
Virgilius departs, leaving Dante without his guide and protector.

Canto 64

Dante Virgilius

But us Virgilius of himself deprived Had left, Virgilius, sweetest of all fathers, Virgilius, to whom I for safety gave me:

Canto 64
Beatrice reveals herself to Dante and sternly questions his arrival at the Mountain.

Canto 64 · 📍 [[Mountain]]

Dante Beatrice

“Look at me well; in sooth I’m Beatrice! How didst thou deign to come unto the Mountain? Didst thou not know that man is happy here?”

Canto 64
Beatrice reveals that Dante abandoned her guidance and pursued false images of good.

Canto 64

Dante Beatrice

And into ways untrue he turned his steps, Pursuing the false images of good, That never any promises fulfil;

Canto 64
Beatrice reveals that she interceded with Virgilius to lead Dante from the gates of death.

Canto 64 · 📍 [[Mountain]]

Beatrice Virgilius Dante

For this I visited the gates of death, And unto him, who so far up has led him, My intercessions were with weeping borne.

Canto 65
Dante confesses that worldly pleasures diverted him after Beatrice disappeared from view.

Canto 65

Dante Beatrice

Weeping I said: “The things that present were With their false pleasure turned aside my steps, Soon as your countenance concealed itself.”

Canto 65
Beatrice rebukes Dante and exposes the spiritual consequences of his betrayal.

Canto 65

Beatrice Dante

But still, that thou mayst feel a greater shame For thy transgression, and another time Hearing the Sirens thou mayst be more strong,

Canto 65
Dante recognizes Beatrice as the source of his penitence and faints from overwhelming self-conviction.

Canto 65

Dante Beatrice

Such self-conviction stung me at the heart O’erpowered I fell, and what I then became She knoweth who had furnished me the cause.

Canto 65
Beatrice pulls Dante through the stream toward the blessed shore.

Canto 65

Beatrice Dante

Up to my throat she in the stream had drawn me, And, dragging me behind her, she was moving Upon the water lightly as a shuttle.

Canto 65
Beatrice immerses Dante in the purifying water and brings him into the four ladies’ dance.

Canto 65

Beatrice Dante

The beautiful lady opened wide her arms, Embraced my head, and plunged me underneath, Where I was forced to swallow of the water. Then forth she drew me, and all dripping brought Into the dance of the four beautiful,

Canto 65
The four ladies lead Dante to Beatrice, positioning him before her eyes.

Canto 65 · 📍 [[Griffin’s breast]]

Beatrice Dante

Thus singing they began; and afterwards Unto the Griffin’s breast they led me with them, Where Beatrice was standing, turned towards us.

Canto 65
Dante beholds Beatrice’s reflected image in the Griffin’s twofold nature and marvels.

Canto 65

Dante Beatrice

As in a glass the sun, not otherwise Within them was the twofold monster shining, Now with the one, now with the other nature.

Canto 66
Beatrice guides Dante and Statius through the forest beside the chariot.

Canto 66

Beatrice Dante Statius

The lady fair who drew me through the ford Followed with Statius and myself the wheel Which made its orbit with the lesser arc.

Canto 66
Peter, John, and James recover after Elias and Moses depart and Christ’s apparel changes.

Canto 66

Peter John James Elias Moses Christ

Peter and John and James conducted were, And, overcome, recovered at the word By which still greater slumbers have been broken, And saw their school diminished by the loss Not only of Elias, but of Moses, And the apparel of their Master changed;

Canto 66
Dante awakens when a splendour tears away his slumber and a voice commands him to rise.

Canto 66

Dante

Therefore I pass to what time I awoke, And say a splendour rent from me the veil Of slumber, and a calling: “Rise, what dost thou?”

Canto 66
Beatrice commands Dante to observe the chariot and record his vision after returning to earth.

Canto 66

Beatrice Dante

Therefore, for that world’s good which liveth ill, Fix on the car thine eyes, and what thou seest, Having returned to earth, take heed thou write.

Canto 66
An eagle descends through the tree and violently strikes the chariot.

Canto 66

Dante

As I beheld the bird of Jove descend Down through the tree, rending away the bark, As well as blossoms and the foliage new, And he with all his might the chariot smote,

Canto 66
Beatrice drives the fox from the chariot after condemning its sins.

Canto 66

Beatrice

But for his hideous sins upbraiding him, My Lady put him to as swift a flight As such a fleshless skeleton could bear.

Canto 66
A dragon rises from the earth and tears the chariot’s floor away.

Canto 66

Dante

Methought, then, that the earth did yawn between Both wheels, and I saw rise from it a Dragon, Who through the chariot upward fixed his tail, And as a wasp that draweth back its sting, Drawing unto himself his tail malign, Drew out the floor, and went his way rejoicing.

Canto 66
The damaged holy edifice transforms into a monstrous structure with multiple heads and horns.

Canto 66

Dante

Transfigured thus the holy edifice Thrust forward heads upon the parts of it, Three on the pole and one at either corner. The first were horned like oxen; but the four Had but a single horn upon the forehead;

Canto 67
Beatrice reveals that drinking Lethe caused Dante’s present forgetfulness.

Canto 67 · this very day

Beatrice Dante

And if thou art not able to remember,” Smiling she answered, “recollect thee now That thou this very day hast drunk of Lethe;

Canto 67
Beatrice orders Matilda to lead Dante to Eunoe and restore his weakened virtue.

Canto 67 · 📍 [[Eunoe]]

Beatrice Matilda Dante

But Eunoe behold, that yonder rises; Lead him to it, and, as thou art accustomed, Revive again the half-dead virtue in him.”

Canto 67
Matilda takes Dante onward and instructs Statius to accompany him.

Canto 67

Matilda Dante Statius

Even so, when she had taken hold of me, The beautiful lady moved, and unto Statius Said in her womanly manner, “Come with him.”

Canto 67
Dante drinks the holy water and returns regenerated, purified, and ready to ascend.

Canto 67

Dante

From the most holy water I returned Regenerate, in the manner of new trees That are renewed with a new foliage, Pure and disposed to mount unto the stars.

Canto 68
Apollo drew Marsyas from his bodily sheath, implying his mythic flaying.

Canto 68

Apollo Marsyas

Enter into my bosom, thou, and breathe As at the time when Marsyas thou didst draw Out of the scabbard of those limbs of his.

Canto 68
Dante and Beatrice ascend from Earth into heaven, as Beatrice reveals.

Canto 68

Dante Beatrice

Thou art not upon earth, as thou believest; But lightning, fleeing its appropriate site, Ne’er ran as thou, who thitherward returnest.

Canto 68
Beatrice explains that divine cosmic order carries Dante upward toward his destined place.

Canto 68

Dante Beatrice

And thither now, as to a site decreed, Bears us away the virtue of that cord Which aims its arrows at a joyous mark.

Canto 69
Dante and Beatrice arrive at the first star, ascending together through the heavens.

Canto 69 · 📍 [[first star]]

Dante Beatrice

Upward gazed Beatrice, and I at her; And in such space perchance as strikes a bolt And flies, and from the notch unlocks itself, Arrived I saw me where a wondrous thing Drew to itself my sight; and therefore she From whom no care of mine could be concealed, Towards me turning, blithe as beautiful, Said unto me: “Fix gratefully thy mind On God, who unto the first star has brought us.”

Canto 69
Beatrice corrects Dante's belief that the Moon's dark spots arise from differences in density.

Canto 69

Dante Beatrice

And she: “Right truly shalt thou see immersed In error thy belief, if well thou hearest The argument that I shall make against it. Lights many the eighth sphere displays to you Which in their quality and quantity May noted be of aspects different. If this were caused by rare and dense alone, One only virtue would there be in all Or more or less diffused, or equally.”

Canto 70
Beatrice reveals that the apparent reflections are true souls punished for broken vows.

Canto 70

Dante Beatrice

True substances are these which thou beholdest, Here relegate for breaking of some vow.

Canto 70
Piccarda reveals her identity and that broken vows placed her in the lowest sphere.

Canto 70

Dante Piccarda

But thou shalt recognise I am Piccarda, Who, stationed here among these other blessed, Myself am blessed in the slowest sphere.

Canto 70
Piccarda explains that her vows were neglected and partly void.

Canto 70

Piccarda

And this allotment, which appears so low, Therefore is given us, because our vows Have been neglected and in some part void.

Canto 70
Piccarda says she entered a convent but was forcibly removed by men.

Canto 70

Piccarda

Then men accustomed unto evil more Than unto good, from the sweet cloister tore me;

Canto 70
Costanza is identified as a nun forced back into worldly life against her wishes.

Canto 70

Costanza (daughter)

Of great Costanza this is the effulgence, Who from the second wind of Suabia Brought forth the third and latest puissance.

Canto 70
Costanza retains the sacred veil of her heart after being returned to the world.

Canto 70

Costanza (daughter)

But when she too was to the world returned Against her wishes and against good usage, Of the heart’s veil she never was divested.

Canto 70
Piccarda begins singing Ave Maria and vanishes from Dante’s sight.

Canto 70

Piccarda

Thus unto me she spake, and then began “Ave Maria” singing, and in singing Vanished, as through deep water something heavy.

Canto 71
Daniel relieved Nebuchadnezzar from the wrath that had made him unjustly merciless.

Canto 71

Daniel Nebuchadnezzar

Beatrice did as Daniel had done Relieving Nebuchadnezzar from the wrath Which rendered him unjustly merciless,

Canto 71
Beatrice explains that all blessed souls share the same heaven, appearing in different spheres for Dante's understanding.

Canto 71

Beatrice Dante

They showed themselves here, not because allotted This sphere has been to them, but to give sign Of the celestial which is least exalted.

Canto 71
Beatrice clarifies that Piccarda and Costanza both spoke truth about coerced vows and differing kinds of will.

Canto 71

Beatrice Piccarda Costanza (daughter) Dante

Hence when Piccarda uses this expression, She meaneth the will absolute, and I The other, so that both of us speak truth.

Canto 72
Beatrice teaches Dante that vows are binding and cannot be casually compensated or exchanged.

Canto 72

Dante Beatrice

The greatest gift that in his largess God Creating made, and unto his own goodness Nearest conformed, and that which he doth prize Most highly, is the freedom of the will, Wherewith the creatures of intelligence Both all and only were and are endowed.

Canto 72
Beatrice authorizes Dante to question the holy spirits without fear.

Canto 72

Dante Beatrice

Thus by some one among those holy spirits Was spoken, and by Beatrice: “Speak, speak Securely, and believe them even as Gods.”

Canto 73
Justinian removes useless and redundant provisions from the laws.

Canto 73

Justinian

Who, by the will of primal Love I feel, Took from the laws the useless and redundant;

Canto 73
Agapetus leads Justinian to accept the true faith.

Canto 73

Agapetus Justinian

But blessed Agapetus, he who was The supreme pastor, to the faith sincere Pointed me out the way by words of his. Him I believed, and what was his assertion

Canto 73
Justinian entrusts the military command to Belisarius and retires.

Canto 73

Justinian Belisarius

And to my Belisarius I commended The arms, to which was heaven’s right hand so joined It was a signal that I should repose.

Canto 73
Caesar assumes the imperial eagle by Rome’s will.

Canto 73 · 📍 [[Rome]] · near unto the time when heaven had willed

Caesar

Then, near unto the time when heaven had willed To bring the whole world to its mood serene, Did Caesar by the will of Rome assume it.

Canto 73
Caesar’s campaign turns against Ptolemy and then strikes Juba.

Canto 73 · 📍 [[Nile]]

Caesar Ptolemy Juba

Antandros and the Simois, whence it started, It saw again, and there where Hector lies, And ill for Ptolemy then roused itself. From thence it came like lightning upon Juba;

Canto 73
Romeo secures queenship for Raymond Berenger’s four daughters.

Canto 73 · 📍 [[Provence]]

Romeo Raymond Berenger

Four daughters, and each one of them a queen, Had Raymond Berenger, and this for him Did Romeo, a poor man and a pilgrim;

Canto 73
Raymond summons Romeo to account, and Romeo settles the disputed reckoning.

Canto 73

Raymond Berenger Romeo

And then malicious words incited him To summon to a reckoning this just man, Who rendered to him seven and five for ten.

Canto 73
Romeo departs impoverished and aged after losing his position.

Canto 73 · Then

Romeo

Then he departed poor and stricken in years, And if the world could know the heart he had, In begging bit by bit his livelihood,

Canto 74
Human nature was expelled from Paradise after turning away from truth.

Canto 74 · 📍 [[Paradise]]

God

Your nature when it sinned so utterly, In its own seed, out of these dignities Even as out of Paradise was driven,

Canto 74
The Son of God became incarnate to restore humanity to perfect life.

Canto 74

God Christ

And all the other modes were insufficient For justice, were it not the Son of God Himself had humbled to become incarnate.

Canto 74
The incarnate Son of God suffered death on the cross, pleasing God and opening Heaven.

Canto 74

God Christ

Considering who the Person was that suffered, Within whom such a nature was contracted. From one act therefore issued things diverse; To God and to the Jews one death was pleasing; Earth trembled at it and the Heaven was opened.

Canto 74
God gave himself to enable humanity to uplift itself and regain its perfect life.

Canto 74

God

For God more bounteous was himself to give To make man able to uplift himself, Than if he only of himself had pardoned;

Canto 74
God created the angels, the land, matter, and the informing influences within the stars.

Canto 74

God

The Angels, brother, and the land sincere In which thou art, created may be called Just as they are in their entire existence;

Canto 75
Ancient nations worshipped Cypria, Dione, and Cupid, believing Cupid had sat in Dido’s lap.

Canto 75

Venus Dione Cupid Dido

But both Dione honoured they and Cupid, That as her mother, this one as her son, And said that he had sat in Dido’s lap;

Canto 75
Palermo’s revolt prevented Charles from ruling Sicily as its monarch.

Canto 75 · 📍 [[Palermo]]

Charles

If evil lordship, that exasperates ever The subject populations, had not moved Palermo to the outcry of ‘Death! death!’

Canto 75
Dante receives a providential explanation for diverse human natures and social offices.

Canto 75 · 📍 [[third heaven]]

Dante Charles

Hence one is Solon born, another Xerxes, Another Melchisedec, and another he Who, flying through the air, his son did lose.

Canto 75
Providence makes Esau and Jacob differ in their inherited natures.

Canto 75

Esau Jacob

Thence happens it that Esau differeth In seed from Jacob;

Canto 75
Quirinus is attributed to Mars despite having an ignoble earthly father.

Canto 75

Quirinus Mars

And Quirinus comes From sire so vile that he is given to Mars.

Canto 76
Charles reveals to Dante that his descendants will suffer treacheries.

Canto 76

Charles Dante

Beautiful Clemence, after that thy Charles Had me enlightened, he narrated to me The treacheries his seed should undergo;

Canto 76
Cunizza identifies herself as a soul shining in the sphere of Venus.

Canto 76 · 📍 [[Italy]]

Cunizza Dante

Out of one root were born both I and it; Cunizza was I called, and here I shine Because the splendour of this star o’er-came me.

Canto 76
Cunizza foretells Padua’s punishment for its people’s stubbornness against duty.

Canto 76 · 📍 [[Padua]] · soon

Cunizza Dante

But soon ’twill be that Padua in the marsh Will change the water that Vicenza bathes, Because the folk are stubborn against duty;

Canto 76
Folco reveals his identity and says his light is imprinted in the heavenly sphere.

Canto 76

Folco Dante

Folco that people called me unto whom My name was known; and now with me this heaven Imprints itself, as I did once with it;

Canto 76
Folco reveals that Rahab rests within the adjacent light and occupies the sphere’s highest grade.

Canto 76

Folco Rahab Dante

Then know thou, that within there is at rest Rahab, and being to our order joined, With her in its supremest grade ’tis sealed.

Canto 76
Rahab becomes the first soul of Christ’s triumph to enter the highest heaven.

Canto 76 · before all other souls

Rahab Christ

Into this heaven, where ends the shadowy cone Cast by your world, before all other souls First of Christ’s triumph was she taken up.

Canto 76
Rahab is honored because she favored Joshua’s first glorious deed in the Holy Land.

Canto 76 · 📍 [[Holy Land]]

Rahab Joshua

Because she favoured the first glorious deed Of Joshua upon the Holy Land, That little stirs the memory of the Pope.

Canto 76
Beatrice assures Dante of her assent as he seeks further revelation.

Canto 76

Dante Beatrice

The eyes of Beatrice, that fastened were Upon me, as before, of dear assent To my desire assurance gave to me.

Canto 77
Dante is raised by grace to the Sun of Angels.

Canto 77

Dante

Give thanks, give thanks Unto the Sun of Angels, who to this Sensible one has raised thee by his grace!

Canto 77
Thomas identifies himself, Albertus, and Dominic within the holy flock.

Canto 77

Dominic Albertus of Cologne Thomas of Aquinum

Of the lambs was I of the holy flock Which Dominic conducteth by a road Where well one fattens if he strayeth not. He who is nearest to me on the right My brother and master was; and he Albertus Is of Cologne, I Thomas of Aquinum.

Canto 78
Dante is received into Heaven with Beatrice.

Canto 78

Dante Beatrice

When I, from all these things emancipate, With Beatrice above there in the Heavens With such exceeding glory was received!

Canto 78
Francis unites with Poverty and loves her increasingly as his spiritual companion.

Canto 78

Francis Poverty

He was not yet far distant from his rising Before he had begun to make the earth Some comfort from his mighty virtue feel. For he in youth his father’s wrath incurred For certain Dame, to whom, as unto death, The gate of pleasure no one doth unlock; And was before his spiritual court ‘Et coram patre’ unto her united; Then day by day more fervently he loved her.

Canto 78
Bernard joins Francis’s devoted followers by barefooting himself.

Canto 78

Bernard

So much so that the venerable Bernard First bared his feet, and after so great peace Ran, and, in running, thought himself too slow.

Canto 78
Giles and Sylvester follow Francis by removing their shoes.

Canto 78

Giles Sylvester

Giles bares his feet, and bares his feet Sylvester Behind the bridegroom, so doth please the bride!

Canto 78
Francis presents his determined religious purpose to Innocent and receives the Order’s first seal.

Canto 78

Francis Innocent

But regally his hard determination To Innocent he opened, and from him Received the primal seal upon his Order.

Canto 78
Honorius grants Francis’s religious purpose a second official confirmation.

Canto 78

Francis Honorius

Incoronated with a second crown Was through Honorius by the Eternal Spirit The holy purpose of this Archimandrite.

Canto 78
Christ grants Francis the final seal on the rock between the Tiber and Arno.

Canto 78

Francis Christ

On the rude rock ’twixt Tiber and the Arno From Christ did he receive the final seal, Which during two whole years his members bore.

Canto 78
Before departing for his heavenly reward, Francis entrusts Poverty to his friars.

Canto 78

Francis Poverty

Unto his friars, as to the rightful heirs, His most dear Lady did he recommend, And bade that they should love her faithfully;

Canto 79
God established a covenant with Noah so the world would never again be covered by a flood.

Canto 79

God Noah

God set with Noah, presageful of the world That shall no more be covered with a flood,

Canto 79
Dominic was born in Calahorra with extraordinary spiritual energy.

Canto 79 · 📍 [[Calahorra]]

Dominic

Therein was born the amorous paramour Of Christian Faith, the athlete consecrate,

Canto 79
Dominic received his name through divine inspiration.

Canto 79

Dominic

A spirit from this place went forth to name him With His possessive whose he wholly was. Dominic was he called;

Canto 79
Dominic became a great teacher and began tending the Catholic vineyard.

Canto 79

Dominic

He in short time became so great a teacher, That he began to go about the vineyard,

Canto 79
Dominic received apostolic authority and fought most fiercely against heretical movements.

Canto 79

Dominic

Then with the doctrine and the will together, With office apostolical he moved, Like torrent which some lofty vein out-presses; And in among the shoots heretical His impetus with greater fury smote,

Canto 79
Illuminato and Agostino became barefooted beggars who joined the community of God's friends.

Canto 79

Illuminato Agostino

Here are Illuminato and Agostino, Who of the first barefooted beggars were That with the cord the friends of God became.

Canto 80
Beatrice guides Dante through the relationship between divine creation and human nature.

Canto 80

Dante Beatrice

Now ope thine eyes to what I answer thee, And thou shalt see thy creed and my discourse Fit in the truth as centre in a circle.

Canto 80
Beatrice explains that Solomon’s peerless wisdom concerned righteous kingship, not abstract philosophical questions.

Canto 80

Dante Beatrice

Clearly he was a king who asked for wisdom, That he might be sufficiently a king;

Canto 80
Beatrice condemns Sabellius and Arius for distorting Scripture through false reasoning.

Canto 80

Beatrice Sabellius Arius

Thus did Sabellius, Arius, and those fools Who have been even as swords unto the Scriptures In rendering distorted their straight faces.

Canto 81
Beatrice asks Dante to learn whether resurrected flesh will alter the blessed spirits’ light.

Canto 81

Beatrice Dante Thomas of Aquinum

This man has need (and does not tell you so, Nor with the voice, nor even in his thought) Of going to the root of one truth more.

Canto 81
The blessed spirits reveal that resurrected bodies will increase their vision, ardour, and radiance.

Canto 81

Dante

When, glorious and sanctified, our flesh Is reassumed, then shall our persons be More pleasing by their being all complete;

Canto 81
A third circle of luminous subsistences appears outside the first two.

Canto 81

Dante

It seemed to me that new subsistences Began there to be seen, and make a circle Outside the other two circumferences.

Canto 81
Dante ascends with Beatrice to a higher level of salvation.

Canto 81

Dante Beatrice

Then to uplift themselves mine eyes resumed The power, and I beheld myself translated To higher salvation with my Lady only.

Canto 81
Dante’s sacrificial offering is accepted as a favorable response to his new grace.

Canto 81

Dante

And not yet from my bosom was exhausted The ardour of sacrifice, before I knew This offering was accepted and auspicious;

Canto 81
Dante invokes Helios after witnessing the transformed splendors.

Canto 81

Dante Helios

For with so great a lustre and so red Splendours appeared to me in twofold rays, I said: “O Helios who dost so adorn them!”

Canto 81
Christ appears like lightning across the luminous cross in Mars.

Canto 81 · 📍 Mars

Christ Dante

For on that cross as levin gleamed forth Christ, So that I cannot find ensample worthy;

Canto 82
Cacciaguida became Christian in the ancient Baptistery through Mary’s intercession.

Canto 82 · 📍 [[ancient Baptistery]]

Mary Cacciaguida

Did Mary give me, with loud cries invoked, And in your ancient Baptistery at once Christian and Cacciaguida I became.

Canto 82
Cacciaguida married a woman from Val di Pado, from which Dante’s surname derived.

Canto 82 · 📍 [[Val di Pado]]

Cacciaguida

From Val di Pado came to me my wife, And from that place thy surname was derived.

Canto 82
Cacciaguida followed Emperor Conrad, who invested him with chivalry for his noble deeds.

Canto 82 · afterward

Cacciaguida Emperor Conrad

I followed afterward the Emperor Conrad, And he begirt me of his chivalry, So much I pleased him with my noble deeds.

Canto 82
Cacciaguida was released from worldly bonds through martyrdom and entered eternal peace.

Canto 82

Cacciaguida

There by that execrable race was I Released from bonds of the fallacious world, The love of which defileth many souls, And came from martyrdom unto this peace.

Canto 83
Dante receives an ancestral account of Florence’s former families and civic order.

Canto 83 · 📍 [[Florence]]

Dante

All those who at that time were there between Mars and the Baptist, fit for bearing arms, Were a fifth part of those who now are living;

Canto 84
Dante is foretold that he must depart Florence through impending banishment.

Canto 84 · 📍 [[Florence]] · soon

Dante

So thou from Florence must perforce depart. Already this is willed, and this is sought for; And soon it shall be done by him who thinks it,

Canto 84
Dante will abandon everything he loves most tenderly as banishment begins.

Canto 84

Dante

Thou shalt abandon everything beloved Most tenderly, and this the arrow Is Which first the bow of banishment shoots forth.

Canto 84
The mighty Lombard’s courtesy will provide Dante’s earliest refuge and lodging.

Canto 84 · earliest refuge and earliest inn

Dante the mighty Lombard

Thine earliest refuge and thine earliest inn Shall be the mighty Lombard’s courtesy,

Canto 84
The Gascon will cheat Henry before Henry’s virtue becomes publicly apparent.

Canto 84 · ere the Gascon cheat the noble Henry

the Gascon Henry

But ere the Gascon cheat the noble Henry, Some sparkles of his virtue shall appear In caring not for silver nor for toil.

Canto 84
Henry’s magnificence will become so recognized that his enemies cannot suppress its fame.

Canto 84 · hereafter

Henry

So recognized shall his magnificence Become hereafter, that his enemies Will not have power to keep mute tongues about it.

Canto 84
Henry’s benefits will transform many people’s conditions between wealth and mendicancy.

Canto 84

Henry

By him shall many people be transformed, Changing condition rich and mendicant;

Canto 85
Beatrice leads Dante toward God.

Canto 85

Beatrice Dante God

And the Lady who to God was leading me Said: “Change thy thought; consider that I am Near unto Him who every wrong disburdens.”

Canto 85
Peter and Paul died for the vineyard they served.

Canto 85

Peter Paul

That Peter and that Paul, who for this vineyard Which thou art spoiling died, are still alive!

Canto 86
The interwoven souls form a speaking eagle, expressing collectively as “I” and “My.”

Canto 86

the eagle

For speak I saw, and likewise heard, the beak, And utter with its voice both ‘I’ and ‘My,’ When in conception it was ‘We’ and ‘Our.’

Canto 86
A virtuous man from Indus dies unbaptised and without faith, raising the question of divine justice.

Canto 86 · 📍 [[the shore of Indus]]

a man born on the shore of Indus

He dieth unbaptised and without faith; Where is this justice that condemneth him? Where is his fault, if he do not believe?

Canto 86
The judgment divides people into two companies, with some professed Christians farther from Christ than nonbelievers.

Canto 86 · at the judgment

Christ the Ethiop

But look thou, many crying are, ‘Christ, Christ!’ Who at the judgment shall be far less near To him than some shall be who knew not Christ.

Canto 86
Albert’s deeds will cause the realm of Prague to be deserted.

Canto 86 · 📍 [[the realm of Prague]] · ere long

Albert

There shall be seen, among the deeds of Albert, That which ere long shall set the pen in motion, For which the realm of Prague shall be deserted.

Canto 86
The falsifier of coin brings woe upon the Seine and dies from a wild-boar attack.

Canto 86 · 📍 [[the Seine]]

the falsifier of coin

There shall be seen the woe that on the Seine He brings by falsifying of the coin, Who by the blow of a wild boar shall die.

Canto 86
Nicosia and Famagosta lament and rage under their ruling beast.

Canto 86 · 📍 [[Nicosia]] · now

Nicosia Famagosta

And shall appear to each one the foul deeds Of uncle and of brother who a nation So famous have dishonoured, and two crowns. And he of Portugal and he of Norway Shall there be known, and he of Rascia too, Who saw in evil hour the coin of Venice. O happy Hungary, if she let herself Be wronged no farther! and Navarre the happy, If with the hills that gird her she be armed! And each one may believe that now, as hansel Thereof, do Nicosia and Famagosta Lament and rage because of their own beast, Who from the others’ flank departeth not.

Canto 87
Guglielmo is identified as a blessed light, revealing heaven’s love for a just king.

Canto 87

Guglielmo

And he, whom in the downward arc thou seest, Guglielmo was, whom the same land deplores That weepeth Charles and Frederick yet alive; Now knoweth he how heaven enamoured is With a just king; and in the outward show Of his effulgence he reveals it still.

Canto 88
Dante and Beatrice ascend to the seventh splendour of Paradise.

Canto 88

Dante Beatrice

We are uplifted to the seventh splendour,

Canto 88
Peter Damiano reveals his identity and former name as Peter the Sinner.

Canto 88 · 📍 [[Catria]]

Peter Damiano

I in that place was Peter Damiano; And Peter the Sinner was I in the house Of Our Lady on the Adriatic shore.

Canto 88
Peter Damiano devoted himself steadfastly to God’s service in the hermitage.

Canto 88 · 📍 [[Catria]]

Peter Damiano

Therein Unto God’s service I became so steadfast, That feeding only on the juice of olives Lightly I passed away the heats and frosts, Contented in my thoughts contemplative.

Canto 88
Peter Damiano was called from his contemplative life to become a cardinal.

Canto 88

Peter Damiano

Little of mortal life remained to me, When I was called and dragged forth to the hat Which shifteth evermore from bad to worse.

Canto 89
Beatrice guides Dante upward through the heavenly stairway with a single sign.

Canto 89

Beatrice Dante

The gentle Lady urged me on behind them Up o’er that stairway by a single sign, So did her virtue overcome my nature;

Canto 89
Dante enters the sign following Taurus after ascending through the seven celestial spheres.

Canto 89

Dante

before I saw The sign that follows Taurus, and was in it.

Canto 89
Dante perceives Hyperion with Maia and Dione moving around and near him.

Canto 89

Dante Hyperion Maia Dione

The aspect of thy son, Hyperion, Here I sustained, and saw how move themselves Around and near him Maia and Dione.

Canto 90
Beatrice reveals Christ’s triumphal hosts and the harvest of the celestial spheres to Dante.

Canto 90

Beatrice Dante Christ

And Beatrice exclaimed: “Behold the hosts Of Christ’s triumphal march, and all the fruit Harvested by the rolling of these spheres!”

Canto 90
Beatrice declares Dante strong enough to endure her smile and commands him to open his eyes.

Canto 90

Beatrice Dante

“Open thine eyes, and look at what I am: Thou hast beheld such things, that strong enough Hast thou become to tolerate my smile.”

Canto 90
Beatrice redirects Dante’s gaze from her toward the garden blossoming under Christ’s rays.

Canto 90

Beatrice Dante Christ

“Why doth my face so much enamour thee, That to the garden fair thou turnest not, Which under the rays of Christ is blossoming?”

Canto 90
Angelic Love circles Mary’s joy while she follows Christ into the supreme sphere.

Canto 90

Angelic Love Mary Christ

“I am Angelic Love, that circle round The joy sublime which breathes from out the womb That was the hostelry of our Desire; And I shall circle, Lady of Heaven, while Thou followest thy Son, and mak’st diviner The sphere supreme, because thou enterest there.”

Canto 90
The celestial lights reveal their deep affection for Mary by reaching upward toward her.

Canto 90

Mary Dante

Each of those gleams of whiteness upward reached So with its summit, that the deep affection They had for Mary was revealed to me.

Canto 90
The celestial lights sing Regina coeli in celebration of Mary.

Canto 90

Mary

Thereafter they remained there in my sight, ‘Regina coeli’ singing with such sweetness, That ne’er from me has the delight departed.

Canto 91
Beatrice appoints Peter to examine Dante’s Christian faith.

Canto 91

Beatrice Peter Dante

This one examine on points light and grave, As good beseemeth thee, about the Faith

Canto 91
Dante professes belief in one eternal God and the Trinity.

Canto 91

Dante God

And I respond: In one God I believe, Sole and eterne, who moveth all the heavens With love and with desire, himself unmoved;

Canto 91
Peter approves Dante’s profession of faith and blesses him.

Canto 91

Peter Dante

So, giving me its benediction, singing, Three times encircled me, when I was silent, The apostolic light

Canto 92
Dante enters the Faith, and Peter encircles his brow for its sake.

Canto 92

Dante Peter

Because into the Faith that maketh known All souls to God there entered I, and then Peter for her sake thus my brow encircled.

Canto 92
Jesus gives three disciples greater clarity about Hope.

Canto 92

Christ

As Jesus to the three gave greater clearness.

Canto 92
Dante is granted passage from Egypt to Jerusalem before completing his spiritual warfare.

Canto 92 · 📍 [[Jerusalem]] · Or ever yet his warfare be completed

Dante

Therefore it is conceded him from Egypt To come into Jerusalem to see, Or ever yet his warfare be completed.

Canto 92
Dante receives scriptural confirmation that the blessed will wear two garments in eternal life.

Canto 92

Dante

Thy brother, too, far more explicitly, There where he treateth of the robes of white, This revelation manifests to us.

Canto 92
Dante loses sight of Beatrice despite standing close beside her.

Canto 92 · 📍 [[Happy World]]

Dante Beatrice

Ah, how much in my mind was I disturbed, When I turned round to look on Beatrice, That her I could not see, although I was Close at her side and in the Happy World!

Canto 93
Beatrice restores Dante’s sight with her radiance.

Canto 93

Dante Beatrice

So from before mine eyes did Beatrice Chase every mote with radiance of her own, That cast its light a thousand miles and more.

Canto 93
Dante’s love turns from perverse desires toward God.

Canto 93

Dante God

Have drawn me from the sea of love perverse, And of the right have placed me on the shore.

Canto 93
God placed Adam in the lofty garden.

Canto 93 · 📍 [[lofty garden]]

Adam God

Thou fain wouldst hear how long ago God placed me Within the lofty garden

Canto 93
Adam reveals that transgressing the boundary, not tasting the tree, caused his exile.

Canto 93

Adam Dante

The tasting of the tree Not in itself was cause of so great exile, But solely the o’erstepping of the bounds.

Canto 93
Adam reveals that his language had vanished before Nimrod’s people began their work.

Canto 93

Adam Dante

The language that I spake was quite extinct Before that in the work interminable The people under Nimrod were employed;

Canto 93
Adam explains that humanity once called God “El” and later called Him “Eli.”

Canto 93

Adam God

‘El’ was on earth the name of the Chief Good, From whom comes all the joy that wraps me round ‘Eli’ he then was called

Canto 94
Sixtus, Pius, Urban, and Calixtus shed their blood to secure the Christian life.

Canto 94 · 📍 [[Paradise]]

Sixtus Pius Urban Calixtus

But in acquest of this delightful life Sixtus and Pius, Urban and Calixtus, After much lamentation, shed their blood.

Canto 94
Beatrice changes countenance after hearing the denunciation of corrupt church leadership.

Canto 94 · 📍 [[Paradise]]

Beatrice

Even thus did Beatrice change countenance; And I believe in heaven was such eclipse, When suffered the supreme Omnipotence;

Canto 94
Beatrice impels Dante upward into the swiftest heaven through the power of her gaze.

Canto 94

Beatrice Dante

The virtue that her look endowed me with From the fair nest of Leda tore me forth, And up into the swiftest heaven impelled me.

Canto 95
Beatrice resolves Dante’s confusion by explaining the hierarchy and motions of the celestial circles.

Canto 95

Beatrice Dante

Thus did I likewise, after that my Lady Had me provided with her clear response, And like a star in heaven the truth was seen.

Canto 95
Dionysius names and distinguishes the angelic orders, but Gregory later dissents from his classification.

Canto 95

Dionysius Gregory

And Dionysius with so great desire To contemplate these Orders set himself, He named them and distinguished them as I do. But Gregory afterwards dissented from him;

Canto 95
Gregory’s heavenly vision reveals more truth about the angelic circles than he had offered on earth.

Canto 95

Gregory

For he who saw it here revealed it to him, With much more of the truth about these circles.

Canto 96
God unfolded Eternal Love into new Loves and brought matter and form into existence.

Canto 96

God

Into new Loves the Eternal Love unfolded. Nor as if torpid did he lie before; For neither after nor before proceeded The going forth of God upon these waters. Matter and Form unmingled and conjoined Came into being that had no defect

Canto 96
God created the triform effect simultaneously and without distinction of beginning.

Canto 96

God

So from its Lord did the triform effect Ray forth into its being all together, Without discrimination of beginning.

Canto 96
God created order among substances, placing pure act at the summit of creation.

Canto 96

God

Order was con-created and constructed In substances, and summit of the world Were those wherein the pure act was produced.

Canto 96
A portion of the angels disturbed the elements, while the rest remained and began their circling.

Canto 96

angels

Nor could one reach, in counting, unto twenty So swiftly, as a portion of these angels Disturbed the subject of your elements. The rest remained, and they began this art Which thou discernest, with so great delight That never from their circling do they cease.

Canto 96
The presumption of the One caused the fall of rebellious angels.

Canto 96

the One

The occasion of the fall was the accursed Presumption of that One, whom thou hast seen By all the burden of the world constrained.

Canto 96
The obedient angels received enlightening grace, and their vision was exalted.

Canto 96

angels

On which account their vision was exalted By the enlightening grace and their own merit, So that they have a full and steadfast will.

Canto 96
Christ gave his first disciples a true foundation instead of permission to preach idle tales.

Canto 96

Christ the first disciples

Christ did not to his first disciples say, ‘Go forth, and to the world preach idle tales,’ But unto them a true foundation gave;

Canto 97
Beatrice leads Dante from the outermost heaven into the heaven of pure light.

Canto 97 · 📍 [[heaven that is pure light]]

Dante Beatrice

With voice and gesture of a perfect leader She recommenced: “We from the greatest body Have issued to the heaven that is pure light;

Canto 97
Beatrice’s words renew Dante’s vision, enabling him to withstand the greater light.

Canto 97

Dante Beatrice

No sooner had within me these brief words An entrance found, than I perceived myself To be uplifted over my own power, And I with vision new rekindled me,

Canto 97
Dante drinks from the heavenly river and gains a transformed vision of Paradise’s two courts.

Canto 97

Dante

There is no babe that leaps so suddenly With face towards the milk, if he awake Much later than his usual custom is, As I did, that I might make better mirrors Still of mine eyes, down stooping to the wave Which flows that we therein be better made.

Canto 97
Dante beholds the heavenly Rose, with the saints arranged around its divine light.

Canto 97 · 📍 [[Rose Eternal]]

Dante

So, ranged aloft all round about the light, Mirrored I saw in more ranks than a thousand All who above there have from us returned.

Canto 97
Beatrice reveals that Henry will occupy the prepared throne as Augustus and restore Italy.

Canto 97 · 📍 [[Rose Eternal]]

Dante Beatrice

On that great throne whereon thine eyes are fixed For the crown’s sake already placed upon it, Before thou suppest at this wedding feast Shall sit the soul (that is to be Augustus On earth) of noble Henry, who shall come To redress Italy ere she be ready.

Canto 97
Dante beholds the divine light that makes the Creator visible to every creature.

Canto 97

Dante God

There is a light above, which visible Makes the Creator unto every creature, Who only in beholding Him has peace,

Canto 98
Beatrice sends Bernard to complete Dante’s journey.

Canto 98

Beatrice Bernard Dante

To put an end to thy desire, Me Beatrice hath sent from mine own place.

Canto 98
Dante sees Beatrice enthroned in the rank assigned by her merits.

Canto 98

Beatrice Dante

And if thou lookest up to the third round Of the first rank, again shalt thou behold her Upon the throne her merits have assigned her.

Canto 98
Beatrice turns away after receiving Dante’s prayer for continued salvation.

Canto 98

Beatrice Dante

Thus I implored; and she, so far away, Smiled, as it seemed, and looked once more at me; Then unto the eternal fountain turned.

Canto 98
Bernard assumes guidance of Dante and instructs him to survey Paradise’s heavenly garden.

Canto 98

Bernard Dante

That thou mayst Accomplish perfectly thy journeying, Whereunto prayer and holy love have sent me, Fly with thine eyes all round about this garden;

Canto 98
Dante acknowledges that Beatrice has brought him from slavery into freedom.

Canto 98

Beatrice Dante

Thou from a slave hast brought me unto freedom, By all those ways, by all the expedients, Whereby thou hadst the power of doing it.

Canto 99
Christ entrusted Peter with the keys of the sacred flower.

Canto 99

Christ Peter

Of Holy Church, into whose keeping Christ The keys committed of this lovely flower.

Canto 99
Christ decreed that the Son of God would assume human burdens, prompting an angel to bear the palm to Mary.

Canto 99

Christ Mary

Because he is the one who bore the palm Down unto Mary, when the Son of God To take our burden on himself decreed.

Canto 99
Lucia moved Beatrice to descend when Dante turned downward in distress.

Canto 99

Lucia Beatrice Dante

Lucia sits, she who thy Lady moved When to rush downward thou didst bend thy brows.

Canto 99
Virgilius begins praying so Dante may obtain the grace needed to advance toward divine vision.

Canto 99

Dante Virgilius

And thou shalt follow me with thy affection That from my words thy heart turn not aside.” And he began this holy orison.

Canto 100
Bernard petitions the Virgin Mother to grant Dante a higher vision of salvation.

Canto 100

Bernard Mary Dante

Now doth this man, who from the lowest depth Of the universe as far as here has seen One after one the spiritual lives, Supplicate thee through grace for so much power That with his eyes he may uplift himself Higher towards the uttermost salvation.

Canto 100
Bernard signals Dante to look upward toward the supreme light.

Canto 100

Bernard Dante

Bernard was beckoning unto me, and smiling, That I should upward look; but I already Was of my own accord such as he wished;

Canto 100
Dante's purified sight enters the ray of the High Light and approaches ultimate vision.

Canto 100

Dante

Because my sight, becoming purified, Was entering more and more into the ray Of the High Light which of itself is true.

Canto 100
Dante beholds the divine threefold circles and recognizes humanity's image within the eternal light.

Canto 100

Dante Christ

Within the deep and luminous subsistence Of the High Light appeared to me three circles, Of threefold colour and of one dimension, And by the second seemed the first reflected As Iris is by Iris, and the third Seemed fire that equally from both is breathed.

Canto 100
A flash of lightning grants Dante the insight he sought into the divine image.

Canto 100

Dante

But my own wings were not enough for this, Had it not been that then my mind there smote A flash of lightning, wherein came its wish.

Canto 100
Dante's desire and will become aligned with the love moving the sun and stars.

Canto 100

Dante

But now was turning my desire and will, Even as a wheel that equally is moved, The Love which moves the sun and the other stars.

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